was merely from carelessness that the Ottleys had never been asked before.

When Edith and Bruce found themselves in the large square country-house-looking hall, with its oak beams and early English fireplace, about twenty people had arrived, and as many more were expected. A lively chatter had already begun; for each woman had been offered on her arrival a basket from which she had to choose a brightly coloured ribbon. These ribbons matched the rosettes presented in an equally haphazard way to every man. As Vincy observed, it gave one the rather ghastly impression that there was going to be a cotillion at once, on sight, before dinner; which was a little frightening. In reality it was merely so that the partners for the meal should be chosen by chance. Mitchell thought this more fun than arranging guests; but there was an element of gambling about it that made wary people nervous. Everyone present would have cheated had it been possible. But it was not.

Mrs Mitchell was a tiny brown-eyed creature, who looked absurdly young; she was kind, sprightly, and rather like a grouse. Mitchell was a jovial-looking man, with a high forehead, almost too much ease of manner, and a twinkling eye.

The chief guests tonight consisted of Lord Rye, a middle-aged suffraget, who was known for his habit of barking before he spoke and for his wonderful ear for music—he could play all Richard, Oscar and Johann Strauss's compositions by ear on the piano, and never mixed them up; Aylmer Ross, the handsome barrister; Myra Mooney, who had been on the stage; and an intelligent foreigner from the embassy, with a decoration, a goat-like beard, and an Armenian accent. Mrs Mitchell said he was the minister from some place with a name like Ruritania. She had a vague memory. There was also a Mr Cricker, a very young man of whom it was said that he could dance like Nijinsky, but never would; and the rest were chiefly Foreign Office clerks (like Mitchell and Bruce), more barristers and their wives, a soldier or two, some undergraduates, a lady photographer, a few pretty girls, and vague people. There were to be forty guests for dinner and a few more in the evening.

Almost immediately on her arrival Edith noticed a tall, clean-shaven man, with smooth fair hair, observant blue eyes, and a rather humorous expression, and she instantly decided that she would try to will him to take her to dinner. (Rather a superfluous effort of magnetism, since it must have been settled already by fate and the ribbons.) It was obvious from one quick glance that he shared the wish. To their absurdly great mutual disappointment (a lot of ground was covered very quickly at the Mitchells), their ribbons didn't match, and she was taken to dinner by Captain Willis, who looked dull. Fortune, however, favoured her. On her other side she found the man who looked amusing. He was introduced to her across the table by Mrs Mitchell, with empressement, as Mr Aylmer Ross.

Edith felt happy tonight; her spirits were raised by what she felt to be an atmosphere tičde, as the French say; full of indulgence, sympathetic, relaxing, in which either cleverness or stupidity could float equally at its ease. The puerility of the silly little arrangements to amuse removed all sense of ceremony. The note is always struck by the hostess, and she was everything that was amiable, without effort or affectation.

No-one was ever afraid of her.

Bruce's neighbour at dinner was the delicate, battered-looking actress, in a Royal fringe and a tight bodice with short sleeves, who had once been a celebrity, though no-one remembered for what. Miss Myra Mooney, formerly a beauty, had known her days of success. She had been the supreme performer of ladylike parts. She had been known as the very quintessence of refinement. It was assumed when she first came out that a duke would go to the devil for her in her youth, and that in her late maturity she would tour the provinces with The Three Musketeers. Neither of these prophecies had, however, been fulfilled. She still occasionally took small middle-aged titled parts in repertoire matinees. She was unable to help referring constantly to the hit she made in Peril at Manchester in 1887; nor could she ever resist speaking of the young man who sent her red carnations every day of his blighted existence for fifteen years; a pure romance, indeed, for, as she owned, he never even wished to be introduced to her. She still called him poor boy, oblivious of the fact that he was now sixty-eight, and, according to the illustrated papers, spent his entire time in giving away a numberless succession of daughters in brilliant marriage at St George's, Hanover Square.

In this way Miss Mooney lived a good deal in the past, but she was not unaware of the present, and was always particularly nice to people generally regarded as bores. So she was never without plenty of invitations. Mitchell had had formerly a slight tendre for her, and in his good nature pretended to think she had not altered a bit. She was still refined comme cela ne se fait plus; it was practically no longer possible to find such a perfect lady, even on the stage. As she also had all the easy good nature of the artist, and made herself extremely agreeable, Bruce was delighted with her, and evidently thought he had drawn a prize.

'I wondered,' Aylmer Ross said, 'whether this could possibly happen.
First I half hoped it might; then I gave it up in despair.'

'So did I,' said Edith; 'and yet I generally know. I've a touch of second sight, I think—at dinner-parties.'

'Oh, well, I have second sight too—any amount; only it's always wrong.
However!…'

'Aren't the Mitchells dears?' said Edith.

'Oh, quite. Do you know them well?'

'Very well, indeed. But I've never seen them before.'

'Ah, I see. Well, now we've found our way here—broken the ice and that sort of thing—we must often come and dine with them, mustn't we, Mrs Ottley? Can't we come again next week?'

'Very sweet of you to ask us, I'm sure.'

'Not at all; very jolly of us to turn up. The boot is on the other leg, or whatever the phrase is. By the way, I'm sure you know everything, Mrs Ottley, tell me, did people ever wear only one boot at a time, do you think, or how did this expression originate?'

'I wonder.'

Something in his suave manner of taking everything for granted seemed to make them know each other almost too quickly, and gave her an odd sort of self-consciousness. She turned to Captain Willis on her other side.

'I say,' he said querulously, 'isn't this a bit off? We've got the same coloured ribbons and you haven't said a word to me yet! Rather rot, isn't it, what?'

'Oh, haven't I? I will now.'

Captain Willis lowered his voice to a confidential tone and said: 'Do you know, what I always say is—live and let live and let it go at that; what?'

'That's a dark saying,' said Edith.

'Have a burnt almond,' said Captain Willis inconsequently, as though it would help her to understand. 'Yes, Mrs Ottley, that's what I always say…. But people won't, you know—they won't—and there it is.' He seemed resigned. 'Good chap, Mitchell, isn't he? Musical chairs, I believe—that's what we're to play this evening; or bridge, whichever we like. I shall go in for bridge. I'm not musical.'

'And which shall you do?' asked Aylmer of Edith. He had evidently been listening.

'Neither.'

'We'll talk then, shall we? I can't play bridge either…. Mrs
Ottley—which is your husband? I didn't notice when you came in.'

'Over there, opposite; the