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قراءة كتاب Thaumaturgia; Or, Elucidations of the Marvellous

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Thaumaturgia; Or, Elucidations of the Marvellous

Thaumaturgia; Or, Elucidations of the Marvellous

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دار النشر: Project Gutenberg
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a specimen of de Haen's[2] authorities, extracted from the fathers. The following from Jerome will need no comment. This father, in his life of St. Hilario the hermit, relates that a young man of the town of Gaza in Syria, fell deeply in love with a pious virgin in the neighbourhood. He attacked her with looks, whispers, professions, caresses, and all those arguments which usually conquer yielding virginity; but finding them all ineffectual, he resolved to repair to Memphis, the residence of many eminent conjurers, and implore their magic aid. He remained there for a year, till he was fully instructed in the art. He then returned home, exulting in his acquisitions, and feasting his imagination with the luscious scenes he was now confident of realizing. All he had to do was to lodge secretly some hard words and uncouth figures, engraved on a plate of brass, below the threshold of the door of the house in which the lady lived. She became perfectly furious, she tore her hair, gnashed her teeth, and repeated incessantly the name of the youth, who had been drawn from her presence by the violence of her despairing passion. In this situation she was conducted by her relations to the cell of old Hilario. The devil that possessed her, in consequence of the charm, began immediately to howl, and to confess the truth. "I have suffered violence," said he; "I have been forced hither against my inclination. How happy was I at Memphis, amusing my friends with visions! O the pains, the tortures which I suffer! You command me to dislodge, and I am detained fast by the charm below the threshold. I cannot depart, unless the young man dismiss me." So cautious, however, was the saint, that he would not permit the magic figures to be searched for, till he had released the virgin, for fear he should seem to have intercourse with incantations in performing the cure or to believe that a devil could even speak truth. He observed only that demons are always liars, and cunning to deceive.

De Haen imputes to the power of magic the miracles,[3] as they are called, of the famous Apollonius Thyanaeus. He seems to entertain no scruple about their authority. As several of the enemies of revelation have held forth Thyanaeus as a rival of Jesus Christ, a specimen of his performances may amuse our readers. During an assembly of the people at Ephesus, a great flight of birds approached from a neighbouring wood; one bird led all the rest. "There is nothing wonderful," says Thyanaeus, to the astonished people, "in this appearance. A boy passing along a particular street has carelessly scattered in it some corn which he carried; one bird has tasted the food, and generously calls the rest to partake the repast." The hearers repaired to the spot, and found the information true.

Being called to allay a pestilence which raged at Ephesus, he ordered an old beggar to be burned under the stones near the temple of Hercules, as an enemy to the gods. He commanded the people again to remove the stones, that they might see what sort of animal had been put to death. They found not a man, but a dog. The plague, however, ceased.

A married woman of rank being dead, was carried out to be burned in an open litter, followed by her husband dissolved in tears. Apollonius approaching, requests him to stop the procession, and he would put an end to his grief. He asked the name of the woman, touched her, and muttered over her some words. She immediately revived, began to speak, and returned again to her own house. Fleury, who relates the miracle, remarks that some people doubted whether the woman had been really dead, as they had observed something like breath issue from her mouth. Others imagined she had been seized only with a tedious faint, and that the operation of the cold dews and damps upon her body might naturally recover her. On Fleury's remark de Haen most sagely observes, that the persons who observed the woman breathing could not surely have suppressed the joyful news, and would certainly have stopped the procession before the philosopher arrived.

De Haen's second attempt is to recite all the objections that have been made against sorcery, and to subjoin to each a distinct refutation. There is nothing in this part of the work that merits any attention. He concludes in these words: "I may then with confidence affirm, that the art of magic most certainly exists. History, sacred and prophane; authority human and divine; experiments the most unquestionable and unexceptionable, all concur to demonstrate its reality."

The last part of de Haen's work relates to the discovering and treating of magical diseases, to explain which seems to have been the chief purpose of the author in composing his book. Much caution, he observes, and attention are necessary on this head; and the physician should not readily admit the imputation of witchcraft. No absence of the ordinary symptoms, no uncommon alteration of the course of the distemper, are sufficient to infer this conclusion, because these may arise from unknown natural causes. What then are the marks of certain incantations? De Haen holds the following to be indisputable: "if, in any uncommon disease, there shall be found, in the stuffing of the cushions, or cielings of the room in which the patient lies, in the feather or the chaff of his bed, about the door, or under the threshold of his house, any strange characters, images, bones, hair, seeds, or roots of plants; and if upon the removal of these, or upon conveying the patient into another apartment, he shall suddenly recover; or if the patient himself, or his friends, shall be so wicked as to call a wizzard to their aid, by whom the malady shall be removed; or if insects and animals which do not lodge in the human body; if stones, metals, glass, knives, plaited hair, pieces of pitch, be ejected from particular parts of the body, of greater size, and weight and figure, than could be supposed to make their way through these parts, without much greater demolition and delaceration of the passages; in all these cases, the disease is unquestionably magical."

The author proceeds to enquire whether the physician may presume to remove the instruments of incantation in order to relieve the patient without incurring the accusation of impiety by interfering with the implements and furniture of the devil; and concludes very formally that, after approaching them with all due ceremony and respect, after imploring with suitable devotion and ardour, the protection and direction of heaven in such a perilous undertaking, he may attempt to intermeddle, and may occasionally expect a successful issue.

Such are the views, reasonings, and conclusions of, at the time, one of the first physicians and philosophers of Germany;—views and reasonings which would have been received with eagerness and applause two hundred years ago, but which the philosophy and improvements of later times seem to have banished to the abodes of ignorance and barbarity.

The origin of almost all our knowledge may be traced to the earlier periods of antiquity. This is peculiarly the case with respect to the arts denominated magical. There were few ancient nations, however barbarous, which could not furnish many individuals to whose spells and enchantments the power of nature and the material world were supposed to be subjected. The Chaldeans, the Egyptians, and indeed all the oriental nations were accustomed to refer all natural effects, for which they could not account to the agency of demons, who were believed to preside over herbs, trees, rivers, mountains, and animals. Every member of the human body was under their power, and all corporeal diseases were produced by their malignity. For instance, if any happened to be affected with a fever, little anxiety was manifested to discover its cause, or to adopt rational measures for its cure; it must no doubt have been occasioned by some evil spirit residing in the body, or influencing, in some mysterious way, the fortunes of the

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