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قراءة كتاب A Visit to the Monastery of La Trappe in 1817 With Notes Taken During a Tour Through Le Perche, Normandy, Bretagne, Poitou, Anjou, Le Bocage, Touraine, Orleanois, and the Environs of Paris. Illustrated with Numerous Coloured Engravings, from Drawings Ma

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‏اللغة: English
A Visit to the Monastery of La Trappe in 1817
With Notes Taken During a Tour Through Le Perche, Normandy, Bretagne, Poitou, Anjou, Le Bocage, Touraine, Orleanois, and the Environs of Paris.
Illustrated with Numerous Coloured Engravings, from Drawings Ma

A Visit to the Monastery of La Trappe in 1817 With Notes Taken During a Tour Through Le Perche, Normandy, Bretagne, Poitou, Anjou, Le Bocage, Touraine, Orleanois, and the Environs of Paris. Illustrated with Numerous Coloured Engravings, from Drawings Ma

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دار النشر: Project Gutenberg
الصفحة رقم: 1


A VISIT TO THE MONASTERY OF LA TRAPPE
IN 1817.




WITH NOTES

TAKEN DURING A TOUR THROUGH
LE PERCHE, NORMANDY, BRETAGNE, POITOU, ANJOU,
LE BOCAGE, TOURAINE, ORLEANOIS, AND
THE ENVIRONS OF PARIS.

BY

W.D. FELLOWES, ESQ.

ILLUSTRATED WITH NUMEROUS COLOURED ENGRAVINGS,

FROM DRAWINGS MADE ON THE SPOT.





*[NOTE: Suitable reproductions of the illustrations were not available at the time this document was prepared. Place holders have been included in the text for possible insertions at a later date]

LIST OF THE PLATES.

View of the Monastery of La Trappe
Ruins of the Ancient Church of ditto
Ruins of the Gateway of the ancient Chartreuse
Les Noyades (vignette)
Grotto of Héloïse at Clisson
Tomb of Abélard and Héloïse
Ruins of Abélard's House
Granite Rock in the Garenne
Le Connétable de Clisson (outline)
Ruins of Clisson
Tour des Pélerins
Moulin aux chêvres
Tour d'Oudon on the River Loire
View of St. Florent
Tomb (etching)


PREFACE.



In justice to the public and to myself, I must disavow for the following pages any higher literary pretension than what is conveyed by the simple title of "Notes," under which I have ventured to give them to the world. I had no other aim in writing but to occupy as rationally as I could the hours of travel, and no other object in publishing but to impart to others as plainly as I could a portion of the pleasure I myself experienced. It has somewhere been remarked to this effect, that if every man of common understanding were to put down the daily thoughts and occurrences of his life, candidly and unaffectedly as he experienced them, he must necessarily produce something of interest to his fellow men, and make a book, which, though not enlivened by wit, dignified by profundity of reasoning, nor valuable by extent of research, yet no man perhaps should throw aside with either weariness or disgust.

Whether I shall prove fortunate enough not to excite these sensations in such readers as may honour my book with a perusal, I fear to conjecture. But it was my good fortune, during a season of uncommon beauty, to make a tour through some of the most interesting parts of France, and to meet with persons who, from situation and talents, were highly calculated to give my journey every charm of society and information. The natural face of the country through which I passed was peculiarly beautiful: I could scarcely move a step without some novelty of picturesque enchantment, and had the most perfect opportunities of contemplating Nature in all her varied poetry, from the grand and terrible graces of savage sublimity, to the soft and playful loveliness of cultivated luxuriance. There was scarcely a town or village where I arrived which romance or history, religion or politics, had not invested and adorned with every interest of mental association. Under such impressions, and with such opportunities, it was scarcely possible to resist recording something of what I saw and felt; and if the publication of my hasty record be an error, it will be deemed by my friends, I hope, a pardonable one. My book can scarcely demand the serious attention of the critic; nor could criticism well expect a better style from one whose profession is seldom supposed to allow much leisure to acquire nicety in the arts of composition. I claim no other merit for my Notes than having followed the advice (of Gray, I believe) that ten words put down at the moment upon the spot, are worth a whole cart load of recollections. I have not sought to add to their attraction (if they should possess any) by the embellishments of my invention, or the graces of my periods--the decorative artifices of execution can never give value to falsehood, and truth needs them not. A simple landscape, simply described from nature, has always a charm above the most high-finished compositions of mere fancy; and, like a moderate painting from the same source, still imparts a feeling of reality. I hope, therefore, I shall be excused for attempting some description, slight and unskilful as it may be, of places and scenery where the human mind has exhibited some of its most curious and powerful features, and which awaken reflections of the deepest interest--I allude particularly to the monastery of La Trappe, and to the country of La Vendée. The former had dwelt among the earliest impressions of youth, with something like the wild and wonderful force of a romantic tale; and I was anxious to become an eye-witness of what had so long been one of the most powerful objects of my imagination. The gloomy and almost inaccessible situation chosen by this strange fraternity for their convent--their rigid separation from human intercourse--the infringible taciturnity imposed upon themselves--and the terrible severity of their penances, are certainly circumstances more resembling the visionary indulgence of fantasy and fiction, than actual realities to be met with among living men, and in the present day.

With regard to the department of La Vendée, whatever serves, trivial as it may be, to recall or illustrate the history of its wars and the character of its inhabitants, must ever possess a charm for those who delight to sympathize with the noble struggles of a gallant people, conscientiously devoting themselves to the cause of a fallen and persecuted monarchy, and resisting the cruel and destructive ferocity of a licentious enemy, who had broken down the most sacred fences of society, and trampled upon the dearest ties of human nature.

In these Notes, slight as they are, I can truly promise the reader that he will find nothing wilfully misrepresented, nor advanced without just authority; and if the rapid and cursory character of the observations, allusions, and anecdotes, shall enable an hour to pass agreeably that has no better employment, I am content, and gratified with the attainment of all I ever hoped or designed by an unpretending publication, which I cheerfully dedicate to all who love to unbend their minds from a critical attitude, and can lounge goodnaturedly over leaves written by a traveller as idle and careless as themselves, and who assures them that no one can think more humbly of his production than himself.

MARCH 1818.




CONTENTS.

CHAPTER I.

Route from Paris to Mortagne.--Excursion to La Trappe.--State of the Order since the restoration in 1814.--Its foundation and rules under the Abbé de Rancé.

CHAP. II.

Ruins of the Convent of the Chartreux.--Forests of Le Perche.--Mortagne.

CHAP. III.

From Mortagne to Rennes.--Soeurs de la Charité.--Alençon.--Laval.--Vitré, the celebrated residence of Mad. de Sévigné.

CHAP. IV.

Rennes.--Route from Rennes to Nantes.--City of Nantes.--Historical anecdotes.

CHAP. V.

Country south of the Loire.--Le Bocage.--Clisson.--Historical anecdotes.--The Garenne, and River Sèvres.

CHAP. VI.

General appearance and limits of Le Bocage.--Nature of the mode of warfare of the Vendeans.

CHAP. VII.

The River Loire, from Nantes to Angers.

CHAP. VIII.

Saumur to Tours.--Tours to Blois.--Orléans--and Orléans to Paris.

CHAP. IX.

Environs of Paris.--Père la Chaise.--Castle of Vincennes, and Château of Saint Germain.--The Forest, and Vicinity.--Conclusion.






A VISIT TO THE MONASTERY OF LA TRAPPE




CHAP. I.



ROUTE FROM PARIS TO MORTAGNE.--EXCURSION TO LA TRAPPE.--STATE OF THE ORDER SINCE THE RESTORATION IN 1814.--ITS FOUNDATION AND RULES UNDER THE ABBE DE RANCE.



I performed this journey during the months of June, July,

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