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قراءة كتاب The Mirror of Literature, Amusement, and Instruction Volume 14, No. 403, December 5, 1829

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The Mirror of Literature, Amusement, and Instruction
Volume 14, No. 403, December 5, 1829

The Mirror of Literature, Amusement, and Instruction Volume 14, No. 403, December 5, 1829

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دار النشر: Project Gutenberg
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viz. a great wood called Norwood, belonging to the archbishops, wherein was anciently a tree called the vicar's oak, where four parishes met, as it were in a point. It is said to have consisted wholly of oaks, and among them was one that bore mistletoe, which some persons were so hardy as to cut for the gain of selling it to the apothecaries of London, leaving a branch of it to sprout out; but they proved unfortunate after it, for one of them fell lame, and others lost an eye. At length in the year 1678, a certain man, notwithstanding he was warned against it, upon the account of what the others had suffered, adventured to cut the tree down, and he soon after broke his leg. To fell oaks hath long been counted fatal, and such as believe it produce the instance of the Earl of Winchelsea, who having felled a curious grove of oaks, soon after found his countess dead in her bed suddenly, and his eldest son, the Lord Maidstone, was killed at sea by a cannon ball."

P.T.W.


THE MODERN GREEKS

Have preserved dances in honour of Flora. The wives and maidens of the village gather and scatter flowers, and bedeck themselves from head to foot. She who leads the dance, more ornamented than the others, represents Flora and the Spring, whose return the hymn they sing announces; one of them sings—

"Welcome sweet nymph,

Goddess of the month of May."

In the Grecian villages, and among the Bulgarians, they still observe the feast of Ceres. When harvest is almost ripe, they go dancing to the sound of the lyre, and visit the fields, whence they return with their heads ornamented with wheat ears, interwoven with the hair. Embroidering is the occupation of the Grecian women; to the Greeks we owe this art, which is exceedingly ancient among them, and has been carried to the highest degree of perfection. Enter the chamber of a Grecian girl, and you will see blinds at the window, and no other furniture than a sofa, and a chest inlaid with ivory, in which are kept silk, needles, and articles for embroidery. Apologues, tales, and romances, owe their origin to Greece. The modern Greeks love tales and fables, and have received them from the Orientals and Arabs, with as much eagerness as they formerly adopted them from the Egyptians. The old women love always to relate, and the young pique themselves on repeating those they have learnt, or can make, from such incidents as happen within their knowledge. The Greeks at present have no fixed time for the celebration of marriages, like the ancients; among whom the ceremony was performed in the month of January. Formerly the bride was bought by real services done to the father; which was afterwards reduced to presents, and to this time the custom is continued, though the presents are arbitrary. The man is not obliged to purchase the woman he marries, but, on the contrary, receives a portion with her equal to her condition. It is on the famous shield of Achilles that Homer has described a marriage procession—

Here sacred pomp and genial feast delight,

And solemn dance and hymeneal rite.

Along the streets the new made bride is led,

With torches flaming to the nuptial bed;

The youthful dancers in a circle bound

To the saft lute and cittern's silver sound,

Through the fair streets the matrons in a row,

Stand in their porches, and enjoy the show.

POPE.

The same pomp, procession, and music, are still in use. Dancers, musicians, and singers, who chant the Epithalamium, go before the bride; loaded with ornaments, her eyes downcast, and herself sustained by women, or two near relations, she walks extremely slow. Formerly the bride wore a red or yellow veil. The Arminians do so still; this was to hide the blush of modesty, the embarrassment, and the tears of the young virgin. The bright torch of Hymen is not forgotten among the modern Greeks. It is carried before the new married couple into the nuptial chamber, where it burns till it is consumed, and it would be an ill omen were it by any accident extinguished, wherefore it is watched with as much care as of old was the sacred fire of the vestals. Arrived at the church, the bride and bridegroom each wear a crown, which, during the ceremony, the priest changes, by giving the crown of the bridegroom to the bride, and that of the bride to the bridegroom, which custom is also derived from the ancients.

I must not forget an essential ceremony which the Greeks have preserved, which is the cup of wine given to the bridegroom as a token of adoption; it was the symbol of contract and alliance. The bride drank from the same cup, which afterwards passed round to the relations and guests. They dance and sing all night, but the companions of the bride are excluded—they feast among themselves in separate apartments, far from the tumult of the nuptials. The modern Greeks, like the ancient, on the nuptial day, decorate their doors with green branches and garlands of flowers.

W.G.C.


THE KING'S COCK CROWER.

Among the customs which formerly prevailed in this country during the season of Lent, was the following:—An officer denominated the King's Cock Crower, crowed the hour each night, within the precincts of the palace, instead of proclaiming it in the manner of the late watchmen. This absurd ceremony did not fall into disuse till the reign of George I.

C.J.T.


HERRINGS.

Yarmouth is bound by its charter, to send to the Sheriffs of Norwich a tribute of one hundred herrings, baked in twenty-four pasties, which they ought to deliver to the Lord of the Manor of East Charlton, and he is obliged to present them to the King wherever he is. Is not this a dainty dish to set before the King?


CURING A SCOLD.

Newcastle-Under-Line was once famous for a peculiar method of taming shrews: this was by putting a bridle into the scold's mouth, in such a manner as quite to deprive her of speech for the time, and so leading her about the town till she made signs of her intention to keep her tongue in better discipline for the future.

HALBERT H.


THE SELECTOR, AND LITERARY NOTICES OF NEW WORKS.


PICTURE OF SHEFFIELD.

Sir Richard Phillips's Personal Tour, Part III.

Our extracts from the previous portion of this work, have forcibly illustrated the striking originality of its style, and the interesting character of its information.

The present Part concludes Newstead, and includes Mansfield, Chesterfield, Dronfield, Sheffield, Rotherham, and Barnsley; and from it we extract the following facts, which almost form a picture of Sheffield.2

"The drive from Dronfield to Sheffield is pleasant and picturesque. It is the dawn of a region of high hills, a fine range of which stretch westward into Derbyshire, while on every side there are lofty eminences and deep valleys. Sheffield opens magnificently on the right, and its villas and ornamented suburbs stretch full two miles on the eminences to the left. At two or three miles from Sheffield, the western suburbs display a rich and pleasing variety of villas and country-houses. On the left, the Dore-moors, a ridge of barren hills, stretch to an indefinite distance: and on the right, some high hills skreen from sight the town of Sheffield. At a mile distant, the view to the right opens, and from a rise in the road is beheld the fine amphitheatre of Sheffield; the sun displaying its entire extent, and the town being surmounted by fine hills in the

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