You are here

قراءة كتاب A Tramp's Sketches

تنويه: تعرض هنا نبذة من اول ١٠ صفحات فقط من الكتاب الالكتروني، لقراءة الكتاب كاملا اضغط على الزر “اشتر الآن"

‏اللغة: English
A Tramp's Sketches

A Tramp's Sketches

تقييمك:
0
No votes yet
المؤلف:
دار النشر: Project Gutenberg
الصفحة رقم: 6

in the stream or in the sea, all these are part of a coming into step.

How this coming back develops the temperament! I left the town timid, almost a townsman, expecting not only the dangers that were but also all those that were not. I half believed all the tales by which stay-at-home people tried to warn or frighten me. Though taking the road with every aspect of carelessness and boldness, I confessed to my heart that I was a coward. Then came my first week's tramping, and I emerged a different man. I felt bold. A few days later still I nursed a stick in my hand, saying, "If a robber comes, let him come! We'll have a struggle." Leaving the town I scanned the faces of the passers-by apprehensively, and said "Good-morning" or "Good-evening" very meekly to all dangerous-looking persons, but a fortnight later I was even strutting on the road with a smile almost malicious on my lips.

I felt myself growing wilder. The truth broke upon me in an introspective moment one morning as I was nearing Sotchi. I felt I had changed. I stopped to take stock of my new life and ways. I had been living in the forest and on the seashore, away from mankind, on Nature's gifts. All my days from dawn to sunset I hunted for food. My life was food-hunting. I certainly wrote not a line and thought less. In my mind formed only such elementary ideas as "Soon more grapes," "These berries are not the best," "More walnuts," "Oh, a spring; I must drink there."

Something from the ancient past was awakened. I saw a bunch of wild grapes, my heart leapt, and without a thought I jumped to it and took it. Or I saw a fresh trickling stream pouring over the ledges of the rocks, and I rushed and pressed my lips to the bubbling water. There was no intermediary between Nature's gifts and the man who needed them. Wish was translated into act without the aid of thought.

One day I was lost in the forest among the giant tangles and I was not at all anxious to find the way out again. Perhaps I might have lived there all the Autumn, and only when the berries and nuts were exhausted and the cold winter winds sought me out should I come skulking back to the haunts of men like some wild animal made tame by Winter.

I was aware, therefore, of a new experience, a modification in personality, a change of rhythm. I was walking with Nature, marching with her, with all her captains the great trees and her infantry the little bushes, and I caught in my ears her marching music. I was thrilled by the common chord that makes crowds act as one man, that in this case made my heart beat in unison with all the wild things. I may as well say at once I love them all and am ready to live with them and for them.

V

THE QUESTION OF THE SCEPTIC

"That's all very well, but don't you often get bored?" asked a sceptic. "I enjoy a weekend in the country, or a good Sunday tramp in Richmond Park or Epping Forest. I take my month on the Yorkshire moors with pleasure, or I spend a season in Switzerland or Spain, and I don't mind sleeping under a bush and eating whatever I can get in shepherds' cottages. I can well appreciate the simple life and the country life, but I'm perfectly sure I should pine away if I had to live it always. I couldn't stand it. I'd rather be debarred from the country altogether than not go back to town. The town is much more indispensable to me. I feel the country life is very good in so far as it makes one stronger and fitter to work in town again, but as an end in itself it would be intolerable."

This was a question I needed to answer not only to the sceptic but to myself. It is true the wanderer often feels bored, even in beautiful places. I am bored some days every year, no matter where I spend them, and I shall always be. I get tired of this world and want another. That is a common feeling, if not often analysed.

There is, however, another boredom, that of the weariness of the body, or its satiety of country air; the longing for the pleasures of the town, the tides of the soul attracted by the moon of habit. The tramp also confesses to that boredom. But when he gets back to the town to enjoy it for a while he swiftly finds it much more boring than the country.

If every one went to the country and lived the simple life when he was inclined, the size of European towns would be diminished to very small proportions. The evil of a town is that it establishes a tyranny and keeps its people against the people's true desires.

I said to my sceptical friend: "Those who praise the simple life and those who scoff at it are both very extravagant as a rule. Let the matter be stated temperately. The tramp does not want a world of tramps—that would never do. The tramps—better call them the rebels against modern life—are perhaps only the first searchers for new life. They know themselves as necessarily only a few, the pioneers. Let the townsman give the simple life its place. Every one will benefit by a little more simplicity, and a little more living in communion with Nature, a little more of the country. I say, 'Come to Nature altogether,' but I am necessarily misunderstood by those who feel quickly bored. Good advice for all people is this—live the simple life as much as you can till you're bored. Some people are soon bored: others never are. Whoever has known Nature once and loved her will return again to her. Love to her becomes more and more."

But whoever has resolved the common illusions of the meaning of life, and has seen even in glimpses the naked mystery of our being, finds that he absolutely must live in the world which is outside city walls. He wants to explore this desert island in space, and with it to explore the unending significance of his deathless spirit.

VI

A THING OF BEAUTY IS A JOY FOR EVER

Rostof on the Don is always beautiful when one leaves it to go south. Nothing can efface from my mind the picture of it as I saw it when first going to the Caucasus. The sunset illumined it with the hues of romance. All the multiplicity of its dingy buildings shone as if lit up from within, and their dank and mouldy greens and blues and yellows became burning living colours. The town lay spread out upon the high banks of the Don and every segment of it was crowned with a church. The gilt domes blazed in the sunlight and the crosses above them were changed into pure fire. Round about the town stretched the grey-green steppe, freshened by the river-side, but burned down to the suffering earth itself on the horizon. Then over all, like God's mercy harmonising man's sins, the effulgence of a light-blue southern sky.

By that scene I have understood the poet's thought—

  To draw one beauty into the heart's core
  And keep it changeless.

* * * * *

Yet how transient is the appearance of beauty. It has an eternity not in itself but in the heart. Thus I look out at the ever-changing ocean and suddenly, involuntarily ejaculate, "How beautiful!" yet before I can call another to witness the scene it has changed. Only in the heart the beauty is preserved. Thus we see a woman in her youth and beauty, and then in a few years look again and find her worn and old. The beauty has passed away; its eternity is in the heart.

We have a choice, to live in the shadow and shine of the outer life where visions fade, or to live with all the beauty we have ever known, where it is treasured, in the heart. Choosing the former we at last perish with the world, but choosing the latter we ourselves receive an immortality in the here and now. The one who chooses the latter shall never grow old, and the

Pages