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قراءة كتاب The Mirror of Literature, Amusement, and Instruction Volume 19, No. 542, April 14, 1832
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The Mirror of Literature, Amusement, and Instruction Volume 19, No. 542, April 14, 1832
resumed their beauty, and a strong, refreshing breeze, which had blown during the whole of the morning, now gave it the motion of a slightly-agitated sea. In the course of the morning we passed two lovely little islands, clothed in verdure, which at a short distance looked as charming as the fabled gardens of Hesperia; indeed no spot on earth can excel them in beauty of appearance. These islands are inhabited by a few individuals."
Upon leaving Yàoorie, a venerable Arab chief pretended great regard for the travellers, though he used them deceitfully; they had, however, "enjoyed an innocent kind of revenge, in administering to him a powerful dose of medicine, which though harmless in its effects, had yet been very troublesome to him. Indeed, it was not till we had 'jalaped' the sultan, his sister, and all the royal family, that we were permitted to take our farewell of Yàoorie."
The incident of physicking the royal family at Yàoorie by way of leave-taking, is only equalled by the following oddity:—"The captain of the palm oil brig, Elizabeth, now in the Calabar river, actually white-washed his crew from head to foot, while they were sick with fever and unable to protect themselves; his cook suffered so much in the operation, that the lime totally deprived him of the sight of one of his eyes, and rendered the other of little service to him."
The account of the Travellers' visit to Fernando Po, in the third volume, will be read with interest, as indeed will every page of the whole narrative; and to this commendation of the Messrs. Landers' Journal of their past adventures we cheerfully add our best wishes for the success of their future enterprize.
SONGS OF THE GIPSIES.
Among the musical novelties of the day, we notice with much pleasure, a pretty volume of Lyrics, written by Mr. Moncrieff, the music by Mr. S. Nelson. The poetry is throughout sparkling and characteristic, and "an Historical Introduction on the origin and customs of Gipsies," prefixed to the Songs, is so attractive as to be likely to share the popularity of the piano-forte accompaniments. It is written with considerable care and neatness, and the peculiar tact requisite to produce an interesting paper on a dry subject.
We are only enabled to quote from the lyrics, an opening carol, as
Liberty, liberty!
Search the world round,
'Tis with the Gipsy
Alone thou art found.
Then in the gay greenwood
We worship thee now,
The free, oh the free!
Still live under the bough.
Trarah! Trarah!
Hark, the deep dingles ring,
Free hearts, with the bird
And the deer are on wing;
Joy claims in the greenwood
The Gipsy's glad vow,
The blithe, oh the blithe!
Still live under the bough.
And the first song entire.
THE GIPSY QUEEN.
Oh! 'tis I am the Gipsy Queen!
And where is there queen like me,
That can revel upon the green,
In boundless liberty?
What though my cheek be brown,
And wild my raven hair,
A red cloth hood my crown,
And my sceptre the wand I bear!
Yet, 'tis I am the Gipsy Queen!
With my kingdom I'm well content,
Though my realm's but the hawthorn glade;
And my palace a tatter'd tent
Beneath the willow's shade:
Though my banquet I'm forc'd to make
On haws and berries store,
And the game that by chance we take
From some neighbouring hind's barn door!
Yet, 'tis I am the Gipsy Queen!
'Tis true I must ply my art,
And share in my subjects' toils;
But of all their gains I've part,
I've the choice of all their spoils;
And, by love and duty led,
Ere from my jet black eye
One sad tear should be shed,
A thousand hearts would die!
For, 'tis I am the Gipsy Queen!
A SONG OF PITCAIRN'S ISLAND.
Come, take our boy, and we will go
Before our cabin door;
The winds shall bring us, as they blow,
The murmurs of the shore;
And we will kiss his young blue eyes,
And I will sing him as he lies,
Songs that were made of yore:
I'll sing, in his delighted ear,
The island-lays thou lov'st to hear.
And thou, while stammering I repeat,
Thy country's tongue shalt teach;
'Tis not so soft, but far more sweet
Than my own native speech;
For thou no other tongue didst know,
When, scarcely twenty moons ago,
Upon Tahité's beach,
Thou cam'st to woo me to be thine,
With many a speaking look and sign.
I knew thy meaning—thou didst praise
My eyes, my locks of jet;
Ah! well for me they won thy gaze—
But thine were fairer yet!
I'm glad to see my infant wear
Thy soft blue eyes and sunny hair,
And when my sight is met
By his white brow and blooming cheek,
I feel a joy I cannot speak.
Come talk of Europe's maids with me,
Whose necks and cheeks, they tell,
Outshine the beauty of the sea,
White foam and crimson shell.
I'll shape like theirs my simple dress,
And bind like them each jetty tress,
A sight to please thee well;
And for my dusky brow will braid
A bonnet like an English maid.
Come, for the soft, low sunlight calls—
We lose the pleasant hours;
'Tis lovelier than these cottage walls—
That seat among the flowers.
And I will learn of thee a prayer
To Him who gave a home so fair,
A lot so blest as ours—
The God who made for thee and me
This sweet lone isle amid the sea.
From a volume of American Poetry, William Cullen Bryant.
In the churchyard of Beaconsfield, Bucks, stands the above handsome tribute to the memory of the celebrated poet and politician, EDMUND WALLER. The monument is of marble, with a pyramid rising from the centre, and a votive urn at each corner. On the east side is a Latin inscription, stating that Waller was born March 30, 1605, at Coleshill, in Hertfordshire; his father being Robert Waller, Esq. (of Agmondelsham in Buckingham, whose family was originally a branch of the Kentish Wallers, 5 ) and his mother of the Hampden family; that he was a student at Cambridge; "his first wife was Anne, only daughter and heiress to Edward Banks, twice made a father by his first wife, and thirteen times by his second, whom he survived eight years; he died October 21, 1687." The original inscription is by Rymer, and is to be seen in most editions of the poet's works. The monument was erected by the poet's son's executors, in 1700, and stands on the east side of the