symbols from which it is intended again to proceed. Nay, in the written communications of religious feeling, everything needs a double and triple representation; for that which originally represented, must be represented in its turn; and yet the effect on the whole man, in its complete unity, can only be imperfectly set forth by continued and varied reflections. It is only when religion is driven out from the society of the living, that it must conceal its manifold life under the dead letter.

Neither can this intercourse of heart with heart, on the deepest feelings of humanity, be carried on in common conversation. Many persons, who are filled with zeal for the interests of religion, have brought it as a reproach against the manners of our age that, while all other important subjects are so freely discussed in the intercourse of society, so little should be said concerning God and divine things. I would defend ourselves against this charge by maintaining that this circumstance, at least, does not indicate contempt or indifference toward religion, but a happy and very correct instinct. In the presence of joy and merriment, where earnestness itself must yield to raillery and wit, there can be no place for that which should be always surrounded with holy veneration and awe. Religious views, pious emotions, and serious considerations with regard to them—these we cannot throw out to one another in such small crumbs as the topics of a light conversation; and when the discourse turns upon sacred subjects, it would rather be a crime than a virtue to have an answer ready for every question, and a rejoinder for every remark. Hence, the religious sentiment retires from such circles as are too wide for it, to the more confidential intercourse of friendship, and to the mutual communications of love, where the eye and the countenance are more expressive than words, and where even a holy silence is understood. But it is impossible for divine things to be treated in the usual manner of society, where the conversation consists in striking flashes of thought, gaily and rapidly alternating with one another; a more elevated style is demanded for the communication of religion, and a different kind of society, which is devoted to this purpose, must hence be formed. It is becoming, indeed, to apply the whole richness and magnificence of human discourse to the loftiest subject which language can reach—not as if there were any adornment, with which religion could not dispense, but because it would show a frivolous and unholy disposition in its heralds if they did not bring together the most copious resources within their power and consecrate them all to religion, so that they might thus perhaps exhibit it in its appropriate greatness and dignity. Hence it is impossible, without the aid of poetry, to give utterance to the religious sentiment in any other than an oratorical manner, with all the skill and energy of language, and freely using, in addition, the service of all the arts which can contribute to flowing and impassioned discourse. He, therefore, whose heart is overflowing with religion, can open his mouth only before an auditory, where that which is presented, with such a wealth of preparation, can produce the most extended and manifold effects.

Would that I could present before you an image of the rich and luxurious life in this city of God, when its inhabitants come together each in the fulness of his own inspiration, which is ready to stream forth without constraint, but, at the same time, each is filled with a holy desire to receive and to appropriate to himself everything which others wish to bring before him. If one comes forward before the rest, it is not because he is entitled to this distinction, in virtue of an office or of a previous agreement, nor because pride and conceitedness have given him presumption; it is rather a free impulse of the spirit, a sense of the most heartfelt unity of each with all, a consciousness of entire equality, a mutual renunciation of all First and Last, of all the arrangements of earthly order. He comes forward in order to communicate to others, as an object of sympathizing contemplation, the deepest feelings of his soul while under the influence of God; to lead them to the domain of religion in which he breathes his native air; and to infect them with the contagion of his own holy emotions. He speaks forth the Divine which stirs his bosom, and in holy silence the assembly follows the inspiration of his words. Whether he unveils a secret mystery, or with prophetic confidence connects the future with the present; whether he strengthens old impressions by new examples, or is led by the lofty visions of his burning imagination into other regions of the world and into another order of things, the practised sense of his audience everywhere accompanies his own; and when he returns into himself from his wanderings through the kingdom of God, his own heart and that of each of his hearers are the common dwelling-place of the same emotion.

If, now, the agreement of his sentiments with that which they feel be announced to him, whether loudly or low, then are holy mysteries—not merely significant emblems, but, justly regarded, natural indications of a peculiar consciousness and peculiar feelings—invented and celebrated, a higher choir, as it were, which in its own lofty language answers to the appealing voice. But not only, so to speak; for as such a discourse is music without tune or measure, so there is also a music among the Holy, which may be called discourse without words, the most distinct and expressive utterance of the inward man. The Muse of Harmony, whose intimate relation with religion, although it has been for a long time spoken of and described, is yet recognized only by few, has always presented upon her altars the most perfect and magnificent productions of her selectest scholars in honor of religion. It is in sacred hymns and choirs, with which the words of the poet are connected only by slight and airy bands, that those feelings are breathed forth which precise language is unable to contain; and thus the tones of thought and emotion alternate with each other in mutual support, until all is satisfied and filled with the Holy and the Infinite. Of this character is the influence of religious men upon one another; such is their natural and eternal union. Do not take it ill of them that this heavenly bond—the most consummate product of the social nature of man, but to which it does not attain until it becomes conscious of its own high and peculiar significance—that this should be deemed of more value in their sight than the political union which you esteem so far above everything else, but which will nowhere ripen to manly beauty, and which, compared with the former, appears far more constrained than free, far more transitory than eternal.

But where now, in the description which I have given of the community of the pious, is that distinction between priests and laymen, which you are accustomed to designate as the source of so many evils? A false appearance has deceived you. This is not a distinction between persons, but only one of condition and performance. Every man is a priest, so far as he draws others around him, into the sphere which he has appropriated to himself and in which he professes to be a master. Every one is a layman, so far as he is guided by the counsel and experience of another, within the sphere of religion, where he is comparatively a stranger. There is not here the tyrannic aristocracy, which you describe with such hatred; but this society is a priestly people, a perfect republic, where every one is alternately ruler and citizen, where every one follows the same power in another which he feels also in himself, and with which he, too, governs others.

How then could the spirit of discord and division—which you regard as the inevitable consequence of all religious combinations—find a congenial home within this sphere? I see nothing but that All is One, and that all the