to be but mere systematized memories of old Vedic teachings, and are held to be obligatory on their authority. Even under British administration, in the inheritance of property, adoption, and in such other legal transactions, Hindu Law is followed, and this claims to draw its authority from the Vedas. To enter into details is unnecessary. But suffice it to say that the Vedas, far from being regarded as a dead literature of the past, are still looked upon as the origin and source of almost all literatures except purely secular poetry and drama. Thus in short we may say that in spite of the many changes that time has wrought, the orthodox Hindu life may still be regarded in the main as an adumbration of the Vedic life, which had never ceased to shed its light all through the past.

Classification of the Vedic literature.

A beginner who is introduced for the first time to the study of later Sanskrit literature is likely to appear somewhat confused when he meets with authoritative texts of diverse purport and subjects having the same generic name "Veda" or "S'ruti" (from s'ru to hear); for Veda in its wider sense is not the name of any

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particular book, but of the literature of a particular epoch extending over a long period, say two thousand years or so. As this literature represents the total achievements of the Indian people in different directions for such a long period, it must of necessity be of a diversified character. If we roughly classify this huge literature from the points of view of age, language, and subject matter, we can point out four different types, namely the Sa@mhitâ or collection of verses (sam together, hita put), Brâhma@nas, Âra@nyakas ("forest treatises") and the Upani@sads. All these literatures, both prose and verse, were looked upon as so holy that in early times it was thought almost a sacrilege to write them; they were therefore learnt by heart by the Brahmins from the mouth of their preceptors and were hence called s'ruti (literally anything heard)[Footnote ref 1].

The Sa@mhitâs.

There are four collections or Sa@mhitâs, namely @Rg-Veda, Sâma-Veda, Yajur-Veda and Atharva-Veda. Of these the @Rg-Veda is probably the earliest. The Sâma-Veda has practically no independent value, for it consists of stanzas taken (excepting only 75) entirely from the @Rg-Veda, which were meant to be sung to certain fixed melodies, and may thus be called the book of chants. The Yajur-Veda however contains in addition to the verses taken from the @Rg-Veda many original prose formulas. The arrangement of the verses of the Sâma-Veda is solely with reference to their place and use in the Soma sacrifice; the contents of the Yajur-Veda are arranged in the order in which the verses were actually employed in the various religious sacrifices. It is therefore called the Veda of Yajus—sacrificial prayers. These may be contrasted with the arrangement in the @Rg-Veda in this, that there the verses are generally arranged in accordance with the gods who are adored in them. Thus, for example, first we get all the poems addressed to Agni or the Fire-god, then all those to the god Indra and so on. The fourth collection, the Atharva-Veda, probably attained its present form considerably later than the @Rg-Veda. In spirit, however, as Professor Macdonell says, "It is not only entirely different from the Rigveda but represents a much more primitive stage of thought. While the Rigveda deals almost exclusively with the higher gods as conceived by a

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[Footnote 1: Pâ@nini, III. iii. 94.]

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comparatively advanced and refined sacerdotal class, the Atharva-Veda is, in the main a book of spells and incantations appealing to the demon world, and teems with notions about witchcraft current among the lower grades of the population, and derived from an immemorial antiquity. These two, thus complementary to each other in contents are obviously the most important of the four Vedas [Footnote ref 1]."

The Brâhma@nas. [Footnote ref 2]

After the Sa@mhitâs there grew up the theological treatises called the Brâhma@nas, which were of a distinctly different literary type. They are written in prose, and explain the sacred significance of the different rituals to those who are not already familiar with them. "They reflect," says Professor Macdonell, "the spirit of an age in which all intellectual activity is concentrated on the sacrifice, describing its ceremonies, discussing its value, speculating on its origin and significance." These works are full of dogmatic assertions, fanciful symbolism and speculations of an unbounded imagination in the field of sacrificial details. The sacrificial ceremonials were probably never so elaborate at the time when the early hymns were composed. But when the collections of hymns were being handed down from generation to generation the ceremonials became more and more complicated. Thus there came about the necessity of the distribution of the different sacrificial functions among several distinct classes of priests. We may assume that this was a period when the caste system was becoming established, and when the only thing which could engage wise and religious minds was sacrifice and its elaborate rituals. Free speculative thinking was thus subordinated to the service of the sacrifice, and the result was the production of the most fanciful sacramental and symbolic

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[Footnote 1: A.A. Macdonell's History of Sanskrit Literature, p. 31.]

[Footnote 2: Weber (Hist. Ind. Lit., p. 11, note) says that the word Brâhma@na signifies "that which relates to prayer brahman." Max Muller (S.B.E., I.p. lxvi) says that Brâhma@na meant "originally the sayings of Brahmans, whether in the general sense of priests, or in the more special sense of Brahman-priests." Eggeling (S.B.E. XII. Introd. p. xxii) says that the Brhâma@nas were so called "probably either because they were intended for the instruction and guidance of priests (brahman) generally; or because they were, for the most part, the authoritative utterances of such as were thoroughly versed in Vedic and sacrificial lore and competent to act as Brahmans or superintending priests." But in view of the fact that the Brâhma@nas were also supposed to be as much revealed as the Vedas, the present writer thinks that Weber's view is the correct one.]

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system, unparalleled anywhere but among the Gnostics. It is now generally believed that the close of the Brâhma@na period was not later than 500 B.C.

The Âra@nyakas.

As a further development of the Brâhma@nas however we get the Âra@nyakas or forest treatises. These works were probably composed for old men who had retired into the forest and were thus unable to perform elaborate sacrifices requiring a multitude of accessories and articles which could not be procured in forests. In these, meditations on certain symbols were supposed to be of great merit, and they gradually began to supplant the sacrifices as being of a superior order. It is here that we find that amongst a certain section of intelligent people the ritualistic ideas began to give way, and philosophic speculations about the nature of truth became gradually substituted in their place. To take an illustration from the beginning of the B@rhadâra@nyaka we find that instead of the actual performance of the horse sacrifice (as'vamedha) there are directions for meditating upon the dawn (U@sas) as the head of the horse, the sun as the eye of the horse, the air as its life, and so