heard
That by the simple fingering of a string,
Or delicate breath breathed along hollowed reeds,
Or blown into cold mouths of cunning bronze,
Those who are curious in this art can draw
Poor souls from prison-houses.  I have heard also
How such strange magic lurks within these shells
That at their bidding casements open wide
And Innocence puts vine-leaves in her hair,
And wantons like a mænad.  Let that pass.
Your lute I know is chaste.  And therefore play:
Ravish my ears with some sweet melody;
My soul is in a prison-house, and needs
Music to cure its madness.  Good Bianca,
Entreat our guest to play.

Bianca.  Be not afraid,
Our well-loved guest will choose his place and moment:
That moment is not now.  You weary him
With your uncouth insistence.

Guido.  Honest Simone,
Some other night.  To-night I am content
With the low music of Bianca’s voice,
Who, when she speaks, charms the too amorous air,
And makes the reeling earth stand still, or fix
His cycle round her beauty.

Simone.  You flatter her.
She has her virtues as most women have,
But beauty in a gem she may not wear.
It is better so, perchance.

Well, my dear lord,
If you will not draw melodies from your lute
To charm my moody and o’er-troubled soul
You’ll drink with me at least?

[Motioning Guido to his own place.]

Your place is laid.
Fetch me a stool, Bianca.  Close the shutters.
Set the great bar across.  I would not have
The curious world with its small prying eyes
To peer upon our pleasure.

Now, my lord,
Give us a toast from a full brimming cup.

[Starts back.]

What is this stain upon the cloth?  It looks
As purple as a wound upon Christ’s side.
Wine merely is it?  I have heard it said
When wine is spilt blood is spilt also,
But that’s a foolish tale.