which hung in the air and actually introduced a light undernote of red into the effect. Dust, which covered the bare feet of the coolies, the velvet slippers of the Burmese, which encroached everywhere and no one regarded, for presently, just at sundown, shouting watermen, carrying large bamboo vessels with great spouts, would come running along the road, casting the splashing water on all sides, and reduce the dry powder to temporary mud.

The main street of the huge bazaar in Mangadone was as busy a thoroughfare as any crowded lane of the city of London, and it blazed with colour and life as the evening air grew cool. There were shops where baskets were sold, shops apparently devoted only to the sale of mirrors, shops where tailors sat on the ground and worked at sewing machines; sweet stalls, food stalls, cafés, flanked by dusty tubs of plants and crowded with customers, who reclined on sofas and chairs set right into the street itself. Nearer the river end of the street, the shops were more important, and business offices announced themselves on large placards inscribed in English, and in curling Burmese characters like small worms hooping and arching themselves, and again in thick black letters which resembled tea leaves formed into the picturesque design of Chinese writing, for Mangadone was one of the most cosmopolitan ports of the East, and stood high in the commercial world as a place for trade.

Along the street a motley of colour took itself like a sea of shades and tints. Green, crimson, lemon yellow, lapis-lazuli, royal purple, intermingled with the naked brown bodies of coolies clad only in loin-cloths, for every race and class emerged just before sunset. Rich Burmen clad in yards of stiff, rustling silk jostled the lean, spare Chinamen and the Madrassis who came to Mangadone to make money out of the indolence of the natives of a place who cared to do little but smoke and laugh. Poor Burmen in red and yellow cottons, as content with life as their wealthy brethren, loitered and smoked with the little white-coated women with flower-decked heads, and they all flowed on with the tide and filled the air with a perpetual babel of sound.

The great, high houses on either side of the street were dilapidated and gaunt, let out for the most part in flats and tenements. Screaming children swarmed naked and entirely unconcerned upon every landing, and out on the verandas that gave publicity to the way of life in the native quarter. Sometimes a rag of curtain covered the entrances to the houses, but just as often it did not. Women washed the big brass and earthenware pots, cooked the food, and played with the children in the smoky darkness, or sat to watch the evening show of the street.

At one corner of the upper end of the street was a curio and china shop owned by a stout and wealthy Burman, Mhtoon Pah. The shop was one of the features of the place, and no globe-trotting tourist could pass through Mangadone without buying a set of tea-cups, a dancing devil, a carpet, or a Burmese gong, from Mhtoon Pah. A strange-looking effigy in tight breeches, with pointing yellow hands and a smiling yellow face, stood outside the shop, eternally asking people in wooden, dumb show, to go in and be robbed by the proprietor. He had stood there and pointed for so long that the green glaze of his coat was sun-blistered, but he invariably drew the attention of passing tourists, and acted as a sign-board. He pointed at a small door up a flight of steps, and behind the small door was a dark shop, smelling of sandal-wood and cassia, and strong with the burning fumes of joss-sticks. Innumerable cardboard boxes full of Japanese dolls, full of glass bracelets of all colours, full of ivory figures, and full of amber and jade ornaments, were piled in the shelves. Silver bands, embossed in relief with the history of the Gaudama—the Lord Buddha—stood under glass protection, and everything that the heart of the touring American or Britisher could desire was to be had, at a price, in the curio shop of Mhtoon Pah. Umbrellas of all colours from Bussan; silk from Shantung; carpets from Mirzapore; silver peacocks, Japanese embroideries, shell-trimmed bags from Shan and Cochin, all were there; and the wealth of Mhtoon Pah was great.

Everybody knew the curio dealer: he had beguiled and swindled each new arrival in Mangadone, and his personality helped to make him a very definite figure in the place. He was a large man, his size accentuated by his full silk petticoat; a man with large feet, large hands and a round bullet head, set on a thick neck. He had a few sleek black hairs at the corners of his mouth, and his long, narrow eyes, with thick yellow whites and inky-black pupils, never expressed any emotion. Clothed in strawberry-red silk and a white coat, with a crimson scarf knotted low over his forehead, he was very nearly as strange and wonderful a sight as his own shop of myriad wares, and his manner was at all times the manner of a Grand Duke. Mhtoon Pah was as well known as the pointing effigy outside, but, whereas the world in the street believed they knew what the wooden man pointed at, no one could ever tell what Mhtoon Pah saw, and no one knew except Mhtoon Pah himself.

All day long Mhtoon Pah sat inside his shop on a low divan and smoked cheroots, and only when a customer was of sufficient importance did he ever rise to conduct a sale himself. He was assisted by a thin, eager boy, a native Christian from Ootacamund, who had followed several trades before he became the shop assistant of Mhtoon Pah. He was useful because he could speak English, and he had been dressing-boy to a married Sahib who lived in a big house at the end of the Cantonment, therefore he knew something of the ways of Mem-Sahibs; and he had taken a prize at the Sunday school, therefore Absalom was a boy of good character, and was known very nearly as well as Mhtoon Pah himself.

It was a hot, stifling evening, the evening of July the 29th. The rains had lashed the country for days, and even the trees that grew in among the houses of Paradise Street were fresh and green, though one of the hot, burning breaks of blue sky and glaring sunlight had baked the road into Indian-red dust once more, and the interior of Mhtoon Pah's curio shop was heavy with stale scents and dark shadows that crept out as the gloom of evening settled in upon it. Mhtoon Pah moved about looking at his goods, and touching them with careful hands. He hovered over an ivory lady carrying an umbrella, and looked long at a white marble Buddha, who returned his look with an equally inscrutable regard. The Buddha sat cross-legged, thinking for ever and ever about eternity, and Mhtoon Pah moved round in red velvet toe-slippers, pattering lightly as he went, for in spite of his bulk Mhtoon Pah had an almost soundless walk. Having gone over everything and stood to count the silver bowls, he waited as though he was listening, and after a little the light creak of the staircase warned him that steps were coming towards the shop from the upper rooms.

"Absalom," he called, and the steps hurried, and after a moment's talk to which the boy listened carefully as though receiving directions, he told him to close the shop and place his chair at the top of the steps, as he desired to sit outside and look at the street.

When the chair was placed, Mhtoon Pah took up his elevated position and smoked silently. The toil of the day was over, and he leaned his arm along the back of his chair and crossed one leg over his knee. He could hear Absalom closing the shop behind him, and he turned his curious, expressionless eyes upon the boy as he passed down the steps and mingled with the crowd in the street. Just opposite, a story-teller squatted on the ground in the centre of a group of men who laughed and clapped their hands, his flashing teeth and quick gesticulations adding to each point he made; it was still clear enough to see his alternating expression of assumed anger or amusement. It was clear enough to notice the coloured scarves and smiling faces of a bullock cart full of girls