قراءة كتاب Punch, or the London Charivari, Volume 1, October 16, 1841
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Punch, or the London Charivari, Volume 1, October 16, 1841
to the light interior work of both the Houses? His logic, it is confessed, will support nothing; but we think he would be a very smart hand at a hat-peg.
As for much of the joinery-work, could we have prettier mechanics than Sir James GRAHAM and Sir Edward KNATCHBULL? When we remember their opinions on the Corn Laws, and see that they are a part of the cabinet which has already shown symptoms of some approaching alteration of the Bread Tax—when we consider their enthusiastic bigotry for everything as it is, and Sir Robert PEEL’S small, adventurous liberality, his half-bashful homage to the spirit of the age—sure we are that both GRAHAM and KNATCHBULL, to remain component members of the Peel Cabinet, must be masters of the science of dove-tailing; and hence, the men of men for the joinery-work of the new Houses of Parliament.
Again how many members from their long experience in the small jobbery of committees—from their profitable knowledge of the mysteries of private bills and certain other unclean work which may, if he please, fall to the lot of the English senator—how many of these lights of the times might build small monuments of their genius in the drains, sewerage, and certain conveniences required by the deliberative wisdom of the nation? We have seen the plans of Mr. BARRY, and are bound to praise the evidence of his taste and genius; but we know that the structure, however fair and beautiful to the eye, must have its foul places; and for the dark, dirty, winding ways of Parliament—reader, take a list of her Majesty’s Commons, and running your finger down their names, pick us out three hundred able-bodied labourers—three hundred stalwart night workmen in darkness and corruption. We ask the country, need it care for the strike of Peto’s men (the said Peto, by the way, is in no manner descended from Falstaff’s retainer), when there is so much unemployed labour, hungering only for the country’s good?
We confess to a difficulty in finding among the members of the present Parliament a sufficient number of stone-squarers. When we know that there are so few among them who can look upon more than one side of a question, we own that the completion of the building may be considerably delayed by employing only members of Parliament as square workmen: the truth is, having never been accustomed to the operation, they will need considerable instruction in the art. Those, however, rendered incapable, by habit and nature, of the task, may cast rubbish and carry a hod.
We put it to the patriotism of members of Parliament, whether they ought not immediately to throw themselves into the arms of Peto and Grissell, with an enthusiastic demand for tools. If they be not wholly insensible of the wants of the nation and of their own dignity, Monday morning’s sun will shine upon every man of her Majesty’s majority, for once laudably employed in the nation’s good. How delightful then to saunter near the works—how charming then to listen to members of Parliament! What a picture of senatorial industry! For an Irish speech by STANLEY, have we not the more dulcet music of his stone-cutting saw? Instead of an oration from GOULBURN, have we not the shrill note of his ungreased parliamentary barrow? For the “hear, hear” of PLUMPTRE, the more accordant tapping of the hammer—for the “cheer” from INGLIS, the sweeter chink of the mason’s chisel?
And then the moral and physical good acquired by the workmen themselves! After six days’ toil, there is scarcely one of them who will not feel himself wonderfully enlightened on the wants and feelings of labouring man. They will learn sympathy in the most efficient manner—by the sweat of their brow. Pleasant, indeed, ‘twill be to see CASTLEREAGH lean on his axe, and beg, with Sly, for “a pot of the smallest ale.”
Having, we trust, remedied the evils of the mason’s strike—having shewn that the fitness of things calls upon the Commons, in the present dilemma, to build their own house—we should feel it unjust to the government not to acknowledge the good taste which, as we learn, has directed that an estimate be taken of the disposable space on the walls of the new buildings, to be devoted to the exalted work of the historical painter. Records of the greatness of England are to endure in undying hues on the walls of Parliament.
This is a praiseworthy object, but to render it important and instructive, the greatest judgment must be exercised in the selection of subjects; which, for ourselves, we would have to illustrate the wisdom and benevolence of Parliament. How beautifully would several of the Duke of WELLINGTON’S speeches paint! For instance, his portrait of a famishing Englishman, the drunkard and the idler, no other man (according to his grace) famishing in England! And then the Duke’s view of the shops of butchers, and poulterers, and bakers—all in the Dutch style—by which his grace has lately proved, that if there be distress, it can certainly not be for want of comestibles! But the theme is too suggestive to be carried out in a single paper.
We trust that portraits of members will be admitted. BURDETT and GRAHAM, half-whig, half-tory, in the style of Death and the Lady, will make pretty companion pictures.
To do full pictorial justice to the wisdom of the senate, Parliament will want a peculiar artist: that gifted man CAN be no other than the artist to PUNCH!
Q.