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قراءة كتاب Florence and Northern Tuscany with Genoa With Sixteen Illustrations in Colour by William Parkinson and Sixteen Other Illustrations, Second Edition

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Florence and Northern Tuscany with Genoa
With Sixteen Illustrations in Colour by William Parkinson and Sixteen Other Illustrations, Second Edition

Florence and Northern Tuscany with Genoa With Sixteen Illustrations in Colour by William Parkinson and Sixteen Other Illustrations, Second Edition

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دار النشر: Project Gutenberg
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the sunlight and to her. But though, indeed, I think all this may be clearer to those who come to her in their first youth by the long white roads with a song on their lips and a dream in their hearts—for the song is drowned by the iron wheels that doubtless have their own music, and the dream is apt to escape in the horror of the night imprisoned with your fellows; still, as we are so quick to assure ourselves, there are other ways of coming to Italy than on foot: in a motor-car, for instance, our own modern way, ah! so much better than the train, and truly almost as good as walking. For there is the start in the early morning, the sweet fresh air of the fields and the hills, the long halt at midday at the old inn, or best of all by the roadside, the afternoon full of serenity, that gradually passes into excitement and eager expectancy as you approach some unknown town; and every night you sleep in a new place, and every morning the joy of the wanderer is yours. You never "find yourself" in any city, having won to it through many adventures, nor ever are you too far away from the place you lay at on the night before. And so, as you pass on and on and on, till the road which at first had entranced you, wearies you, terrifies you, relentlessly opening before you in a monstrous white vista, and you who began by thinking little of distance find, as I have done, that only the roads are endless, even for you too the endless way must stop when it comes to the sea; and there you have won at last to Italy, at Genoa.

If you come by Ventimiglia, starting early, all the afternoon that white vision will rise before you like some heavenly city, very pure and full of light, beckoning you even from a long way off across innumerable and lovely bays, splendid upon the sea. While if you come from Turin, it is only at sunset you will see her, suddenly in a cleft of the mountains, the sun just gilding the Pharos before night comes over the sea, opening like some great flower full of coolness and fragrance.

It was by sea that John Evelyn came to Genoa after many adventures; and though we must be content to forego much of the surprise and romance of an advent such as that, yet for us too there remain many wonderful things which we may share with him. The waking at dawn, for instance, for the first time in the South, with the noise in our ears of the bells of the mules carrying merchandise to and from the ships in the Porto; the sudden delight that we had not felt or realised, weary as we were on the night before, at finding ourselves really at last in the way of such things, the shouting of the muleteers, the songs of the sailors getting their ships in gear for the seas, the blaze of sunlight, the pleasant heat, the sense of everlasting summer. These things, and so much more than these, abide for ever; the splendour of that ancient sea, the gesture of the everlasting mountains, the calmness, joy, and serenity of the soft sky.

Something like this is what I always feel on coming to that proud city of palaces, a sort of assurance, a spirit of delight. And in spite of all Tennyson may have thought to say, for me it is not the North but the South that is bright "and true and tender." For in the North the sky is seldom seen and is full of clouds, while here it stretches up to God. And then, the South has been true to all her ancient faiths and works, to the Catholic religion, for instance, and to agriculture, the old labour of the corn and the wine and the oil, while we are gone after Luther and what he leads to, and, forsaking the fields, have taken to minding machines.

And so, in some dim way I cannot explain, to come to Italy is like coming home, as though after a long journey one were to come suddenly upon one's mistress at a corner of the lane in a shady place.

It is perhaps with some such joy in the heart as this that the fortunate traveller will come to Genoa the Proud, by the sea, lying on the bosom of the mountains, whiter than the foam of her waves, the beautiful gate of Italy.

II

The history of Genoa, its proud and adventurous story, is almost wholly a tale of the sea, full of mystery, cruelty, and beauty, a legend of sea power, a romance of ships. It is a narrative in which sailors, half merchants, half pirates, adventurers every one, put out from the city and return laden with all sorts of spoil,—gold from Africa, slaves from Tunis or Morocco, the booty of the Crusades; with here the vessel of the Holy Grail bought at a great price, there the stolen dust of a great Saint.

This spirit of adventure, which established the power of Genoa in the East, which crushed Pisa and almost overcame Venice, was held in check and controlled by the spirit of gain, the dream of the merchant, so that Columbus, the very genius of adventure almost without an after-thought, though a Genoese, was not encouraged, was indeed laughed at; and Genoa, splendid in adventure but working only for gain, unable on this account to establish any permanent colony, losing gradually all her possessions, threw to the Spaniard the dominion of the New World, just because she was not worthy of it. Men have called her Genoa the Proud, and indeed who, looking on her from the sea or the sea-shore, will ever question her title?—but the truth is, that she was not proud enough. She trusted in riches; for her, glory was of no account if gold were not added to it. If she entered the first Crusade as a Christian, it was really her one disinterested action; and all the world acknowledged her valour and her contrivance which won Jerusalem. But in the second Crusade, as in the next, she no longer thought of glory or of the Tomb of Jesus, she was intent on money; and since in that stony place but little booty could be hoped for, she set herself to spoil the Christian, to provide him at a price with ships, with provender, with the means of realising his dream, a dream at which she could afford to laugh, secure as she was in the possession of this world's goods. Then, when in the thirteenth century those vast multitudes of soldiers, monks, dreamers, beggars, and adventurers came to her, the port for Palestine, clamouring for transports, she was sceptical and even scornful of them, but willing to give them what they demanded, not for the love of God but for a price. Even that beautiful and mysterious army of children which came to her from France and Germany in 1212 seeking Jesus, she could hold in contempt till, weary at last of feeding them, she found the galleys they demanded, and in the loneliness of the sea betrayed them and sold them for gold as slaves to the Arabs, so that of the seven thousand boys and girls led by a lad of thirteen who came at the bidding of a voice to Genoa, not one ever returned, nor do we hear anything further concerning them but the rumour of their fate.

Thus Genoa appears to us of old and now, too, as a city of merchants. She crushed Pisa lest Pisa should become richer than herself; she went out against the Moors for Castile because of a whisper of the booty; she sought to overthrow Venice because she competed with her trade in the East; and to-day if she could she would fill up the harbour of Savona with stones, as she did in the sixteenth century, because Savona takes part of her trade from her. What Philip of Spain did for God's sake, what Visconti did for power, what Cesare Borgia did for glory, Genoa has done for gold. She is a merchant adventurer. Her true work was the Bank of St. George. One of the most glorious and splendid cities of Italy, she is, almost alone in that home of humanism, without a school of art or a poet or even a philosopher. Her heroes are the great admirals, and adventurers—Spinola, Doria, Grimaldi, Fieschi, men whose names linger in many a ruined castle along the coast who of old met piracy with piracy. Even to-day a

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