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قراءة كتاب Florence and Northern Tuscany with Genoa With Sixteen Illustrations in Colour by William Parkinson and Sixteen Other Illustrations, Second Edition
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Florence and Northern Tuscany with Genoa With Sixteen Illustrations in Colour by William Parkinson and Sixteen Other Illustrations, Second Edition
a stout and successful defence shortly after against Frederic I, the whole city, men, women, and children, on his approach from Lombardy, building a great wall about the city in fifty-three days, of which feat Porta S. Andrea remains the monument. Then followed that pestilence of Guelph and Ghibelline; out of which rose the names of the great families, robbers, oppressors, tyrants,—Avvocato, Spinola, Doria, the Ghibellines, with the Guelphs, Castelli, Fieschi, Grimaldi. Nor was Genoa free of them till the great Admiral Andrea Doria crushed them for ever. Yet peace of a sort there was, now and again, in 1189 for instance, when Saladin won back Jerusalem, and the Guelph nobles volunteered in a body to serve against him, leaving Genoa to the Ghibellines, who established the foreign Podestà for the first time to rule the city. But this gave them no peace, for still the nobles fought together, and if one family became too powerful, confusion became worse confounded, for Guelph and Ghibelline joined together to bring it low. Thus in the thirteenth century you find Ghibelline Doria linked with the Guelph Grimaldi and Fieschi to break Ghibelline Spinola. The aspect of the city at that time was certainly very different from the city of to-day, which is mainly of the sixteenth and seventeenth centuries where it is not quite modern. Then each family had its tower, from which it fought or out of which it issued, making the streets a shambles as it followed the enemy home or sought him out. The ordinary citizen must have had an anxious time of it with these bands of idle cut-throats at large. But by the close of the twelfth century the towers, at any rate, had been destroyed by order of the Consuls, the only one left being that which we see to-day, Torre degli Embriachi, left as a monument to a cunning valour. The thirteenth century saw the domination of the Spinola family, or rather of one branch of it, the Luccoli Spinola, which as opposed to the old S. Luca branch seems to have lived nearer the country and the woods, and was apparently most disastrous for the internal peace of the city; and indeed, until the Luccoli were beaten and exiled, as happened in the beginning of the fourteenth century, there could be no peace; truly the only peace Genoa knew in those days was that of a foreign war, when the great lords went out against Pisa or Venice.
The Venetian war, unlike that against Pisa, ended disastrously. Its origin was a question of trade in the East, where the Comneni had given certain rights to Genoa which on their fall the Venetians refused to respect. The quarrel came to a head in that cause of so many quarrels, the island of Crete, for the Marquis of Monferrat had sold it to the Venetians while he offered it to the Genoese, he himself having received it as spoil in the fourth Crusade. In this quarrel with Venice, Genoa certainly at first had the best of it. In 1261, or thereabout, she founded two colonies at Pera and Caffa, on the Bosphorus and in the Euxine, thus adding to her empire, which was rather a matter of business than of dominion. This is illustrated very effectually by the history of the Bank of St. George, which from this time till its dissolution at the end of the eighteenth century was, as it were, the heart of Genoa. It was Guglielmo Boccanegra, the grandfather of a more famous son, who built the palace which, as we now see it on the quay, is so sad and ruinous a monument to the independent greatness of the city. And since its stones were, as it is said, brought from Constantinople, where Michael Paleologus had given the Genoese the Venetian fortress of Pancratone, it is really a monument of the hatred of Genoa for Venice that we see there, the principal door being adorned with three lions' heads, part of the spoil of that Venetian fortress. This palace, on the death of Boccanegra, Captain of the People, was used by the city as an office for the registration of the compere or public loans, which dated from 1147 and the Moorish expedition. From the time of the foundation of the Bank the shares were, like our consols, to be bought and sold and were guaranteed by the city herself, though it was not till 1407 that the loans were consolidated and the Palazzo delle Compere, as it was called, became the Banco di S. Giorgio. Indeed, though its real power may be doubted, it administered, in name at any rate, the colonies of Genoa after the fall of Constantinople.
Of the building itself I speak elsewhere; it is rather to its place in the story of Genoa that I have wished here to draw attention.
And it was now, indeed, that Genoa reached, perhaps, the zenith of her power. For in 1284 comes the great victory of Meloria, which laid Pisa low. Enraged partly at the success of Genoa in the East, partly at her growing power and general wealth, Pisa, with that extraordinary flaming and ruthless energy so characteristic of her, determined to dispose of Genoa once and for all. Nor were the Genoese unwilling to meet her. Indeed, they urged her to it. The two fleets, bearing some sixty thousand men, that of Pisa commanded by a Venetian, Andrea Morosini, that of Genoa by Oberto Doria, met at Meloria, not far from Bocca d'Arno, when the Pisans were utterly defeated, partly owing to the treachery of the immortal Count Ugolino, who sailed away without striking a blow. [1] Yet in spite of her defeat Pisa carried on the war for four years, when she sued for peace, which, however, she could not keep, so that in 1290 we find Corrado Doria sailing into the Porto Pisano, breaking the chain which guarded it, and carrying it back to Genoa, where part of it hung as a trophy till our own time on the façade of the Palazzo di S. Giorgio.
Nor were the Genoese content, for soon after this victory we find them, led by Lamba Doria, utterly beating the Venetians at Curzola, in the Adriatic, where they took a famous prisoner, Messer Marco Polo, just returned from Asia. They brought him back to Genoa, where he remained in prison for nearly two years, and wrote his masterpiece. Whether it was the influence of so illustrious a captive, or merely the natural expression of their own splendid and adventurous spirit, about this time the Doria fitted out two galleys to explore the western seas, and to try to reach India by way of the sunset. Tedisio Doria and the brothers Vivaldi with some Franciscans set out on this adventure, and never returned.
With the fourteenth century Genoa for a time threw off the yoke of her great nobles, Spinola, Doria, Grimaldi, Fieschi. The wave of revolt that passed over Europe at this time certainly left Genoa freer than she had ever been. The people had claimed to name their own "Abbate," in opposition to the Captain of the People. They chose by acclamation Simone Boccanegra, who, however, seeing that he was to have no power, refused the office. "If he will not be Abbate," cried a voice in the crowd, "let him be Doge"; and seeing the enthusiasm of the people, this great man allowed himself to be borne to S. Siro, where he was crowned first Doge of Genoa for life. The nobles seem to have been afraid to interfere, so great was the eagerness of the people. And it was about this time that the Grimaldi, driven out of Genoa, seized Monaco, which by the sufferance of Europe they hold to-day. It is true, that for a time in 1344 the nobles gathered an army and returned to Genoa, Boccanegra resigning and exiling himself in Pisa; but twelve years later he was back again, ruling with temperance and wisdom that great city, which was now queen of the Mediterranean sea.
To follow the fortunes of the Republic one would need to write a book. It must be sufficient to say here that by the