href="@public@vhost@g@gutenberg@html@files@16607@[email protected]#footnote5" class="pginternal" tag="{http://www.w3.org/1999/xhtml}a">⁵ may have placed them respectively in their appreciation of the scientific marvels of the Polytechnic Institution, they meet on common ground in their admiration of the wax-work exhibition of Madame Tussaud; though the Khan, who was not sufficiently acquainted with the features of our public characters to judge of the likenesses, expresses his commendation only in general terms. But the Parsees, with the naïveté of children, break out into absolute raptures at recognising the features of Lord Melbourne, "a good-humoured looking, kind English gentleman, with a countenance, perhaps, representing frankness and candour more than dignity"—William IV., "looking the very picture of good-nature"—the Duke of Wellington, Lord Brougham, &c.; "indeed, we know of no exhibition (where a person has read about people) that will afford him so much pleasure, always recollecting that it is only one shilling, and for this you may stop just as long as you are inclined." Their remarks, on seeing the effigy of Voltaire, are too curious to be omitted. "He is an extraordinary-looking man, dressed so oddly too, with little pinched-up features, and his hair so curiously arranged. We looked much at him, thinking he must have had much courage, and have thought himself quite right in his belief, to have stood opposed to all the existing religious systems of his native land. He, however, and those who thought differently from him, have long since in another world experienced, that if men only act up to what they believe to be right, the Maker of the Deist, the Christian, and the Parsee, will receive them into his presence; and that it is the professor of religion, who is nothing but a professor, let his creed be what it may, that will meet with the greatest punishment from Him that ruleth all things." But before we quit the subject of this attractive exhibition, we must not omit to mention an adventure of the Persian princes, two of whom, having paid a previous visit, persuaded the third brother, on his accompanying them thither, that he was in truth in the royal palace, (whither he had been invited for one of the Queen's parties on the same evening.) and in the presence of the court and royal family! The embarrassment of poor Najef-Kooli at the morne silence preserved, which he interpreted as a sign of displeasure, is amusingly described, till, on touching one of the figures, "he fell down, and I observed that he was dead; and my brothers and Fraser Sahib laughed loudly, and said, 'These people are not dead but are all of them artificial figures of white wax.' Verily, no one would ever have thought that they were manufactured by men!"