promised to go to his house and see if I could help in any way. I did not tell him that I was about as familiar with young girls from my home land as I was with young eagles, for the undaunted spirit of that child had aroused all my love of adventure; and I wanted to see her. Then, too, I was haunted by the picture of a lonely girl in a strange land, crying out in the night for her dead father.

  I was trembling with new emotion that evening when I brought my invalid in from the garden, and tucked her into bed.

  Kishimoto San had not only offered me a tremendous experience, but all unwittingly he made it easily possible for me to defy the tradition of his picture language, and risk Jane Gray as a permanent fireside companion.

III

ZURA

  Just below "The House of the Misty Star," in an old temple, a priest played a merry tattoo on a mighty gong early every morning. First one stroke and a pause, then two strokes and a pause, followed by so many strokes without pause that the sounds merged into one deep mellow tone reaching from temple to distant hills. It was, so to speak, the rising bell for the deities in that district and announced to them the beginning of their day of business.

  In years gone by the echo of the music had stirred me only to a drowsy thankfulness that I was no goddess, happy as I turned for a longer sleep. The morning after Kishimoto San's visit, long before any sound disturbed the sleeping gods, from my window I watched the Great Dipper drop behind the crookedest old pine in the garden and heard the story of the night-wind as it whispered its secret to the leaves.

  Usually my patience was short with people who went mooning around the house at all hours of the night when they should have been sleeping. Somehow though, things seemed changed and changing. Coming events were not casting shadows before them in my home, but thrills. Formerly I had not even a passing acquaintance with thrills. Now, half a century behind-time, they were beginning to burst in upon me all at once, as would a troop of merry friends bent on giving me a surprise party, and the things they seemed to promise kept me awake half the night. My restlessness must have penetrated the thin partition of my Japanese house, for when I went out to breakfast there sat Jane Gray, very small and pale, but as bright-eyed and perky as a sparrow. It was her first appearance at the morning meal.

  Before I could ask why she had not rested as usual, she put a question to me. "Well, what is it?"

  "What's what?" I returned.

  "Why," she exclaimed, "you have been up most of the night. I wanted to ask if you were ill, but I was counting sheep jumping over the fence, and it made me so sleepy I mixed you up with them. I hope it isn't the precious cod-liver babies that are keeping you awake."

  It was at Jane's suggestion that we had eliminated meat from our menu and established a kind of liquid food station for the ill-nourished offspring of the quarry women near us.

  I assured Miss Gray that babies had been far from my thoughts. Then I told her of my interview with Kishimoto San; of how Zura Wingate had come to her grandfather's house; of her rebellion against things that were; and that she was to come to me for private study. Had I not been so excited over the elements of romance in my story, I would have omitted telling Jane of the incident of the girl and the youth in the park, for it had a wonderful effect on her.

  Jane's sentiment was like a full molasses pitcher that continues to drip in spite of all the lickings you give it. At once I saw I was in for an overflow. It was the only part of the story she took in, and as she listened, passed into some kind of a spell. She cuddled down into her chair and shut her eyes like a child in the ecstasies of a fairy story. She barely breathed enough to say, "The darlings! and in that lovely old park! I hope it was moonlight. Do you suppose they sat under the wistaria?"

  Not for a copper mine would I have hinted that through the night there had come before my mind a picture very like that. Such a picture in the Orient could only be labeled tragedy; the more quickly it was blotted out from mind and reality the better for all concerned. I spoke positively to my companion.

  "Look here, Jane Gray, if it wasn't for breaking a commandment I would call you foolish with one syllable. Don't you know that in this country a young man and woman walking and talking together cannot be permitted? Neither love nor romance is free or permissible, but they are governed by laws which, if transgressed, will break heart and spirit."

  "So I have heard," cooed Miss Gray, unimpressed by my statements. "Wouldn't it be sweet, though, for you and me to go about teaching these dear Japanese people that young love will have its freedom and make a custom of its own?"

  "Yes, indeed! Wouldn't it be a sweet spectacle to see two middle-aged women, one fat and one lean, stumping the country on a campaign for young love—subjects in which we are versed only by hearsay and a stray novel or so!" I said all this and a little more.

  Jane went on unheeding, "That's it. We must preach love and live it till we have made convicts of every inhabitant."

  Of course she meant "converts," but the kinks in Miss Gray's tongue were as startling as the peculiar twists in her religion.

  Upon her asking for more particulars I repeated what Kishimoto San had told me. The girl's father was an artist by profession and, as nearly as I could judge, a rover by habit. Of late the family had lived in a western city. I was not familiar with the name Kishimoto San gave; he called it "Shaal."

  "Oh," cried my companion, "I know. I lived there once. It's Seattle."

  Occasionally there shot through Jane's mind a real thought, as luminous as a shaft of light through a jar of honey. I would have never guessed the name of that city.

  "Then what else happened?" she continued, as eagerly as a young girl hearing a love story.

  I told her it had not happened yet, and before it did I was going to call at the house and see the girl as I had promised and settle upon the hour she was to come for daily lessons. Meantime Jane was to take her nap, her milk, and her tonic without my standing over her. In her devotion to her profession she was apt to forget the small details of eating and resting.

  My craving for things to happen was being fed as fast as a rapid-firing gun in full action. I found waiting very irksome but there was a cooking class, a mother's meeting, two sets of composition papers to be corrected and various household duties that stubbornly refused to adjust themselves to my limited time.

  At last, however, I was free to go and delayed not a minute in starting on my visit.

  Kishimoto's home was lower down in the city than mine and very near the sea. The house was ancient and honorable. Its air of antiquity was undisturbed by the great changes which had swept the land in the ages it had stood. The masters had changed from father to son, but the house was as it had been in the beginning, and with it lived unbroken and unshifting, the traditions and beliefs of its founders.

  It was only a matter of a few minutes after passing the lodge gates until I was ushered into the general living-room and the center of the family life.

  The master being absent, the ceremony of wel