id="pgepubid00018">The Air.

The thousand-and-one young gentlemen in blue neck-ties, who for a twelvemonth, in frantic strains, varying from basso profundo to piping tenor, had proclaimed their entire willingness to "mourir pour la patrie," were engrossed at their shops; innumerable fascinating trimmers of bonnets, who, like poor little "Dora," religiously believed the chief end of man consisted in "dancing continually ta la ra, ta la ra," sat busily plying the needle, elbow-deep in ribbons; the consumptive-looking flute-player before the foot-lights trilled out his spasmodic trickle of melody, and contemplated with melancholy pleasure the excited audience; the lank danseuse ogled and smirked at it behind them, and, with passionate gestures of her thin legs, implored its applause; men, women, and children, of all grades and degrees, crowded into the murky night; for a day was coming when the youths of the neck-ties would not agree to mourir on any account; when the flute-player would cease to be contemplative; when the danseuse would forget her attenuated extremities; when the whole world, where the grace of the Redeemer is known, would believe that the chief end of the hour, at least, consisted in "dancing continually ta la ra, ta la ra."

Shall "The Air" ring with the joyous notes of the carols, or breathe low and soft with the sighs of the suffering?

Shall it burst into mad hilarity at the revelry, or wail with the sharp cries of the poor?

It was a painted house, but the paint had worn off; it had a garden, but the garden was choked with weeds; its two rooms were once handsomely furnished, but the furniture was now common and old. It was once a fashionable street; but fashion had fled before the victorious eagles of trade. The tenants of that house were once happy and prosperous. What are they now?

The occupant of the back room was a man, and the occupants of the front room a woman and her children.

He was sitting at a rude deal table; before him were scattered some dirty sheets of music, and around him the place was dreary and bare. By the light of a tallow dip he was playing, in screeching tones, the commonest of ditties and polkas by note. His coat was once of the richest; but now it was old and threadbare. His hands were once white and elegantly shaped; now they were dirty, and blue with cold. His face once beamed with contentment; now it was worn with care and marked by the hard lines of penury.

The other room was darker, and, if possible, more dreary. There were two trundle-beds in a corner, and four bright beings, oblivious to the discomfort, in the happy sleep of childhood. There was a mattress in another corner, with a pile of bedquilts and a sheet.

The fire had burned down to a coal. It shone on the mantle with a sickly glare; and this was the only light there was.

To the mantle-piece were pinned four little stockings, each waiting open-mouthed for a gift from Santa Claus.

Below them crouched a woman, weeping bitterly.

The woman was Clara Hague; and she was weeping because the Christmas dawn would find those little mouths unsatisfied.

Our "Air" is getting mournful,—too mournful for this hour of great joy. The Te Deum Laudamus, not the Miserere, is for outbursts of gladness like these.

Let it sing of the carriage that surprised the man from his fiddle and the woman from her tears by its thunder in the quiet street.

Let it sing of the warm-hearted brother, forgetting the bitterness of the past, his pockets replenished from a well-saved hoard, who rushed in, startling the little sleepers with his joyous greeting. Let it chant the praises of the hampers of wine, and fowls, and dainties, and the bundles of toys, that same lumbering carriage contained. And last, but not least, let it thrill with the glad shout of a little newsboy, who, frantic with delight, hurried on a new gray suit and a pair of bran-new boots, a present received that very day from his then unknown uncle, John Redfield.

STORY OF A BEAST.

It was a dirty, grasping little office, vile enough to have been built by the Evil One; and the occupant was a dirty, grasping little man, cruel enough to have been made out of its scraps. It was a hard, remorseless little door, that took in a visitor at a gulp and closed after him with a bite. If the luckless caller happened to be a debtor, the fantastic barbarity of his reception was positively infernal. The jerk of grotesque ferocity that greeted him was like the "hoop la!" of a demonized gymnast. The straight-backed chair looked like a part of the stiff, angular man. The yellow-wash on the wall seemed to have caught its reflex from the faded face, and stared grimly at deep lines of avarice ironed into it. Even the mud on the floor, the dust on the table, and the cobwebs on the ceiling maliciously conspired against him, and asserted themselves in every seam of his threadbare clothes. But the face,—stern, stony, relentless, an uncertain compromise between the ghastly severity of a German etching and the constipated austerity of old pictures of the saints,—in that, one fixed idea had blotted out every other vestige of humanity. Each starting vein, bone, and muscle on the hungry visage had "stand and deliver" scarred all over it. The eager metallic glitter of his eyes, the rigid harshness of his mouth, and the nameless craving that seemed to speak from his lean, attenuated cheeks, united to make the name of Hardy Gripstone and Beast synonymous. He looked like a beast, he ate like a beast, he lived like a beast.

Beast started out of every bristle on his unkempt head; it shone in the unhealthy gloss of his battered hat; it wallowed on the stock that clung around his dirty neck; it glistened in the grease on his dingy clothes; it starved on his thin, claw-like hands; it flourished in the grime imbedded under his nails; it creaked in his worn-out, down-trodden shoes. Men, as he shambled by on the streets, unconsciously muttered, "Beast!" women, shrinking from him, whispered, "Beast!" between the heart-throbs the terror of his presence created; children, hushing their cries in silent horror at his grimace, stared "Beast!" out of their wonder-stricken eyes. You might bray him in a mortar and boil the powder in a caldron, yet amid all the envy, hatred, and malice that made up the ingredients, Beast would have triumphantly floated on the top. Beast! Beast! Beast! Beast! The universal verdict clutched him like the shirt of Nessus. He actually grew proud of the title, and received the stigma with a cluck of beastly joy, as though inspired with a certain beastly ambition to deserve it. The laugh with which he hailed any appeal to his charity was monstrous. It commenced with a leathery wheeze like the puff of asthmatic bellows; it croaked with a grating chuckle, as if his throat opened on rusty hinges; and then it broke out in a shrill vocal shudder, that sounded like the shriek of a hyena.

It is an idiosyncrasy of mine to foster just such pet abominations; and I cultivated Hardy Gripstone. My advances were not encouraged by that overweening tenderness that indicates the possible victim of misplaced confidence. Far from "wearing his heart upon his sleeve for daws to peck at," it seemed to have been weaned years agone, and my milk of human kindness fell flat as any whipped syllabub.

Felicitous as were the suggestions of his suspicious brain, it took me fully three months to descend in his bearish estimation from a highwayman to a ninny. There was an incredibility in my apparent lack of motive that puzzled him. His dubious cordiality was doled