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قراءة كتاب Lucia Rudini: Somewhere in Italy

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Lucia Rudini: Somewhere in Italy

Lucia Rudini: Somewhere in Italy

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دار النشر: Project Gutenberg
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had been washed and put away in the cupboard, she helped her grandmother undress, and settled her comfortably in the green enameled bed with its brass trimmings, that occupied a good part of the small room. Lucia's mother had brought it with her from Naples, and it was the most cherished and admired article of furniture that the Rudinis owned.

"Are you comfortable, Nana?" Lucia inquired gently, as she smoothed the fat, hard pillows in an attempt to make a rest for the old gray head.

"Yes, go to bed, child," Nana replied, and without more ado she closed her eyes and went to sleep.

Lucia climbed up the ladder to the loft, and was soon cuddled down beside Beppi in a bed of fresh straw. Though she persisted in her determination that her grandmother sleep in state in the best bed, she herself preferred a simple and softer resting place.

"Tell me a story," Beppi demanded; "not about fairies and silly make believes, but about soldiers."

"But there are no pretty stories about soldiers, Beppino mio," Lucia protested.

"Who wants pretty stories!" Beppi replied scornfully. "I don't—tell me an exciting one about guns and war."

"Very well I'll try, but be still," Lucia gave in, well knowing that she would not have to go very far.

"Once upon a time," she began, "there was a soldier. He had very big eyes, and he came from the south where the sun is very warm and the sky and the water are very, very blue."

"Was he brave?" Beppi interrupted sleepily.

"Oh, yes, he was very brave," Lucia replied hurriedly, "very brave, and he loved his country more than anything else in the world."

She waited but Beppi's voice commanded.

"Go on, don't stop."

"Well, one day he was sent to guard a gate of a city, and he walked up and down before it with his gun on his shoulders, and no one could pass him unless it was a friend."

She paused again. Beppi was breathing regularly.

"Old sleepy head!" Lucia whispered, and kissed him tenderly.

The story was not continued and before many minutes she was fast asleep herself.

It was an hour before sunrise when she awoke. The air that found its way into the little attic was damp and chill. Lucia crept out of bed, being very careful not to disturb Beppi, and slipped hurriedly into her clothes. With her shoes in her hand, she climbed gingerly down the ladder past her sleeping grandmother and out to the shed.

"Good morning, Garibaldi, how are you this morning?" she said as she patted the stocky little neck of her pet.

Garibaldi submitted to her caress with a condescension worthy of the position her name gave her, and the other goats crowded to the open door, eager to leave their cramped quarters.

"Not yet, my dears," Lucia said softly, "it isn't time. Here, Esther, I will milk you first. You must all be good to-day, and Garibaldi, I don't want you to go running away if I have to leave you with Beppi," she continued. "You're nothing but goats, of course, but you know perfectly well that we are at war, and that you are very important, and must do your part. Stop it, Miss, none of your pranks, I'm in a hurry," she chided the refractory Esther for an attempt at playfulness.

"There now, that's enough, I can't carry any more or I would. Two pails only half full aren't much, but they help, I guess. Now if it won't rain until I get there it will be all right, but I'll cover the pails to be on the safer side." She found two covers and fitted them securely over the pails. "Now children, good-by. Be good till I come back, and don't go making any noise."

She paused long enough to give Garibaldi a farewell pat and then left the shed closing the door behind her. She looked up uneasily at the cottage, but everything seemed to be very still, so she picked up her pails and started off at as brisk a pace as possible.

She followed the main road that looked unnaturally white and ghostly in the pale dawn of the early morning. It was down hill for about a mile, and traveling was comparatively easy at first, but when the road reached the bottom of the valley it stopped and seemed to straggle off into numerous little foot-paths. The broadest and most traveled looking path Lucia followed, picking her way carefully for fear of stumbling and thus losing some of the precious milk.

The path led up the other side of the valley. It was a steep climb, and Lucia was tired when she reached the top. She sat down for a while to rest before going on the remainder of the way. The next path that she took turned abruptly to the right, and led up an even steeper hill to a tiny plateau above. From it one could look down on Cellino across the valley. When Lucia reached it she put down her pails in the shade of a big rock and looked about cautiously.

Nothing seemed to stir. The guns were quiet and nothing in the peaceful, secluded little spot suggested the close proximity of battle. The only human touch in sight was a small scrap of paper, held down by a stone on the flat rock above the pails.

Lucia was not surprised, for she had done the same thing every morning for a week now. She unfolded it. As she expected, she found four brightly polished copper pennies and the words, "Thanks to the little milk maid," written in heavy pencil.

Lucia picked up the money and put it into her pocket, then with a pencil that she had brought especially for the purpose she wrote, "You are welcome, my friends; good luck!" below the message, and tucked the paper back under the stone. Then with another curious look around, which discovered nothing, she started back, this time running as fleet and fast as any of her sure-footed little goats.

She reached home before either Nana or Beppino were awake, and hurried to finish her milking. When the scant breakfast was over, she was ready to start for town with her pails.

When she entered the market-place, it was to find a very different scene from the one of the day before. The place was thronged with soldiers, but they were not laughing and jesting; instead, little groups congregated around the stalls and talked excitedly. Some of the old women had covered their faces with their black aprons, and were rocking back and forth on their chairs in an extremity of woe.

There was an unnatural hush, and men and women alike lowered heir voices instinctively as they talked.

Lucia had seen the same thing many times before. She guessed, and rightly too, that a battle was going on, and that news of some disaster had reached the little town. She did not go at once to her aunt's stall, but left her pails inside the big bronze door of the church, and slipped quietly inside. The place was deserted, and the lofty dome was in dark shadow. Long rays of pale yellow light from the morning sun came through the narrow windows and made queer patches on the marble floor. In the dim recesses of the little chapels tiny candles flickered like stars in the dark.

Lucia looked about her to make sure that she was alone, and then walked quickly to one of the chapels and dropped four shining copper pennies into the mite box that stood on a little shelf beside the altar. She stayed only long enough to say a hasty little prayer, and then hurried out again into the sunshine. The clouds of the night before and the mist of the early morning had disappeared, and the market-place was bathed in warm golden sunshine.

Lucia picked up her pails and hurried to her aunt's stall.

"Well, you are late," Maria said. "We thought you had stubbed your toe and spilled all the milk."

"And only two half-full pails again," Señora Rudini grumbled. "But no matter, we can get more from old Paolo. Have you heard the news?" she asked abruptly.

"No," Lucia replied indifferently. "What is it?"

"A big gain by the enemy. They have taken thousands of our men, and they say we may be ordered to leave Cellino at any minute."

"Think of it! They are as near as that!" Maria said excitedly. "Oh if we must move, where can we go to? I am so frightened."

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