title="Page 35" id="pgepubid00046"/> entirely one-sided and fanatical. It was his imagination that was well-balanced and broad. He was monotonously certain that only Whigs were right; but it was necessary that Tories should at least be great, that his heroes might have foemen worthy of their steel. If there was one thing in the world he hated it was a High Church Royalist parson; yet when Jeremy Collier the Jacobite priest raises a real banner, all Macaulay's blood warms with the mere prospect of a fight. "It is inspiriting to see how gallantly the solitary outlaw advances to attack enemies formidable separately, and, it might have been thought, irresistible when combined; distributes his swashing blows right and left among Wycherley, Congreve and Vanbrugh, treads the wretched D'Urfey down in the dirt beneath his feet; and strikes with all his strength full at the towering crest of Dryden." That is exactly where Macaulay is great; because he is almost Homeric. The whole triumph turns upon mere names; but men are commanded by names. So his poem on the Armada is really a good geography book gone mad; one sees the map of England come alive and march and mix under the eye.

The chief tragedy in the trend of later literature may be expressed by saying that the smaller Macaulay conquered the larger. Later men had less and less of that hot love of history he had inherited from Scott. They had more and more of that cold science of self-interests which he had learnt from Bentham.

The name of this great man, though it belongs to a period before the Victorian, is, like the name of Cobbett, very important to it. In substance Macaulay accepted the conclusions of Bentham; though he offered brilliant objections to all his arguments. In any case the soul of Bentham (if he had one) went marching on, like John Brown; and in the central Victorian movement it was certainly he who won. John Stuart Mill was the final flower of that growth. He was himself fresh and delicate and pure; but that is the business of a flower. Though he had to preach a hard rationalism in religion, a hard competition in economics, a hard egoism in ethics, his own soul had all that silvery sensitiveness that can be seen in his fine portrait by Watts. He boasted none of that brutal optimism with which his friends and followers of the Manchester School expounded their cheery negations. There was about Mill even a sort of embarrassment; he exhibited all the wheels of his iron universe rather reluctantly, like a gentleman in trade showing ladies over his factory. There shone in him a beautiful reverence for women, which is all the more touching because, in his department, as it were, he could only offer them so dry a gift as the Victorian Parliamentary Franchise.

Now in trying to describe how the Victorian writers stood to each other, we must recur to the very real difficulty noted at the beginning: the difficulty of keeping the moral order parallel with the chronological order. For the mind moves by instincts, associations, premonitions and not by fixed dates or completed processes. Action and reaction will occur simultaneously: or the cause actually be found after the effect. Errors will be resisted before they have been properly promulgated: notions will be first defined long after they are dead. It is no good getting the almanac to look up moonshine; and most literature in this sense is moonshine. Thus Wordsworth shrank back into Toryism, as it were, from a Shelleyan extreme of pantheism as yet disembodied. Thus Newman took down the iron sword of dogma to parry a blow not yet delivered, that was coming from the club of Darwin. For this reason no one can understand tradition, or even history, who has not some tenderness for anachronism.

Now for the great part of the Victorian era the utilitarian tradition which reached its highest in Mill held the centre of the field; it was the philosophy in office, so to speak. It sustained its march of codification and inquiry until it had made possible the great victories of Darwin and Huxley and Wallace. If we take Macaulay at the beginning of the epoch and Huxley at the end of it, we shall find that they had much in common. They were both square-jawed, simple men, greedy of controversy but scornful of sophistry, dead to mysticism but very much alive to morality; and they were both very much more under the influence of their own admirable rhetoric than they knew. Huxley, especially, was much more a literary than a scientific man. It is amusing to note that when Huxley was charged with being rhetorical, he expressed his horror of "plastering the fair face of truth with that pestilent cosmetic, rhetoric," which is itself about as well-plastered a piece of rhetoric as Ruskin himself could have managed. The difference that the period had developed can best be seen if we consider this: that while neither was of a spiritual sort, Macaulay took it for granted that common sense required some kind of theology, while Huxley took it for granted that common sense meant having none. Macaulay, it is said, never talked about his religion: but Huxley was always talking about the religion he hadn't got.

But though this simple Victorian rationalism held the centre, and in a certain sense was the Victorian era, it was assailed on many sides, and had been assailed even before the beginning of that era. The rest of the intellectual history of the time is a series of reactions against it, which come wave after wave. They have succeeded in shaking it, but not in dislodging it from the modern mind. The first of these was the Oxford Movement; a bow that broke when it had let loose the flashing arrow that was Newman. The second reaction was one man; without teachers or pupils—Dickens. The third reaction was a group that tried to create a sort of new romantic Protestantism, to pit against both Reason and Rome—Carlyle, Ruskin, Kingsley, Maurice—perhaps Tennyson. Browning also was at once romantic and Puritan; but he belonged to no group, and worked against materialism in a manner entirely his own. Though as a boy he bought eagerly Shelley's revolutionary poems, he did not think of becoming a revolutionary poet. He concentrated on the special souls of men; seeking God in a series of private interviews. Hence Browning, great as he is, is rather one of the Victorian novelists than wholly of the Victorian poets. From Ruskin, again, descend those who may be called the Pre-Raphaelites of prose and poetry.

It is really with this rationalism triumphant, and with the romance of these various attacks on it, that the study of Victorian literature begins and proceeds. Bentham was already the prophet of a powerful sect; Macaulay was already the historian of an historic party, before the true Victorian epoch began. The middle classes were emerging in a state of damaged Puritanism. The upper classes were utterly pagan. Their clear and courageous testimony remains in those immortal words of Lord Melbourne, who had led the young queen to the throne and long stood there as her protector. "No one has more respect for the Christian religion than I have; but really, when it comes to intruding it into private life——" What was pure paganism in the politics of Melbourne became a sort of mystical cynicism in the politics of Disraeli; and is well mirrored in his novels—for he was a man who felt at home in mirrors. With every allowance for aliens and eccentrics and all the accidents that must always eat the edges of any systematic