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قراءة كتاب The Victorian Age in Literature

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The Victorian Age in Literature

The Victorian Age in Literature

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دار النشر: Project Gutenberg
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circumference, it may still be said that the Utilitarians held the fort.

Of the Oxford Movement what remains most strongly in the Victorian Epoch centres round the challenge of Newman, its one great literary man. But the movement as a whole had been of great significance in the very genesis and make up of the society: yet that significance is not quite easy immediately to define. It was certainly not æsthetic ritualism; scarcely one of the Oxford High Churchmen was what we should call a Ritualist. It was certainly not a conscious reaching out towards Rome: except on a Roman Catholic theory which might explain all our unrests by that dim desire. It knew little of Europe, it knew nothing of Ireland, to which any merely Roman Catholic revulsion would obviously have turned. In the first instance, I think, the more it is studied, the more it would appear that it was a movement of mere religion as such. It was not so much a taste for Catholic dogma, but simply a hunger for dogma. For dogma means the serious satisfaction of the mind. Dogma does not mean the absence of thought, but the end of thought. It was a revolt against the Victorian spirit in one particular aspect of it; which may roughly be called (in a cosy and domestic Victorian metaphor) having your cake and eating it too. It saw that the solid and serious Victorians were fundamentally frivolous—because they were fundamentally inconsistent.

A man making the confession of any creed worth ten minutes' intelligent talk, is always a man who gains something and gives up something. So long as he does both he can create: for he is making an outline and a shape. Mahomet created, when he forbade wine but allowed five wives: he created a very big thing, which we have still to deal with. The first French Republic created, when it affirmed property and abolished peerages; France still stands like a square, four-sided building which Europe has besieged in vain. The men of the Oxford Movement would have been horrified at being compared either with Moslems or Jacobins. But their sub-conscious thirst was for something that Moslems and Jacobins had and ordinary Anglicans had not: the exalted excitement of consistency. If you were a Moslem you were not a Bacchanal. If you were a Republican you were not a peer. And so the Oxford men, even in their first and dimmest stages, felt that if you were a Churchman you were not a Dissenter. The Oxford Movement was, out of the very roots of its being, a rational movement; almost a rationalist movement. In that it differed sharply from the other reactions that shook the Utilitarian compromise; the blinding mysticism of Carlyle, the mere manly emotionalism of Dickens. It was an appeal to reason: reason said that if a Christian had a feast day he must have a fast day too. Otherwise, all days ought to be alike; and this was that very Utilitarianism against which their Oxford Movement was the first and most rational assault.

This idea, even by reason of its reason, narrowed into a sort of sharp spear, of which the spear blade was Newman. It did forget many of the other forces that were fighting on its side. But the movement could boast, first and last, many men who had this eager dogmatic quality: Keble, who spoilt a poem in order to recognise a doctrine; Faber, who told the rich, almost with taunts, that God sent the poor as eagles to strip them; Froude, who with Newman announced his return in the arrogant motto of Achilles. But the greater part of all this happened before what is properly our period; and in that period Newman, and perhaps Newman alone, is the expression and summary of the whole school. It was certainly in the Victorian Age, and after his passage to Rome, that Newman claimed his complete right to be in any book on modern English literature. This is no place for estimating his theology: but one point about it does clearly emerge. Whatever else is right, the theory that Newman went over to Rome to find peace and an end of argument, is quite unquestionably wrong. He had far more quarrels after he had gone over to Rome. But, though he had far more quarrels, he had far fewer compromises: and he was of that temper which is tortured more by compromise than by quarrel. He was a man at once of abnormal energy and abnormal sensibility: nobody without that combination could have written the Apologia. If he sometimes seemed to skin his enemies alive, it was because he himself lacked a skin. In this sense his Apologia is a triumph far beyond the ephemeral charge on which it was founded; in this sense he does indeed (to use his own expression) vanquish not his accuser but his judges. Many men would shrink from recording all their cold fits and hesitations and prolonged inconsistencies: I am sure it was the breath of life to Newman to confess them, now that he had done with them for ever. His Lectures on the Present Position of English Catholics, practically preached against a raging mob, rise not only higher but happier, as his instant unpopularity increases. There is something grander than humour, there is fun, in the very first lecture about the British Constitution as explained to a meeting of Russians. But always his triumphs are the triumphs of a highly sensitive man: a man must feel insults before he can so insultingly and splendidly avenge them. He is a naked man, who carries a naked sword. The quality of his literary style is so successful that it succeeds in escaping definition. The quality of his logic is that of a long but passionate patience, which waits until he has fixed all corners of an iron trap. But the quality of his moral comment on the age remains what I have said: a protest of the rationality of religion as against the increasing irrationality of mere Victorian comfort and compromise. So far as the present purpose is concerned, his protest died with him: he left few imitators and (it may easily be conceived) no successful imitators. The suggestion of him lingers on in the exquisite Elizabethan perversity of Coventry Patmore; and has later flamed out from the shy volcano of Francis Thompson. Otherwise (as we shall see in the parallel case of Ruskin's Socialism) he has no followers in his own age: but very many in ours.

The next group of reactionaries or romantics or whatever we elect to call them, gathers roughly around one great name. Scotland, from which had come so many of those harsh economists who made the first Radical philosophies of the Victorian Age, was destined also to fling forth (I had almost said to spit forth) their fiercest and most extraordinary enemy. The two primary things in Thomas Carlyle were his early Scotch education and his later German culture. The first was in almost all respects his strength; the latter in some respects his weakness. As an ordinary lowland peasant, he inherited the really valuable historic property of the Scots, their independence, their fighting spirit, and their instinctive philosophic consideration of men merely as men. But he was not an ordinary peasant. If he had laboured obscurely in his village till death, he would have been yet locally a marked man; a man with a wild eye, a man with an air of silent anger; perhaps a man at whom stones were sometimes thrown. A strain of disease and suffering ran athwart both his body and his soul. In spite of his praise of silence, it was only through his gift of utterance that he escaped madness. But while his fellow-peasants would have

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