class="tdleft">Noon: Phene
51 |
| |
IV. |
Evening; Night: The Ending of the Day |
67 |
| III. |
Mildred Tresham |
81 |
| IV. |
Balaustion |
93 |
| V. |
Pompilia |
122 |
| |
| PART II |
| THE GREAT LADY |
| "My Last Duchess," and "The Flight of the Duchess" |
165 |
| |
| PART III |
| THE LOVER |
| I. |
Lovers Meeting |
199 |
| II. |
Trouble of Love: The Woman's |
| |
I. |
The Lady in "The Glove" |
215 |
| |
II. |
Dîs Aliter Visum; or, Le Byron De Nos Jours |
224 |
| |
III. |
The Laboratory |
233 |
| |
IV. |
In a Year |
237 |
| |
| PART IV |
| THE WIFE |
| I. |
A Woman's Last Word |
245 |
| II. |
James Lee's Wife |
250 |
| |
I. |
She Speaks at the Window |
254 |
| |
II. |
By the Fireside |
256 |
| |
III. |
In the Doorway |
257 |
| |
IV. |
Along the Beach |
258 |
| |
V. |
On the Cliff |
261 |
| |
VI. |
Reading a Book, under the Cliff |
262 |
| |
VII. |
Among the Rocks |
266 |
| |
VIII. |
Beside the Drawing-board |
268 |
| |
IX. |
On Deck |
271 |
| |
| PART V |
| TROUBLE OF LOVE: THE MAN'S |
| I. |
The Woman Unwon |
277 |
| II. |
The Woman Won |
304 |
PART I
BROWNING'S HEROINES
INTRODUCTORY
Browning's power of embodying in rhythm the full beauty of girlhood is unequalled by any other English poet. Heine alone is his peer in this; but even