of the heart. Do not smile. At three-and-twenty even delegates have hearts.

My mental and sentimental state is of importance in this history, I think, or I should not make so much of it. I feel sure that I should not have behaved just as I did had I not been at that moment in the iridescent cloudland of newly-reciprocated love. Alice had accepted me not an hour before my departure for Chicago. Hence my loathing for such things as nominating speeches and the report of the Committee on Credentials, and my yearning for the Vau Vau grotto. She had yielded herself up to me with such manifold sweetnesses, uttered and unutterable (all of which had to be gone over in my mind constantly to make sure of their reality), that the contest in Indiana, and the cause of our own State’s Favorite Son, became sickening burdens to me, which rolled away as I gazed upon the canvases in the gallery. I lay back upon a seat, half closed my eyes, and looked at the pictures. When one comes to consider the matter, an art gallery is a wonderfully different thing from a national convention!

As I looked on them, the still paintings became instinct with life. Yonder shepherdess shielding from the thorns the little white lamb was Alice, and back behind the clump of elms was myself, responding to her silvery call. The cottage on the mountain-side was ours. That lady waving her handkerchief from the promontory was Alice, too; and I was the dim figure on the deck of the passing ship. I was the knight and she the wood-nymph; I the gladiator in the circus, she the Roman lady who agonized for me in the audience; I the troubadour who twanged the guitar, she the princess whose fair shoulder shone through the lace at the balcony window. They lived and moved before my very eyes. I knew the unseen places beyond the painted mountains, and saw the secret things the artists only dreamed of. Doves cooed for me from the clumps of thorn; the clouds sailed in pearly serenity across the skies, their shadows mottling mountain, hill, and plain; and out from behind every bole, and through every leafy screen, glimpsed white dryads and fleeing fays.

Clearly the convention hall was no place for me. “Hang the speech of the temporary chairman, anyhow!” thought I; “and as for the platform, let it point with pride, and view with apprehension, to its heart’s content; it is sure to omit all reference to the overshadowing issue of the day—Alice!”

All the world loves a lover, and a true lover loves all the world,—especially that portion of it similarly blessed. So, when I heard a girl’s voice alternating in intimate converse with that of a man, my sympathies went out to them, and I turned silently to look. They must have come in during my reverie; for I had passed the place where they were sitting and had not seen them. There was a piece of grillwork between my station and theirs, through which I could see them plainly. The gallery had seemed deserted when I went in, and still seemed so, save for the two voices.

Hers was low and calm, but very earnest; and there was in it some inflection or intonation which reminded me of the country girls I had known on the farm and at school. His was of a peculiarly sonorous and vibrant quality, its every tone so clear and distinct that it would have been worth a fortune to a public speaker. Such a voice and enunciation are never associated with any mind not strong in the qualities of resolution and decision.

On looking at her, I saw nothing countrified corresponding to the voice. She was dressed in something summery and cool, and wore a sort of flowered blouse, the presence of which was explained by the easel before which she sat, and the palette through which her thumb protruded. She had laid down her brush, and the young man was using her mahlstick in a badly-directed effort to smear into a design some splotches of paint on the unused portion of her canvas.

He was by some years her senior, but both were young—she, very young. He was swarthy of complexion, and his smoothly-shaven, square-set jaw and full red lips were bluish with the subcutaneous blackness of his beard. His dress was so distinctly late in style as to seem almost foppish; but there was nothing of the exquisite in his erect and athletic form, or in his piercing eye.

She was ruddily fair, with that luxuriant auburn-brown hair which goes with eyes of amberish-brown and freckles. These latter she had, I observed with a renewal of the thought of the country girls and the old district school. She was slender of waist, full of bust, and, after a lissome, sylph-like fashion, altogether charming in form. With all her roundness, she was slight and a little undersized.

So much of her as there was, the young fellow seemed ready to absorb, regarding her with avid eyes—a gaze which she seldom met. But whenever he gave his attention to the mahlstick, her eyes sought his countenance with a look which was almost scrutiny. It was as if some extrinsic force drew her glance to his face, until the stronger compulsion of her modesty drove it away at the return of his black orbs. My heart recognized with a throb the freemasonry into which I had lately been initiated, and, all unknown to them, I hailed them as members of the order.

Their conversation came to me in shreds and fragments, which I did not at all care to hear. I recognized in it those inanities with which youth busies the lips, leaving the mind at rest, that the interplay of magnetic discharges from heart to heart may go on uninterruptedly. It is a beautiful provision of nature, but I did not at that time admire it. I pitied them. Alice and I had passed through that stage, and into the phase marked by long and eloquent silences.

“I was brought up to think,” I remember to have heard the fair stranger say, following out, apparently, some subject under discussion between them, “that the surest way to make a child steal jam is to spy upon him. I should feel ashamed.”

“Quite right,” said he, “but in Europe and in the East, and even here in Chicago, in some circles, it is looked upon as indispensable, you know.”

“In art, at least,” she went on, “there is no sex. Whoever can help me in my work is a companion that I don’t need any chaperon to protect me from. If I wasn’t perfectly sure of that, I should give up and go back home.”

“Now, don’t draw the line so as to shut me out,” he protested. “How can I help you with your work?”

She looked him steadily in the face now, her intent and questioning regard shading off into a somewhat arch smile.

“I can’t think of any way,” said she, “unless it would be by posing for me.”

“There’s another way,” he answered, “and the only one I’d care about.”

She suddenly became absorbed in the contemplation of the paints on her palette, at which she made little thrusts with a brush; and at last she queried, doubtfully, “How?”

“I’ve heard or read,” he answered, “that no artist ever rises to the highest, you know, until after experiencing some great love. I—can’t you think of any other way besides the posing?”

She brought the brush close to her eyes, minutely inspecting its point for a moment, then seemed to take in his expression with a swift sweeping glance, resumed the examination of the brush, and finally looked him in the face again, a little red spot glowing in her cheek, and a glint of fire in her eye. I was too dense to understand it, but I felt that there was a trace of resentment in her mien.

“Oh, I don’t know about that!” she said. “There may be some other way. I haven’t met all your friends, and you may be the means of introducing me to the very man.”

I did not hear his reply, though I confess I tried to catch it.