TONGUES
OF CONSCIENCE

BY
ROBERT HICHENS

CONTENTS

SEA CHANGE.

PART I.
THE RAINBOW.

SEA CHANGE.

PART I.
THE RAINBOW.

In London nightfall is a delirium of bustle, in the country the coming of a dream. The town scatters a dust of city men over its long and lighted streets, powders its crying thoroughfares with gaily dressed creatures who are hidden, like bats, during the hours of day, opens a thousand defiant yellow eyes that have been sealed in sleep, throws off its wrapper and shows its elaborate toilet. The country grows demure and brown, most modest in the shadows. Labourers go home along the damp and silent lanes with heavy weariness. The parish clergyman flits like a blackbird through the twinkling village. Dogs bark from solitary farms. A beautiful and soft depression fills all the air like incense or like evening bells. But whether night reveals or hides the activities of men it changes them most curiously. The difference between man in day, man in night, is acute.

The arrival of darkness always meant something to the Rev. Peter Uniacke, whose cure of souls now held him far from the swarming alleys and the docks in which his early work had been done. He seldom failed to give this visitor, so strange and soft-footed, some slight greeting. Sometimes his welcome was a sigh, sometimes a prayer, sometimes a clenching of the hands, a smile, a pause in his onward walk. Looking backward along his past he could see his tall figure in many different places, aware of the first footfalls of the night, now alone and thinking of night's allegory of man's end, now in company, when the talk insensibly changed its character, flowing into deeper, more mysterious or confidential channels. Peter Uniacke had listened to informal confessions, too, as the night fell, confessions of sin that at first surprised him, that at last could no longer surprise him. And he had confessed himself, before the altar of the twilight, and had wondered why it is that sometimes Nature seems to have the power of absolution, even as God has it.

Now, at the age of thirty-two, he heard the footsteps of night on a windy evening of November. They drew near to the wall of the churchyard in which stood the sturdy and rugged building where now he ministered, on a little isle set lonely in a harsh and dangerous northern sea. He listened to them, leaning his arms along this wall, by which the grey and sleepless waves sang loudly. In the churchyard, growing gradually dim and ethereal, were laid many bodies from which the white vampires of the main had sucked out the souls. Here mouldered fisher lads, who had whistled over the nets, and dreamed rough dreams of winning island girls and breeding hardy children. Here reposed old limbs of salty mariners, who had for so long defied the ocean that when they knew themselves taken at the last, they turned their rugged faces down to their enemy with a stony and an ironic wonder. And here, too, among these cast-up bodies of the drowned, lay many women who had loved the prey of the sea, and kissed the cheeks turned acrid by its winds and waters. Some of them had died from heart-sickness, cursing the sea. Some had faded, withering like the pale sand roses beside the sea. Some had lived to old age by empty hearths, in the sound of the sea.

Inscriptions faded upon the stones that lay above them. Texts of comfort in which the fine, salt films crept, faint verses of sweet hymns defiled by the perching sea-birds, old rhymes like homely ejaculations of very simple hearts, sank into the gathering darkness on every hand. The graves seemed murmuring to the night: "Look on me, I hold a lover;" "And I—I keep fast a maiden;" "And within my arms crumbles a little child caught by the sea;" "And I fold a mother, whose son is in the hideous water foliage of the depths of the sea;" "And I embrace an old captain whom the sea loved even in his hollow age." The last inscription that stood clear to Peter Uniacke's eyes in the dying light ran thus:

Uniacke watched this history go into the maw of the darkness, and when it was gone he found himself environed by the cool sea noises which seemed to grow louder in the night, wondering whether the "Kindly Light" was indeed leading on Jack Pringle, no longer boy on the schooner "Flying Fish," but—what? The soul of a fisher lad, who had kissed his girl, and drunk his glass, and told many a brave and unfitting tale, and sworn many a lusty oath, following some torch along the