had her to live in the house. But Mrs. Ogilvie did not take fancies to nice girls. She loved Jane Erskine, but disguised the feeling under a sort of whimsical indifference. And the friendship seemed incongruous enough if one came to think of it. Jane, with her wholesome love of outdoor life, her fresh beauty, her heedlessness of learning and ignorance of books—what had Jane in common with Mrs. Ogilvie in her Parisian gowns and with her dyed hair, sitting in the vast drawing-room at Bowshott reading the Court Journal and thinking on the lines of the speculative philosophers?

And even to Jane Erskine her manner was cold. Her chilling philosophy would soon have quenched a less happy and impulsive nature. No one but Jane would have bothered her head about Mrs. Ogilvie, the kindly neighbours said, envying, nevertheless, the girl's intimacy at the great house. But as a matter of fact Jane expended a wealth of honest affection on Mrs. Ogilvie, and not only thought her the cleverest woman she had ever met, but had even been heard to affirm that her hair was not dyed. She called her 'such a really good sort'; and the words were as inappropriate as the words of Peter Ogilvie and Jane Erskine usually were.

CHAPTER II

Jane Erskine was at the present time at that interesting period when her friends and relatives, having just discovered the unexpected fact that she was grown up, subjected her to mildly severe criticism, while believing that to have reached womanhood at all showed a considerable amount of talent on her part. They were, they said, under no misapprehension about Jane; in moments of extreme candour, touched with responsibility, they had even been known to say that in one or two respects she was not absolutely perfect. Miss Abingdon, for instance, who always conscientiously encouraged these moods, and censured the General for spoiling Jane, would frequently compare her niece with herself, as she remembered that dim figure of girlhood, and never failed to find cause for unfavourable comparison between the two. From the portraits which she drew it was generally believed that Miss Abingdon must have been born rather a strait-laced spinster of thirty, and have increased in wisdom until her hair was touched with grey; when she would seem to have become the mellow, severe, dignified, loving, and critical lady who at this moment was looking out of her drawing-room window, and trying to show her impartiality for her orphan niece by subjecting her to lawful and unbiased criticism.

'The day of the incomprehensible woman is past and gone,' said Miss Abingdon, and she sighed a little.

Jane Erskine was painting a rabbit-hutch on the lawn. Her attitude showed the keen workman, but disguised the woman of grace. Miss Erskine, in fact, was lying full-length on the greensward of her aunt's lawn absorbed in the engrossing occupation of putting the right dabs of green paint upon a portion of the inside of the rabbit-hutch which was awkward to get at.

'They are all alike,' sighed Miss Abingdon. She alluded to the girlhood of the present day as it presented itself to her regretful and disapproving eye. 'They wear shoes two sizes too large for them, they don't require to be taken care of, they buy their own horses, and they are never ill. They call young men by their Christian names! I don't think they even have headaches.' Miss Abingdon sighed again over this lost art of womanhood. 'There is my niece Jane Erskine; she might be a graceful and elegant young woman, whereas she is sunburned, and—it is a dreadful word of course—but I can only call her leggy. Perhaps it is the fault of those narrow skirts. Women have never been so much respected since crinolines went out of fashion. I believe the independence of the modern girl is no longer assumed; it is not even a regrettable passing fashion; the time has come when I am afraid they really are independent. Jane would think me insane if I were to go out and sit with her in the garden when Peter comes to call, and I don't believe she has ever done a piece of fancy-work in her life!' said Miss Abingdon.

She looked round her pretty drawing-room in which, with a spinster's instinct for preserving old family treasures, she had gathered and garnered antique pieces of furniture, ill-drawn family portraits, and chairs covered with the worsted-work and beadwork of fifty or sixty years ago. She looked regretfully at the piano and the old, neatly bound folios of music with 'M. A.' upon the covers, and she wondered how it was that no one cared to hear her 'pieces' now. She went over to the music-stand and fingered them in a contemplative way. How industriously she used to practise 'Woodland Warblings,' 'My Pretty Bird,' 'La Sympathie, Valse Sentimentale pour le Piano,' and 'Quant' è piu bella,' fingered and arranged with variations.

On Sunday afternoons when her guests 'were having a look at the mokes' Miss Abingdon still played through her book of sacred pieces; and it was on Sunday afternoons, too, that she always stirred the jars of potpourri upon the cabinets, so that their pungent, faint odour might exhale through the room. The old pieces of music and the scent of the dried rose-leaves together always brought back to Miss Abingdon's mind fragrant memories of long ago.

'We used to take a roll of music with us when we were asked out to dinner,' she reflected, 'and it was all-important to us who should turn over our leaves for us, and we generally blushed and hesitated before we sat down to the piano at all. Last night Jane almost fought with Peter for the larger portion of the keyboard of the piano; and they played music without any tune in it, to my way of thinking, and there is no seriousness at all about any of them.'

'I wonder if they'—Miss Abingdon again referred to that distressing body of young women of the present day—'I wonder if they have ever kissed a lover's letter, or have slept with his picture underneath their pillows at night? Or have they ever lain sleepless for an hour because of a loved one's absence, or because of a cold word from him? Do they write verses, or exchange valentines, or even give each other flowers?'

Miss Abingdon recalled in her own mind the days when she and her sister used to walk together in the park, with mamma leaning upon papa's arm and pacing sedately behind; and how, when they used to sit down on one of the lawns, it had always been in a group of four. Ah! those were the days when one went home and wept because the dear one—the handsome hero who filled half a girl's thoughts and was the object of more than half her worship—had not seen, one across the crowd; or he had seen, perhaps, but girlish modest eyes were forbidden to give the signal of approach. It was more maidenly then to be oblivious of a young man's presence. 'Now,' said, Miss Abingdon, 'when they see a young man whom they know—a pal I believe they call him—girls will wave their parasols or even shout. I have known them rise from their own chairs and go and speak to a man. The whole thing is extraordinary to me.'

It was a relief to Miss Abingdon's sombre reflections when her friend, the vicar's wife, came in for a morning call. She thought that Mrs. Wrottesley's brown merino dress and bonnet, and constraining mantle which rendered all movements of the arms impossible, looked very decorous and womanly compared with the soles of a pair of brown leather shoes, and the foreshortened figure of five feet eight of slender young womanhood stretched in strenuous devotion to her strange occupation on the lawn.

When Mrs. Wrottesley seated herself opposite the window Miss Abingdon resisted an impulse to pull down the blind.

'Yesterday,' said Miss Abingdon, glancing at her niece, 'she was trying to copy a feat which she had seen at the hippodrome, and was riding one pony and driving another tandem in front of her over some hurdles in the field.'

Mrs. Wrottesley smiled with the rather provoking indulgence with which our friends regard