the follies of our relations.

'She is so young,' said Mrs. Wrottesley, 'and she is very beautiful.'

'No,' said Miss Abingdon, with inward pride at her own unwavering impartiality, 'I honestly believe that if we were to consider Jane without prejudice we should find that she is simply healthy.'

'It is a great charm,' said Mrs. Wrottesley.

'No, no,' corrected Miss Abingdon quickly, 'the charm of womanhood consists in its mysteriousness. Now, the girl of to-day is simply a good fellow. She doesn't require to be understood, and she doesn't drive men crazy; she shoves her own bicycle up hills and fights for the larger half of the keyboard of the piano.' She sighed again.

'She is a moral influence,' said Mrs. Wrottesley. Mrs. Wrottesley also alluded to the girl of the period; and Miss Abingdon thought that to refer to her as 'she' or a type, instead of 'they,' had a flavour of culture about it, but she did not mean to give in.

'Yes, yes,' she said impatiently, her love of contradicting Mrs. Wrottesley and at the same time holding her own in the discussion inclining her to undue severity, 'she is as straight as any other good fellow, and she pays up if she has lost at bridge, and would as soon think of picking a pocket as of cheating at croquet; but she is not mysterious—she is absolutely comprehensible.'

'Probably,' said Mrs. Wrottesley, 'Jane's shortcomings in this respect are due to the fact that she is lamentably unaffected. Affectation, in the case of girls who ride straight and don't know what it is to have a headache, very often takes the form of boyishness. Let us console ourselves with the fact that, being perfectly natural, Jane has escaped masculinity.'

'Jane is a lady,' said Miss Abingdon severely, and with the faint suggestion of administering a snub. 'But,' she added, with that touch of superiority in her manner which obtruded itself in most of her conversation with the vicar's wife, 'there are certain accepted traditions of womanhood such as conventionality approves, and it was not called artificial to conform to them when I was a girl.'

'I remember,' said Mrs. Wrottesley, 'that we honestly thought that we were interesting when we ate very little, and I myself often used to aspire to an attractive display of timidity when inwardly I had no sensation of fear.'

As the wife of the vicar of the parish Mrs. Wrottesley wore brown merino and a mantle, but these hid a great soul securely held in check and narrowed down by a strict adherence to the small conventions and paralysing rules which society seems to have prescribed for vicars and their wives in the rural parishes of England. She prayed every morning of her life for more faith, and meant by that a narrower creed. Mrs. Wrottesley was an inarticulate woman, and had gained for herself the character of being reserved.

Her own view of things differed in all essentials from the opinions which were held by those about her, and were even inwardly opposed to theories which her husband, with such gentlemanly eloquence, expounded every Sunday morning. People thought themselves charitable when they merely said that they did not understand Mrs. Wrottesley.

'The modern girl has a good effect upon society,' she continued; 'and she is not a cat.'

'Ah, yes,' allowed Miss Abingdon, conceding a point, but prepared with unanswerable argument; 'but will she ever be loved as the old eternal feminine was loved?'

'Many people believe,' said Mrs. Wrottesley, 'that you can't be a man's divinity and surround yourself with a golden halo, and be his pal at the same time.'

'I remember,' said Miss Abingdon reminiscently, and feeling that she was still scoring heavily against her friend—'I remember we used to come down to breakfast in light gloves to match our gowns, and we drew them on when the meal was over and only removed them in the morning-room when we had taken out our embroidery to work at it.'

'And when embroidery bored us,' said Mrs. Wrottesley, 'we thought we were in love.'

'A Miss Sherard stayed here last summer,' said Miss Abingdon, 'a friend of Jane's, and she smoked cigarettes in her bedroom. I know that, for I saw the ashes in her pin-tray.'

Miss Abingdon rather enjoyed making little excursions through her guest's bedrooms of an afternoon, when she had the house to herself; and, without deigning to touch or disturb anything, she knew pretty well, for instance, whose complexion was real and whose was false, who wore powder and who did not.

Mrs. Wrottesley glanced at her own figure in the drawing-room mirror; her mantle disguised the fact that she had either a waist or a pair of arms, and she gave a little dry smile as she reflected that she had accepted a dolman cloak with all the other outward conventions of orthodoxy as understood by society in rural England.

'My cousin, Peter Ogilvie, comes here every day,' said Miss Abingdon; 'he is crossing the lawn now. In former days these two young people would have been talked about. (Peter is my cousin, you know, on my father's side of the house—he is not related to Jane.) But neither will probably mind in the least what is said about them, and for my own part I am positively unable to say whether they care for each other or not. Had I been Jane I would have sat in the arbour this morning, with a pretty, cool white dress on, reading poetry or some light romance, or working at my embroidery till my lover came, instead of being found covered with paint and with the footman's baize apron on.'

The two ladies moved closer to the window and watched the young man crossing the lawn. He was well-built and not many inches above Jane's own height; and perhaps when one has said that he was fair with that Saxon fairness which suggests an almost immaculate cleanliness, and looked like a gentleman, there is not much more to be stated about his external appearance.

Jane rose from her recumbent position on the turf and shook off some blades of short grass from her apron, and waved a brush filled with green paint in the air.

'Don't touch it, Peter!' she cried. 'Isn't it lovely?'

'Good morning, Jane,' said Peter, lifting his cap. Whatever else might be said of them, it would have to be admitted that there was a fundamental sense of courtesy and good-breeding underlying the regrettably frank manner of these young people. 'If you wave your brush about in that triumphant way you 'll splash me with green paint.'

'I have sacrificed two dresses already,' answered Jane; 'but real Art is worth that!'

'The hutch looks ripping,' said Peter; 'but I should feel safer if you would put down that brush.'

'I couldn't resist painting the inside,' said Jane, surveying her work ecstatically. 'Do you think the rabbits will lick on the paint and be sick, Peter?'

'Probably,' said Peter.

'Of course we don't know,' said Jane gravely, 'that it isn't their favourite food. Rabbits may flourish on green paint just as we flourish on roast mutton.'

'It would be beastly to have a green inside!' said Peter.

'I wonder what they are talking about,' said Miss Abingdon, glancing with an apprehensive eye from the drawing-room window. 'Perhaps, after all, they are making love to each other; and if they are, I certainly ought to go out and sit with them.'

Miss Abingdon had antiquated notions of a chaperon's duties.

'I suppose there would be no objection to the match if they do care for each other,' said Mrs. Wrottesley, in a manner that was often called brusque and had served to make her unpopular. 'Jane is rich——'

'Jane has money,' corrected Miss Abingdon, who saw a well-defined difference between the two statements. 'She is a ward in Chancery, you know, and she will not come of age until she is twenty-five. Peter, of course, has a very large fortune. Still, one would not like to be responsible for a marriage, even if it is suitable, and I should not like the Erskines to think I had not looked after Jane properly.'

That nothing should happen always seemed to