class="hang">1848. Jan. 8. Beethoven's Seventh Symphony (in F,) given by the Musical Fund Society, Boston.

1848. Feb. 1. Bellini's opera "I Capuletti e Montecchi" presented at the Astor Place Opera House, New York City, for the début of Caterina Barilli Patti, as Romeo.

1848. Feb. 14. Mercadante's opera "Il Guiramento" presented at the Astor Place Opera House, New York City, with Truffi, Benedetti, Rossi and Beneventano.

1848. April 4. Verdi's opera "Nabucco" presented at the Astor Place Opera House, New York City, with Truffi, Amalia Patti.

1848. April 11. Schumann's secular cantata, "Paradise and the Peri," given in New York City, by the Musical Institute, Henry C. Timm conducting.

1848. April 29. Spohr's Symphony in E flat, given by the Philharmonic Society, New York City.

1848. May 4. Wallace's opera "Maritana" given by the Seguin Company in Philadelphia.

1848. May 14. Mendelssohn's "Midsummer Night's Dream," music given by the Germania Orchestra in New York City.

1848. Oct. 2. American début of Maurice Strakosch, noted conductor and impresario, at the First Grand Musical Festival of the season, at the Broadway Tabernacle, New York City, given by the "Italian Opera Company of the United States."

1848. Oct. 5. The Germania Orchestra, consisting of German revolutionary refugees, organized and gave their first concert in America at Niblo's Garden, New York City.

1848. Nov. 16. Gungl's Orchestra of twenty-five players gave their first concert in New York City, at the Broadway Tabernacle, after which they made a tour of the United States, playing chiefly dance-music.

1848. Dec. 2. W. Sterndale Bennett's overture to "Die Waldnymphe" given by the Philharmonic Society, New York City.

1848. Edouard Remenyi, noted Hungarian violinist, made first American tour, and Richard Hoffman was the first noted pianist to visit Chicago.

1848. Musical Convention held in Chicago for the first time.

1848. During this season the Havana Opera Company again visited America bringing Steffanone, Bosio, Tedesco (soprani); Vietto (contralto); Salvi, Bettini and Lorini (tenori); Badiali, Setti, Marini, and Coletti (bassi)—the best company heard in America up to that time.

Also Max Maretzek arrived in New York and began his career as impresario. His company included Madame Laborde, and Truffi (soprani); Amalia Patti (contralto); Benedetti and Arnoldi (tenori); Giubeli, Rossi and Salvatore Patti (bassi). Also, later, Teresa Parodi. His first public appearance was on Oct. 5, at the Chestnut Street Theatre, Philadelphia, conducting "Norma."

1849. Nov. 24. Beethoven's Fourth Symphony (B flat major) given by the Philharmonic Society, New York City, also Mendelssohn's Violin Concerto (E minor) with Joseph Burke as soloist.

1849. Dec. 10. Donizetti's opera "Marie de Rohan" presented in New York City, on which occasion Giuletta Perrini, Italian soprano, made her American début supported by Patti, Forti, Giubelei and Beneventano.

1849. Dec. 16. Donizetti's opera "Il Poliuto" performed as an oratorio (The Martyrs) by the Handel and Haydn Society, Boston.

1849. Saengerfest held in Cincinnati, O.

1849. Musikverein founded in Milwaukee, Wis.

1849. The Artists' Union Opera Company formed in New York City, including Bosio, De Vries, Bettini, Lorini, Badiali, and Coletti. They gave what they claimed was the first performance in America of Meyerbeer's opera "Roberto il Diavolo." (See April 7, 1834).

1849-1874. Sacred Harmonic Society, New York City.