you will send me two hundred copies which I can sell at thirty sous each; that you will tell Zaguri and that he will advise those who wish copies to apply to me . . ."

This book was the Lettre historico-critique sur un fait connu dependant d'une cause peu connue, adressee au duc de * * *, 1784.

3rd April 1784. "I see with pleasure that you have gone to amuse yourself in company with two ladies and that you have traveled five posts to see the Emperor [Joseph II] . . . . You say that your fortune consists of one sequin . . . . I hope that you obtained permission to print your book, that you will send me the two hundred copies, and that I may be able to sell them. . . ."

14th April 1784. "You say that a man without money is the image of death, that he is a very wretched animal. I learn with regret that I am unlikely to see you at the approaching Festival of the Ascension . . . that you hope to see me once more before dying . . . . You make me laugh, telling me that at Vienna a balloon was made which arose in the air with six persons and that it might be that you would go up also."

28th April 1784. "I see, to my lively regret, that you have been in bed with your usual ailment [hemorrhoids]. But I am pleased to know that you are better. You certainly should go to the baths . . . . I have been discouraged in seeing that you have not come to Venice because you have no money …. P. S. Just at this moment I have received a good letter, enclosing a bill of exchange, which I will go and have paid . . . ."

5th May 1784. "I went to the house of M. Francesco Manenti, at S. Polo di Campo, with my bill of exchange, and he gave me at once eighteen pieces of ten lires each . . . . I figure that you made fun of me saying seriously that you will go up in a balloon and that, if the wind is favorable, you will go in the air to Trieste and then from Trieste to Venice."

19th May 1784. "I see, to my great regret, that you are in poor health and still short of money …. You say that you need twenty sequins and that you have only twenty trari . . . . I hope that your book is printed. . . ."

29th May 1784. "I note with pleasure that you are going to take the baths; but I regret that this treatment enfeebles and depresses you. It reassures me that you do not fail in your appetite nor your sleep…. I hope I will not hear you say again that you are disgusted with everything, and no longer in love with life . . . . I see that for you, at this moment, fortune sleeps . . . . I am not surprised that everything is so dear in the city where you are, for at Venice also one pays dearly and everything is priced beyond reach."

Zaguri wrote Casanova the 12th May, that he had met Francesca in the Mongolfieri casino. And on the 2nd June Casanova, doubtless feeling his helplessness in the matter of money, and the insufficiency of his occasional remittances, and suspicious of Francesca's loyalty, wrote her a letter of renunciation. Then came her news of the sale of his books; and eighteen months passed before he wrote to her again.

On the 12th June 1784, Francesca replied: "I could not expect to convey to you, nor could you figure, the sorrow that tries me in seeing that you will not occupy yourself any more with me . . . . I hid from you that I had been with that woman who lived with us, with her companion, the cashier of the Academie des Mongolfceristes. Although I went to this Academy with prudence and dignity, I did not want to write you for fear you would scold me. That is the only reason, and hereafter you may be certain of my sincerity and frankness. . . . I beg you to forgive me this time, if I write you something I have never written for fear that you would be angry with me because I had not told you. Know then that four months ago, your books which were on the mezzanine were sold to a library for the sum of fifty lires, when we were in urgent need. It was my mother who did it. . . ."

26th June 1784. ". . . Mme. Zenobia [de Monti] has asked me if I would enjoy her company. Certain that you would consent I have allowed her to come and live with me. She has sympathy for me and has always loved me."

7th July 1784. "Your silence greatly disturbs me! To receive no more of your letters! By good post I have sent you three letters, with this one, and you have not replied to any of them. Certainly, you have reason for being offended at me, because I hid from you something which you learned from another . . . . But you might have seen, from my last letter, that I have written you all the truth about my fault and that I have asked your pardon for not writing it before…. Without you and your help, God knows what will become of us…. For the rent of your chamber Mme. Zenobia will give us eight lires a month and five lires for preparing her meals. But what can one do with thirteen lires! . . . I am afflicted and mortified. . . . Do not abandon me."

V

LAST DAYS AT VIENNA

In 1785, at Vienna, Casanova ran across Costa, his former secretary who, in 1761, had fled from him taking "diamonds, watches, snuffbox, linen, rich suits and a hundred louis." "In 1785, I found this runagate at Vienna. He was then Count Erdich's man, and when we come to that period, the reader shall hear what I did."

Casanova did not reach this period, in writing his Memoirs, but an account of this meeting is given by Da Ponte, who was present at it, in his Memoirs. Costa had met with many misfortunes, as he told Casanova, and had himself been defrauded. Casanova threatened to have him hanged, but according to Da Ponte, was dissuaded from this by counter accusations made by Costa.

Da Ponte's narration of the incident is brilliant and amusing, in spite of our feeling that it is maliciously exaggerated: "Strolling one morning in the Graben with Casanova, I suddenly saw him knit his brows, squawk, grind his teeth, twist himself, raise his hands skyward, and, snatching himself away from me, throw himself on a man whom I seemed to know, shouting with a very loud voice: 'Murderer, I have caught thee.' A crowd having gathered as a result of this strange act and yell, I approached them with some disgust; nevertheless, I caught Casanova's hand and almost by force I separated him from the fray. He then told me the story, with desperate motions and gestures, and said that his antagonist was Gioachino Costa, by whom he had been betrayed. This Gioachino Costa, although he had been forced to become a servant by his vices and bad practices, and was at that very time servant to a Viennese gentleman, was more or less of a poet. He was, in fact, one of those who had honored me with their satire, when the Emperor Joseph selected me as poet of his theater. Costa entered a cafe, and while I continued to walk with Casanova, wrote and send him by a messenger, the following verses:

   "'Casanova, make no outcry;
   You stole, indeed, as well as I;
   You were the one who first taught me;
   Your art I mastered thoroughly.
   Silence your wisest course will be.'

"These verses had the desired effect. After a brief silence, Casanova laughed and then said softly in my ear: 'The rogue is right.' He went into the cafe and motioned to Costa to come out; they began to walk together calmly, as if nothing had happened, and they parted shaking hands repeatedly and seemingly calm and friendly. Casanova returned to me with a cameo on his little finger, which by a strange coincidence, represented Mercury, the god-protector of thieves. This was his greatest valuable, and it was all that was left of the immense booty, but represented the character of the two restored friends, perfectly."

Da Ponte precedes this account with a libellous narrative of