the man's ingenuous nobility felt shame.

The life of Manolo Berlanga turned out to be pretty disreputable. He liked wine, women and song, and many a time came home in the wee small hours, completely paralyzed. This invariably happened during the absence of the engineer. Next morning he was always very remorseful, and went with contrition to the kitchen, where Rafaela was getting breakfast.

"Are you mad at me?" he used to ask.

She answered him in a maternal kind of way and told him to be good; this always made him laugh.

"None o' that!" he used to say. "I don't like being good. That's one of the many inflictions marriage forces on a man. Don't you have enough 'being good' in this house, with Amadeo?"

Among men, love is often nothing more than the carnal obsession produced in them by the constant and repeated sight of one and the same woman. Every laugh, every motion of the woman moving about them possesses a charm at first hardly noticed. But after a while, under the spell of a phenomenon we may call cumulative, this charm waxes potent; it grows till some time it unexpectedly breaks forth in an enveloping, conquering passion.

Now one morning it happened that Manolo Berlanga was eating breakfast in the dining-room before going to the shop. Rafaela, her back toward him, was scrubbing the floor of the hallway.

"How you do work, my lady!" cried the silversmith, jokingly.

Her answer was a gay-toned laugh; then she went on with her task, sometimes recoiling so that she almost sat on her heels, again stretching her body forward with an energy that lowered the tight-corseted slimness of her waist and set in motion the fullness of her yielding hips. The silversmith had often seen her thus, without having paid any heed; but hardly had he come to realize her sensual appeal when the flame of desire blazed up in him.

"There's a neat one for you!" thought he.

And he kept on looking at her, his vicious imagination dwelling on the perfections of that carnal flower, soft and vibrant. His brown study continued a while. Then suddenly, with the brusqueness of ill-temper, he got up.

"Well, so long!" said he.

He stopped in the stairway to greet a neighbor and light a cigarette. By the time he had reached the street-door he had forgotten all about Rafaela. But, later, his desire once more awoke. At dinner he dissimulated his observations of the young woman's bare arms. Strong and well-molded they were, those arms, and under the cloth of her sleeves rolled up above the elbow, the flesh swelled exuberantly.

"Hm! You haven't combed your hair, to-day," said Berlanga.

She answered with a laugh—one of those frankly voluptuous laughs that women with fine teeth enjoy.

"You're right," said she. "You certainly notice everything. I didn't have time."

"It don't matter," answered the gallant. "Pretty women always look best that way, with their hair flying and their arms bare."

"You mean that, really?"

"I certainly do!"

"Then you've got the temperament and makings of a married man."

"I have?"

"Sure!"

"How's that?"

She laughed again, gayly, coquettishly, adding:

"Because you already know that married women generally don't pay much attention to their husbands. That's what hurts marriage—women not caring how they look."

So they went on talking away, and all through their rather spicy conversation, full of meaning, a mutual attraction began to make itself felt. Silently this began sapping their will-power. At last the woman glanced at her clock on the sideboard.

"Eight o'clock," said she. "I wonder what Amadeo's doing, now?"

"Well, that's according," answered Berlanga. "When did he get to Bilbao?"

"This morning."

"Then he's probably been asleep part of the time, and now I guess he's playing dominoes in some café. And we, meantime—we're here—you and I——"

"And you don't feel very well, eh?" she asked.

"I?"

Looking at Rafaela with eloquent steadiness he slowly added:

"I feel a damn sight better than he does!"

Then, while he drank his coffee, the silversmith laid out on the table his board-money for that week. He began to count:

"Two and two's four—nine—eleven—thirty-eight pesetas. Rotten week I've had! Say, I've hardly pulled down enough for my drinks."

He got together seven dollars, piled them up—making a little column of silver change—and shoved them over to Rafaela.

"Here you go!" said he.

She blushed, as she answered. You would have thought her offended by the somewhat hostile opposition of debtor and creditor that the money seemed to have set up between them. She asked:

"What's all this you're giving me?"

"Say! What d'you suppose? Don't I pay every week? Well, then, here's my board. Seven days at five pesetas per, that's just thirty-five pesetas, huh? What's the matter with you?"

He made the coins jump and jingle in his agile hand, well-used to dealing cards. Then he added:

"To-day's Saturday. So then, I'll pay you now. That'll leave me three pesetas for extras—tobacco and car-fare. Oh, it's a fine time I'll have!"

With a lordly gesture, good-natured, protecting, the woman handed back Berlanga's money.

"Next week you can pay up," said she. "I'm fixed all right. By luck, even if I'm not five dollars to the good, I'm not five to the bad."

The silversmith offered the money again. But this time the offer was weak, and was made only in the half-hearted way that seemed necessary to keep him in good standing. Then he got up from the table, rubbed his hands up and down his legs to smooth the ugly bulge out of the knees of his trousers, pulled down his vest and readjusted the knot of his cravat before the mirror. He exclaimed with a kind of boastful swagger:

"D'you know what I'm thinking?"

"Tell me!"

"Oh, I don't dare."

"Why not?"

"You might get mad at me."

"No, no!"

"Promise you won't?"

"On my word of honor! Come on, now, say anything you like, and I won't mind."

"Well—how about—him?"

"I know what I'm doing!"

"Yes, but—see here! You don't care a hang for me, anyhow. You don't think very much of me!

"I do, too! I think a lot!"

She looked at him in a gay, provocative manner, stirred to the depths of her by such a strong, overpowering caprice that it almost seemed love.

Expansively the silversmith answered:

"Well, then, since we've got money and we're all alone, why don't we take in a dance, to-night?"

The whole Junoesque body of the young woman—a true Madrid type—trembled with joy. It had been a long time since she had had any such amusement; not since her marriage had she danced. Zureda, something of a stick-in-the-mud and in no wise given to pleasures, had never wanted to take her to any dances, not even to a masquerade. A swarm of joyful visions filled her memory. Ah, those happy Sundays when she had been single! Saturday nights, at the shop, she and the other girls had made dates for the next day. Sometimes they had visited the dance-halls at Bombilla. Other times they had gone to Cuatro Caminos or Ventas del Espiritu Santo. And once there, what laughter and what joy! What strange emotions of half fear, half curiosity they had felt at sensing the desire of whatever man had asked them to dance!

Rafaela straightened up, quick, pliant, transfigured.

"You aren't any more willing to ask me, than I am to go!" said she.

"Well, why not, then?" demanded the silversmith. "Let's go, right now! Let's take a run out to Bombilla, and not leave as long as we've got a cent!"

The young woman fairly jumped for joy, skipped out of the dining-room, tied a silk handkerchief over her head and most fetchingly threw an embroidered shawl over her