THE DRAW

BY JEROME BIXBY

Illustrator: Wm. Ashman

oe Doolin's my name. Cowhand—work for old Farrel over at Lazy F beyond the Pass. Never had much of anything exciting happen to me—just punched cows and lit up on payday—until the day I happened to ride through the Pass on my way to town and saw young Buck Tarrant's draw.

Now, Buck'd always been a damn good shot. Once he got his gun in his hand he could put a bullet right where he wanted it up to twenty paces, and within an inch of his aim up to a hundred feet. But Lord God, he couldn't draw to save his life—I'd seen him a couple of times before in the Pass, trying to. He'd face a tree and go into a crouch, and I'd know he was pretending the tree was Billy the Kid or somebody, and then he'd slap leather—and his clumsy hand would wallop his gunbutt, he'd yank like hell, his old Peacemaker would come staggering out of his holster like a bear in heat, and finally he'd line on his target and plug it dead center. But the whole business took about a second and a half, and by the time he'd ever finished his fumbling in a real fight, Billy the Kid or Sheriff Ben Randolph over in town or even me, Joe Doolin, could have cut him in half.

So this time, when I was riding along through the Pass, I saw Buck upslope from me under the trees, and I just grinned and didn't pay too much attention.

He stood facing an old elm tree, and I could see he'd tacked a playing card about four feet up the trunk, about where a man's heart would be.

Out of the corner of my eye I saw him go into his gunman's crouch. He was about sixty feet away from me, and, like I said, I wasn't paying much mind to him.

I heard the shot, flat down the rocky slope that separated us. I grinned again, picturing that fumbly draw of his, the wild slap at leather, the gun coming out drunklike, maybe even him dropping it—I'd seen him do that once or twice.

It got me to thinking about him, as I rode closer.

He was a bad one. Nobody said any different than that. Just bad. He was a bony runt of about eighteen, with bulging eyes and a wide mouth that was always turned down at the corners. He got his nickname Buck because he had buck teeth, not because he was heap man. He was some handy with his fists, and he liked to pick ruckuses with kids he was sure he could lick. But the tipoff on Buck is that he'd bleat like a two-day calf to get out of mixing with somebody he was scared of—which meant somebody his own size or bigger. He'd jaw his way out of it, or just turn and slink away with his tail along his belly. His dad had died a couple years before, and he lived with his ma on a small ranch out near the Pass. The place was falling to pieces, because Buck wouldn't lift a hand to do any work around—his ma just couldn't handle him at all. Fences were down, and the yard was all weedgrown, and the house needed some repairs—but all Buck ever did was hang around town, trying to rub up against some of the tough customers who drank in the Once Again