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قراءة كتاب Notes and Queries, Number 80, May 10, 1851 A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.

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‏اللغة: English
Notes and Queries, Number 80, May 10, 1851
A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.

Notes and Queries, Number 80, May 10, 1851 A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.

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دار النشر: Project Gutenberg
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as they may be, yet most ingeniously divert the mind of the reader from the real errand and mission of this supernatural being.

Shortly afterwards, on his exhibiting symptoms of cowardice at the expected contest, he is conveyed from the castle by the Ladye's order, and speedily rejoins his lord, after the infliction of a severe chastisement from the arm of Wat Tinlinn. He then procures Cranstoun's admission within the walls of Branksome (where the whole clan Scott was assembling at the tidings of the English Raid) by the same spell—

"Which to his lord he did impart,

And made him seem, by glamour art,

A knight from hermitage."

And on the following day, as Deloraine did not appear in the lists ready to engage in the appointed duel with Richard Musgrave, we are told,—

"Meantime, full anxious was the Dame,

For now arose disputed claim,

Of who should fight for Deloraine,

'Twixt Harden and 'twixt Thirtlestaine,

&c. &c.

But yet, not long the strife—for, lo!

Himself the Knight of Deloraine,

Strong, as it seemed, and free from pain,

In armour sheathed from top to toe,

Appeared, and craved the combat due;

The Dame her charm successful knew,

And the fierce chiefs their claims withdrew."

The conflict takes place, and ends in favour of the Scottish knight; when the following scene occurs:

"As if exhausted in the fight,

Or musing o'er the piteous sight,

The silent victor stands:

His beaver did he not unclasp,

Marked not the shouts, felt not the grasp

Of gratulating hands.

When lo! strange cries of wild surprise,

Mingled with seeming terror rise

Among the Scottish bands,

And all, amid the thronged array,

In panic haste gave open way

To a half-naked ghastly man,

Who downward from the castle ran;

He crossed the barriers at a bound,

And wild and haggard looked around,

As dizzy, and in pain;

And all, upon the armed ground

Knew William of Deloraine!

Each ladye sprung from seat with speed,

Vaulted each marshal from his steed;

'And who art thou,' they cried,

'Who hast this battle fought and won?'

His plumed helm was soon undone—

'Cranstoun of Teviotside!

For this fair prize I've fought and won,'

And to the Ladye led her son."

Then is described the struggle that takes place in the maternal breast:

"And how the clan united prayed

The Ladye would the feud forego,

And deign to bless the nuptial hour

Of Cranstoun's Lord and Teviot's Flower.

XXVI.

"She looked to river, looked to hill,

Thought on the Spirit's prophecy,

Then broke her silence stern and still,

'Not you, but Fate, has vanquished me;

Their influence kindly stars may shower

On Teviot's tide and Branksome's tower,

For pride is quelled, and love is free.'"

The mission of the elf is now accomplished, his last special service having been to steal the armour of William of Deloraine "while slept the knight," and thus to enable his master to personate that warrior.

It may be remarked that hitherto there is no direct evidence that the Page was sent by Michael Scott. That evidence is reserved for the moment of his final disappearance.

On the same evening, after the celebration of the nuptials, a mysterious and intense blackness enveloped the assembled company in Branksome Hall.

"A secret horror checked the feast,

And chilled the soul of every guest;

Even the high Dame stood half aghast,

She knew some evil in the blast;

The elvish Page fell to the ground,

And, shuddering, muttered, 'Found! found! found!'

XXV.

"Then sudden through the darkened air,

A flash of lightning came,

So broad, so bright, so red the glare,

The castle seemed on flame,

&c. &c.

Full through the guests' bedazzled band

Resistless flashed the levin-brand,

And filled the hall with smouldering smoke,

As on the elvish Page it broke,

&c. &c.

When ended was the dreadful roar,

The elvish Dwarf was seen no more.

XXVI.

"Some heard a voice in Branksome Hall,

Some saw a sight, not seen by all;

That dreadful voice was heard by some

Cry, with loud summons, 'Gylbin, come!'

And on the spot where burst the brand,

Just where the Page had flung him down,

Some saw an arm, and some a hand,

And some the waving of a gown:

The guests in silence prayed and shook,

And terror dimmed each lofty look,

But none of all the astonished train

Was so dismayed as Deloraine,

&c. &c.

At length, by fits, he darkly told,

With broken hint, and shuddering cold,

That he had seen, right certainly,

A shape with amice wrapped around,

With a wrought Spanish baldric bound,

Like a pilgrim from beyond the sea,

And knew—but how it mattered not—

It was the wizard, Michael Scott."

After this final consummation, it is amusing to notice a slight "incuria" on the part of the poet, which I wonder has never been corrected in the later editions. Having described the nuptial ceremony of Cranstoun and Margaret in the early part of the last Canto, he says in Section xxviii.,

"Nought of the bridal will I tell,

Which after in short space befell,"

&c. &c.

I think I have now succeeded in proving that the Goblin Page, so far from being a mere "intruder" into this glorious poem—so far from being a mere after-thought, or interpolation, to "suit the taste of the cottagers of the Border," as Mr. Jeffrey "suspects,"—is the essential instrument for constructing the machinery of the plot. We have, indeed, the author's word that it formed the foundation of the poem. My readers will therefore form their own estimate of the value of Mr. Jeffrey's criticisms, couched as they are in no very considerate, much less complimentary phraseology. I cannot but admire the "douce vengeance" of the gentle-spirited subject of his rebukes, who has contented himself with printing these worthless sentences of an undiscerning critic along with the text of his poems in the last edition,—there to remain a standing memorial of the wisdom of that resolution adhered to throughout the life of the accomplished author, who tells us,

"That he from the first determined, that without shutting his ears to the voice of true criticism, he would pay no regard to that which assumed the form of satire."

In point of

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