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قراءة كتاب Confessions of an Opera Singer
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COPYRIGHT, 1918, BY
KATHLEEN HOWARD BAIRD
Published September 1918
PRINTED IN THE UNITED STATES OF AMERICA
To
Marjorie
FOREWORD
So many fantastic tales have come to us of students' life abroad, of their temptations, trials, finances, successes and failures, that I have attempted to give here the true story of the preparation for an operatic career, and its fruition. My road leads from New York to Paris, to Germany and thence to London, and back to the Metropolitan Opera House. My operatic experiences in Germany are inalienably associated with the lives of the people, particularly with the German officer class, viewed publicly and privately; in fact in the town where I was first engaged, Metz, I found they were as vital a part of the Opera house life as the singers themselves. Their arrogance tainted the town life as well, and here I first became acquainted with the pitiful attempt at swagger and brilliancy which often covered a state of grinding poverty, or the thwarted natural domestic instincts which were ruthlessly sacrificed to the "uniform"—the all-desirable entrée to society, for which no price was too high to pay. I hope this book will be of interest not only to those whose goal is the operatic or concert stage, but to those to whom "human documents" appeal. It is a story of real people, real obstacles overcome, and contains much intimate talk of back-stage life in opera houses.
CONTENTS
CHAPTER | PAGE | |
I | THE WAY IT ALL HAPPENED | 13 |
II | A STRUGGLE AND A SOLUTION | 21 |
III | PARIS AT LAST | 30 |
IV | PENSION PERSONALITIES | 39 |
V | OPERATIC FRANCE VERSUS OPERATIC GERMANY | 50 |
VI | PREPARING RÔLES IN BERLIN | 59 |
VII | MY FIRST OPERATIC CONTRACT SIGNED | 67 |
VIII | MY ONE LONE IMPROPOSITION | 76 |
IX | THE MAKINGS OF A SMALL MUNICIPAL OPERA HOUSE | 85 |
X | MY DÉBUT AND BREAKING INTO HARNESS | 100 |
XI | SOME STAGE DELIGHTS | 110 |
XII | MISPLACED MOISTURE AND THE STORY OF A COURT-LADY | 123 |
XIII | HUMAN PASSIONS AND SMALLPOX | 139 |
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