COPYRIGHT 1900

by

WILLIAM CLEAVER WILKINSON.

(Printed in the United States of America)

PREFACE.

The preparation of the present volume proposed to the author a task more difficult far than that undertaken in the case of either of the literatures, the Greek or the Latin, treated in the four preceding volumes of the present series. Those volumes dealt with literatures limited and finished; this volume deals with a literature indefinitely vast in extent, and still in vital process of growth. The selection of material to be used was, in the case of the earlier volumes, virtually made for the author beforehand, in a manner greatly to ease his sense of responsibility for the exercise of individual judgment and taste. Long prescription, joined to the winnowing effect of wear and waste through time and chance, had left little doubt what works of what writers, Greek and Roman, best deserved now to be shown to the general reader. Besides this, the prevalent custom of the schools of classical learning could then wisely be taken as a clew of guidance to be implicitly followed, whatever might be the path through which it should lead. There is here no similar avoidance of responsibility possible; for the schools have not established a custom, and French literature is a living body, from which no important members have ever yet been rent by the ravages of time.

The plan of this volume, together with the compass proposed for it, created the necessity of establishing from the outset certain limits to be very strictly observed. There could be no introductory general matter, beyond a rapid and summary review of that literature, as a whole, which is the subject of the book. The list of authors selected for representation must not include the names of any still living. A third thing resolved upon was to make the number of representative names small rather than large, choice rather than inclusive. The principle at this point adopted was to choose those authors only whose merit, or whose fame, or whose influence, might be supposed unquestionably such that their names and their works would certainly be found surviving, though the language in which they wrote should, like its parent Latin, have perished from the tongues of men. The proportion of space severally allotted to the different authors was to be measured partly according to their relative importance, and partly according to their estimated relative capacity of interesting in translation the average intelligent reader of to-day.

In one word, the single inspiring aim of the author has here been to furnish enlightened readers, versed only in the English language, the means of acquiring, through the medium of their vernacular, some proportioned, trustworthy, and effective knowledge and appreciation, in its chief classics, of the great literature which has been written in French. This object has been sought, not through narrative and description, making books and authors the subject, but through the literature itself, in specimen extracts illuminated by the necessary explanation and criticism.

CONTENTS.