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  VI.—Expression. Part 1.—The Ideal 86   VII.—Expression. Part 2.—Christian Ideals 91 The Deity—Christ—The Madonna—Madonna and Child.   VIII.—Expression. Part 3.—Classical Ideals 106 Ideals of the Greeks—Use of the ancient divinities by the Painter.   IX.—Expression. Part 4.—General Ideals 135   X.—Expression. Part 5.—Portraiture 141 Limitations of the Portrait Painter—Emphasis and addition of qualities in portrait painting—Practice of the ancient Greeks—Dignity—Importance of Simplicity—Some of the great masters—Portraiture of women—The English masters—The quality of Grace—The necessity for Repose.   XI.—Expression. Part 6.—Miscellaneous 167 Grief—The Smile—The Open Mouth—Contrasts—Representation of Death.   XII.—Landscape 192 Limitations of the Landscape Painter—Illusion of opening distance—Illusion of motion in Landscape—Moonlight scenes—Transient conditions.   XIII.—Still-life 214   XIV.—Secondary Art 219 Paintings of record—Scenes from the Novel—From the written drama—From the acted drama—Humorous subjects—Allegorical paintings.   XV.—Colour 228   BOOK II Introductory.—Illusion in the Painter's Art 236 CHAPTER   I.—Illusion of Relief 239   II.—Illusion of Motion with Men and Animals 249   III.—Illusion of Suspension and Motion in the Air 259   Notes 273   Index of Artists and Works of Art Mentioned in this Book 357   General Index 369

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LIST OF PLATES