all such cases, where virtue appears either at the wrong time, or in the wrong shape, the ruin of the virtuous is almost inevitable, while no student of human nature can wholly condemn his otherwise corrupt and despicable enemies. In that conflict lies both the charm of the novel and its tragic character.

As in all his stories, Jókai fills each page with a novel interest, and his inexhaustible good humour and exuberant powers of description throw even over the dark scenes of the story something of the soothing light of mellow hilarity.

EMIL REICH.

London, Nov. 1st, 1909.

CONTENTS.