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قراءة كتاب A History of the Cries of London, Ancient and Modern
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A History of the Cries of London, Ancient and Modern
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Lot 405. London Cries, also used in Newcastle and York Cries, two very pretty series of early Cries, some with back-grounds, from Hodgson’s office, and R. Robinson, Newcastle—[51 blocks],
To carry out the suggestion before-mentioned, and to utilize the very pretty series of fifty-one woodcuts as above, and other Bewick, Bewickiana, and ultra anti-Bewickian woodcut blocks I possess, formed and accumulated by reason of my published works: “The Catnach Press,” 1868. “Curiosities of Street Literature,” 1871. And “Life and Times of James Catnach,” 1878.
In collecting information on the subject of “The Cries of London—Ancient and Modern,” I have availed myself of all existing authorities within reach, and therefore, to prevent the necessity of continual reference, here state that I have drawn largely from Charles Knight’s “London.” Mayhew’s “London Labour and the London Poor.” Hone’s “Every-Day Book.” An article on Old London Cries, in “Fraser’s Magazine.” “Cuthbert Bede.” Mr. Edwin Goadby’s “The England of Shakespeare,”—an excellent Text Book, forming one of Cassell’s Popular Shilling Library. “Our Milk Supply,” from the columns of The Daily Telegraph. Charles Manby Smith’s “Curiosities of London Life,” and his “Little World of London.” And what from various other sources was suitable for my purpose.
To the one lady, and many gentlemen friends who have responded to my enquiries for advice, material, and assistance, and by which they have so greatly enriched the contents of this volume, I beg to express my best thanks. I must in a more particular manner mention the names of—the one lady first—Mrs. Rose Hildreth; then Mr. John Furbor Dexter, Mr. William Mansell; next Messrs. W. H. & L. Collingridge, the Proprietors of The City Press, Aldersgate-street, London, for the use of the following woodcuts that have appeared in the pages of their ever-entertaining work, “YeOld City,” by Aleph.: 1.—Shakespeare’s London; 2.—Aldersgate; 3.—Cheapside Cross; 4.—Old Stage Waggon; 5.—Baynard’s Castle; 6.—Old London Shop; 7.—St. Pauls Cathedral. I have also to express my cordial thanks to Messrs. Longman, Green & Co., who kindly allowed the use of 1.—Colebrook Cottage; 2.—The Old Queen’s Head; and 3.—Canonbury Tower. From Howitt’s “Northern Heights of London.” Messrs. Chatto & Windus, Piccadilly: 1.—Charles Lamb’s House, Enfield; 2.—House at Edmonton, where Charles Lamb died; 3.—Edmonton Church. Messrs. Marks and Sons, Publishers of all kinds of Fancy Stationery, Toy-books, Valentines, &c., 72, Houndsditch, for the eight blocks used in their “Cries of London,” at pages 351 to 358. Messrs. Goode, Toy-book Manufacturers, Clerkenwell Green. Mr. John W. Jarvis, Mr. William Briggs, Mr. G. Skelly, Alnwick, and Dr. David Morgan, Brighton.
SECOND EDITION.
The rapid sale of the whole of the First Edition of this work—about one half of which went Due-North, that is to say, in and round about “Canny Newcassel” (the home-land of the Brothers Bewick), America taking the remainder,—will sufficiently explain the re-appearance of “A History of the Cries of London” in its new, and, the Author ventures to think, improved form.
Rectory Road, Stoke Newington,
London, N.
Lady-Day., 1884.
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