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قراءة كتاب A History of the Cries of London, Ancient and Modern
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A History of the Cries of London, Ancient and Modern
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A structure stands, and welcomes many a breeze;
Lonely and simple as a ploughman’s cot!
Where monarchs may unbend who wish for ease.”
Colman’s—Broad Grins.

SECOND STATE!!
Among the very many and all much admired Tail-pieces drawn and engraved by Bewick himself, the above, which, in its—First state! is at page 285 of vol. i. of ‘A History of British Birds,’ 1797, has obtained by far the greatest notoriety. It appears that soon after publication, it was pointed out to Bewick that the nakedness of a prominent part of his subject required to be a little more covered—draped! So one of his apprentices was employed to blacken over with ink all the copies then remaining unsold. But by the time Bewick received the ‘gentle hint,’ a goodly number had been delivered to local subscribers and the London agents—Messrs. G. G. and J. Robinson. It is these ‘not inked!’ copies that are now so readily sought after by all “Bewick Collectors.”

THIRD STATE!!!
For the next, and all subsequent editions a plug was inserted in the block, and the representation of two bars of wood engraved upon it, to hide the part! However, it seems that before the block was thus altered and amended, many impressions on various papers were taken of the—First state! The late Rev. Hugo possessed several of such, one of which—Proof on paper—he gave me on the 10th of November, 1876.—C. H.

The Water Rail.
(Bewick’s Water Birds.)

The Red-necked Grebe.
(Bewick’s Water Birds.)

The Chillingham Wild Bull.
Used in Richardson’s Table Book, Vol. vi p. 15.
⁂ Attributed to T. Bewick.

T. Bewick.
Gin and Bitters.
The Sportsman’s Cabinet, 1803.

“Willie Brew’d a Peck o’Maut.”
The Poetical Works of Robert Burns. Engravings on Wood by Bewick, from designs by Thurston. Alnwick: Printed by Catnach and Davison, 1808. And London: Printed for T. Cadell and Davis, Strand, 1814. With cuts previously used in Davison’s publications.

“Many of the engravings produced for Burns’ Poems, are of a very superior class, and cannot be too highly