Camille? Not I, for one.... In fact, the two cases are not at all analogous.

And now that we have seen how wonderfully Nature works in the fulfilment of her laws, even among her tiniest creatures, let us study for a minute a cross-section of the community-life of the newt. It is a life full of all kinds of exciting adventure, from weaving nests to crawling about in the sun and catching insect larvæ and crustaceans. The newt's day is practically never done, largely because the insect larvæ multiply three million times as fast as the newt can possibly catch and eat them. And it takes the closest kind of community team-work in the newt colony to get things anywhere near cleaned up by nightfall.

It is early morning, and the workers are just appearing, hurrying to the old log which is to be the scene of their labors. What a scampering! What a bustle! Ah, little scamperers! Ah, little bustlers! How lucky you are, and how wise! You work long hours, without pay, for the sheer love of working. An ideal existence, I'll tell the scientific world.

Over here on the right of the log are the Master Draggers. Of all the newt workers, they are the most futile, which is high praise indeed. Come, let us look closer and see what it is that they are doing.

The one in the lead is dragging a bit of gurry out from the water and up over the edge into the sunlight. Following him, in single file, come the rest of the Master Draggers. They are not dragging anything, but are sort of helping the leader by crowding against him and eating little pieces out of the filament of his tail.

And now they have reached the top. The leader, by dint of much leg-work, has succeeded in dragging his prize to the ridge of the log.

The little workers, reaching the goal with their precious freight, are now giving it over to the Master Pushers, who have been waiting for them in the sun all this while. The Master Pushers' work is soon accomplished, for it consists simply in pushing the piece of gurry over the other side of the log until it falls with a splash into the water, where it is lost.

This part of their day's task finished, the tiny toilers rest, clustered together in a group, waving their heads about from side to side, as who should say: "There—that's done!" And so it is done, my little Master Draggers and my little Master Pushers, and well done, too. Would that my own work were as clean-cut and as satisfying.

And so it goes. Day in and day out, the busy army of newts go on making the world a better place in which to live. They have their little trials and tragedies, it is true, but they also have their fun, as any one can tell by looking at a logful of sleeping newts on a hot summer day.

And, after all, what more has life to offer?

II

"COFFEE, MEGG AND ILK, PLEASE"

Give me any topic in current sociology, such as "The Working Classes vs. the Working Classes," or "Various Aspects of the Minimum Wage," and I can talk on it with considerable confidence. I have no hesitation in putting the Workingman, as such, in his place among the hewers of wood and drawers of water—a necessary adjunct to our modern life, if you will, but of little real consequence in the big events of the world.

But when I am confronted, in the flesh, by the "close up" of a workingman with any vestige of authority, however small, I immediately lose my perspective—and also my poise. I become servile, almost cringing. I feel that my modest demands on his time may, unless tactfully presented, be offensive to him and result in something, I haven't been able to analyze just what, perhaps public humiliation.

For instance, whenever I enter an elevator in a public building I am usually repeating to myself the number of the floor at which I wish to alight. The elevator man gives the impression of being a social worker, filling the job just for that day to help out the regular elevator man, and I feel that the least I can do is to show him that I know what's what. So I don't tell him my floor number as soon as I get in. Only elderly ladies do that. I keep whispering it over to myself, thinking to tell it to the world when the proper time comes. But then the big question arises—what is the proper time? If I want to get out at the eighteenth floor, should I tell him at the sixteenth or the seventeenth? I decide on the sixteenth and frame my lips to say, "Eighteen out, please." (Just why one should have to add the word "out" to the number of the floor is not clear. When you say "eighteen" the obvious construction of the phrase is that you want to get out at the eighteenth floor, not that you want to get in there or be let down through the flooring of the car at that point. However, you'll find the most sophisticated elevator riders, namely, messenger boys, always adding the word "out," and it is well to follow what the messenger boys do in such matters if you don't want to go wrong.)

So there I am, mouthing the phrase, "Eighteen out, please," as we shoot past the tenth—eleventh—twelfth—thirteenth floors. Then I begin to get panicky. Supposing that I should forget my lines! Or that I should say them too soon! Or too late! We are now at the fifteenth floor. I clear my throat. Sixteen! Hoarsely I murmur, "Eighteen out." But at the same instant a man with a cigar in his mouth bawls, "Seventeen out!" and I am not heard.

The car stops at seventeen, and I step confidentially up to the elevator man and repeat, with an attempt at nonchalance, "Eighteen out, please." But just as I say the words the door clangs, drowning out my request, and we shoot up again. I make another attempt, but have become inarticulate and succeed only in making a noise like a man strangling. And by this time we are at the twenty-first floor with no relief in sight. Shattered, I retire to the back of the car and ride up to the roof and down again, trying to look as if I worked in the building and had to do it, however boresome it might be. On the return trip I don't care what the elevator man thinks of me, and tell him at every floor that I, personally, am going to get off at the eighteenth, no matter what any one else in the car does. I am dictatorial enough when I am riled. It is only in the opening rounds that I hug the ropes.

My timidity when dealing with minor officials strikes me first in my voice. I have any number of witnesses who will sign statements to the effect that my voice changed about twelve years ago, and that in ordinary conversation my tone, if not especially virile, is at least consistent and even. But when, for instance, I give an order at a soda fountain, if the clerk overawes me at all, my voice breaks into a yodel that makes the phrase "Coffee, egg and milk" a pretty snatch of song, but practically worthless as an order.

If the soda counter is lined with customers and the clerks so busy tearing up checks and dropping them into the toy banks that they seem to resent any call on their drink-mixing abilities, I might just as well save time and go home and shake up an egg and milk for myself, for I shall not be waited on until every one else has left the counter and they are putting the nets over the caramels for the night. I know that. I've gone through it too many times to be deceived.

For there is something about the realization that I must shout out my order ahead of some one else that absolutely inhibits my shouting powers. I will stand against the counter, fingering my ten-cent check and waiting for the clerk to come near enough for me to tell him what I want, while, in the meantime, ten or a dozen people have edged up next to me and given their orders, received their drinks and gone away. Every once in a while I catch a clerk's eye and lean