class="c4">60. Candy Tray No. 2113
61. Cake Tray113
62. No. 1 Sandwich Tray115
63. No. 2 Sandwich Tray117
64. No. 1 Fruit Basket Tray121
65. No. 2 Fruit Basket Tray122
66. No. 3 Fruit Basket Tray124
67. Small Serving Tray126
68. Small Scrap Basket (Checker Design)133
69. Large Scrap Basket (Checker Design)134
70. Scrap Basket in Oval Reed135
71. Rush Scrap Basket136
72. Artistic Basket with Lid143
73. Knitting Basket144
74. Mother’s Sewing Basket145
75. Lily Basket145
76. Small Barrel Shaped Rush Basket146
77. Large Rush Scrap Basket148
78. Scrap Basket (Open Work)151
79. Fancy Scrap Basket153
80. Artistic Scrap Basket154
81. Father’s Waste Paper Basket156  

PREFACE

Basketry is one of the oldest and most valuable of the crafts. As far back as the time of the Israelites we read of its usefulness in offering sacrifices. Of necessity it was born, and in its infancy was made into simple forms, but very soon its importance to man was so duly felt and appreciated that new forms took shape, and its uses were so extended that the early basket makers vied with one another in producing pleasing work and in discovering new and various kinds of materials to put into it.

Though the Chinese and Japanese have sent us, for long years, marvelous things of beauty, it is to our American Indian that we owe our debt for beauty and artistry of this industry; for industry it is.

It seems quite impossible to me to write on basketry without mentioning the Indian and his connection with it, for we can very safely call him the master artist of basket work. In its history, and a romantic one it is, the Indian figures first

and last. The Indian woman was never satisfied with the materials just at hand; she sought for and tried all kinds, in season and out of season, and she chose, unerringly, the best. Her patience was without limit in her experiments in materials, dyes and weaves, with the result that her basketry is the peer of any in the world. Her sample work was nature—and into every line of her basket she wove a meaning symbolical of something in particular.

Serious study of Indian basketry would serve both as an inspiration and stimulation to better work: its intricacy, its poetry and its artistry would be a revelation, and give a fuller understanding of a people so sadly misunderstood.

Basketry was used by the primitive Indians in carrying water. When there was a scarcity, and careful conservation was necessary, the basket was the article used as a conveyance. Some of the California Indians up to this day use their baskets successfully as cooking utensils, while the bassinet, made out of basketry, was, and is still, used by the Indian to hold the papoose.

Basketry is an important factor in the promotion of education. Its wide influence is felt not only in the class room but in homes, settlement work, blind institutions, asylums, in fact in institutions of