baskets may be made by combining different colors of the straw with the natural color.

Hemp, which is imported from the Philippine Islands, may be used as a foundation for raffia and sweet grass baskets.

Tools

Very few tools are necessary in basketry, although, to the basket maker, who intends doing much work the following articles are essential: pruning shears, awl, plier, galvanized tub and bucket, measuring stick or rule, knife for splicing the reed. Rubber fingers may be used. For the dyer, rubber gloves and large earthen pots are necessary.

CHAPTER II

THE FIRST LESSON

Reed is a brittle material, therefore it must be soaked in water before using. The time required depends on the number of the reed used. No. 00 merely dipped in water can be used successfully. Nos. 1 and 2 can be used after soaking in water ten minutes; Nos. 4 and 5 after fifteen or twenty minutes. Either cold or hot water may be used, the hot water consuming less time to soak the reed than the cold.

No. 4 and No. 2 reeds are commonly used together in ordinary sized baskets. No. 4 for the spokes, which form the foundation upon and around which No. 2, as the weaver, is woven.

The weaving of a round mat or basket is begun in the center and woven out toward the end. It is absolutely necessary that beginners master the fundamental steps, for no basket can be well made that has a poor bottom. In order to avoid this, the mat is practised upon until the art of weaving a good center is accomplished.

The following are the commonest weaves used.

Simple Weaving is the commonest of all and is the continuation of under one spoke and over the next.

Diagram No. 1.—Simple Weaving

Double Weaving, the same as simple weaving only that two weavers are woven together as one.

Diagram No. 2.—Double Weaving

Pairing.—Two weavers are inserted back of two successive spokes and crossed between, then

under weave brought forward each time and made the upper weave. This may be used on an even as well as odd number of spokes.

Diagram No. 3.—Pairing

Double Pairing.—The weave is the same as pairing but two weavers are woven together as one.

Diagram No. 4.—Double Pairing

Two and One Weave.—Simply a weaver

woven in front of two spokes and back of one spoke. This makes a pretty effect in oval reed.

Diagram No. 5.—Two and One Weave

Three and Two Weave.—One weaver woven in front of three spokes and back of two. This weave is used with oval reed and rush, in making scrap baskets.

Diagram No. 6.—Three and Two Weave

Triple Twist or Three-Rod Coil, sometimes called the “Wale” Weave.—Three weavers start back of three consecutive spokes. Beginning with the first spoke to the left and weaving to the right bring the left-hand weaver out in front of the next two spokes, back of the next and out in front. The second and third weavers are treated in the same way, always bringing each weaver in front of 2 spokes and back of the next one. This weave is used mostly in beginning the sides of separate bottom baskets where the spokes are inserted, and in the ending of baskets. It is a strong foundation for borders and handles.