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قراءة كتاب How to Write a Novel: A Practical Guide to the Art of Fiction

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How to Write a Novel: A Practical Guide to the Art of Fiction

How to Write a Novel: A Practical Guide to the Art of Fiction

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دار النشر: Project Gutenberg
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HOW TO WRITE A NOVEL

 


 

The "how to" Series


I. HOW TO DEAL WITH
YOUR BANKER

By HENRY WARREN

Author of "Banks and their Customers"

Third Edition.

Crown 8vo, Cloth, 5s. 6d.


II. WHERE AND HOW TO
DINE IN PARIS

By ROWLAND STRONG

Fcap. 8vo, Cloth, Cover Designed, 2s. 6d.


III. HOW TO WRITE FOR
THE MAGAZINES

By "£600 A YEAR FROM IT"

Crown 8vo, Cloth, 2s. 6d.


IV. HOW TO CHOOSE YOUR
BANKER

By HENRY WARREN

Crown 8vo, Cloth, 3s. 6d.


V. HOW TO WRITE A NOVEL:

A Practical Guide to the Art
of Fiction.

Crown 8vo, Cloth, 3s. 6d.


VI. HOW TO INVEST AND
HOW TO SPECULATE

By C. H. THORPE

Crown 8vo, Cloth, 5s.


London: GRANT RICHARDS

9 HENRIETTA STREET, W.C.

 


 

The "how to" Series

 

HOW TO WRITE A
NOVEL

 

A PRACTICAL GUIDE TO THE ART
OF FICTION

 

LONDON
GRANT RICHARDS
9 HENRIETTA STREET, COVENT GARDEN, W.C.
1901


PREFACE

This little book is one which so well explains itself that no introductory word is needed; and I only venture to intrude a sentence or two here with a view to explain the style in which I have conveyed my ideas. I desired to be plain and practical, and therefore chose the direct and epistolary form as being most suitable for the purpose in hand.


CONTENTS

CHAPTER I
THE OBJECT IN VIEW
PAGE
An Inevitable Comparison 3
A Model Lesson in Novel-Writing 5
The Teachable and the Unteachable 9
 
CHAPTER II
A GOOD STORY TO TELL
Where do Novelists get their Stories from? 12
Is there a Deeper Question? 14
What about the Newspapers? 17
 
CHAPTER III
HOW TO BEGIN
Formation of the Plot 25
The Agonies and Joys of "Plot-Construction" 28
Care in the Use of Actual Events 31
The Natural History of a Plot 35
Sir Walter Besant on the Evolution of a Plot 40
Plot-Formation in Earnest 43
Characters first: Plot afterwards 45
The Natural Background 47
 
CHAPTER IV
CHARACTERS AND CHARACTERISATION
The Chief Character 50
How to Portray Character 52
Methods of Characterisation 55
The Trick of "Idiosyncrasies"

Pages