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قراءة كتاب How to Write a Novel: A Practical Guide to the Art of Fiction
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How to Write a Novel: A Practical Guide to the Art of Fiction
HOW TO WRITE A NOVEL
The "how to" Series
I. HOW TO DEAL WITH
YOUR BANKER
By HENRY WARREN
Author of "Banks and their Customers"
Third Edition.
Crown 8vo, Cloth, 5s. 6d.
II. WHERE AND HOW TO
DINE IN PARIS
By ROWLAND STRONG
Fcap. 8vo, Cloth, Cover Designed, 2s. 6d.
III. HOW TO WRITE FOR
THE MAGAZINES
By "£600 A YEAR FROM IT"
Crown 8vo, Cloth, 2s. 6d.
IV. HOW TO CHOOSE YOUR
BANKER
By HENRY WARREN
Crown 8vo, Cloth, 3s. 6d.
V. HOW TO WRITE A NOVEL:
A Practical Guide to the Art
of Fiction.
Crown 8vo, Cloth, 3s. 6d.
VI. HOW TO INVEST AND
HOW TO SPECULATE
By C. H. THORPE
Crown 8vo, Cloth, 5s.
London: GRANT RICHARDS
9 HENRIETTA STREET, W.C.
The "how to" Series
HOW TO WRITE A
NOVEL
A PRACTICAL GUIDE TO THE ART
OF FICTION
LONDON
GRANT RICHARDS
9 HENRIETTA STREET, COVENT GARDEN, W.C.
1901
PREFACE
This little book is one which so well explains itself that no introductory word is needed; and I only venture to intrude a sentence or two here with a view to explain the style in which I have conveyed my ideas. I desired to be plain and practical, and therefore chose the direct and epistolary form as being most suitable for the purpose in hand.
CONTENTS
CHAPTER I | |
THE OBJECT IN VIEW | |
PAGE | |
An Inevitable Comparison | 3 |
A Model Lesson in Novel-Writing | 5 |
The Teachable and the Unteachable | 9 |
CHAPTER II | |
A GOOD STORY TO TELL | |
Where do Novelists get their Stories from? | 12 |
Is there a Deeper Question? | 14 |
What about the Newspapers? | 17 |
CHAPTER III | |
HOW TO BEGIN | |
Formation of the Plot | 25 |
The Agonies and Joys of "Plot-Construction" | 28 |
Care in the Use of Actual Events | 31 |
The Natural History of a Plot | 35 |
Sir Walter Besant on the Evolution of a Plot | 40 |
Plot-Formation in Earnest | 43 |
Characters first: Plot afterwards | 45 |
The Natural Background | 47 |
CHAPTER IV | |
CHARACTERS AND CHARACTERISATION | |
The Chief Character | 50 |
How to Portray Character | 52 |
Methods of Characterisation | 55 |
The Trick of "Idiosyncrasies" |