man, and—oh, Thea!

Alth. (in an agony). What is it, Cissie? do tell me! (To herself.) It must be Charles—I'm sure it's Charles. Then that's why—and it is Mamma! (Aloud.) Mayn't I have the glass?

Mrs. M. I think you had better not, dear. The British Matron has boxed the poor young man's ears—she has really. I wonder what—but well, it doesn't matter. Now she's turned him out of the box. He's coming back—alone. Yes, the old lady has certainly gone—it's all over. I'm so sorry; it was ever so much more interesting than that big fat man who's singing!

Alth. (tremulously). Mayn't I look now, Cissie, if it's all over? (She almost snatches the glass, and directs it at the young man in Box C—then to herself, with relief.) Why, it isn't Charles—it's not even like him. Then—oh, what a goose I've been! It wasn't Mamma either. It was all my fancy, and she had on rather the same kind of bonnet. As if Mamma would come to a music-hall and box the ears of somebody she didn't know! But what a fright it gave me!

[She begins to feel capable of enjoying the performance.

Col. Merridew (later). Now we're going to see the great man, Cecilia. Wildfire's down to sing next.

Capt. Alch. Don't you be too sure, Frank. They haven't put the number up yet, you see. As likely as not they'll put in an "extra turn," and he won't come at all. I've known that happen lots of times when you come on purpose to see somethin', don't you know.

Mrs. M. Really, Captain Alchin, I shall begin to suspect that you are more of an authority about music-halls than your modesty would admit at first.

Capt. Alch. (in some confusion). No, really now, Mrs. Merridew, all I mean is Wildfire's bringin' out a play or somethin' to-night at the Hilarity, so he mayn't be able to turn up here, don't you see.

Mrs. M. I won't have you predicting evil like that; it's not at all nice of you, and you're quite wrong, too; for there's his number in the frame now!

[The Scene on the Stage changes once more from an Oriental Palace to a London Street; a bell tingles; the Orchestra dashes into the air of "The Hansom Cabman," which the bulk of the audience hail with delight; then a stream of limelight is thrown on the boards, and Walter Wildfire appears.

Mrs. M. (after the first verse). I don't know what it is, but there's something about him very different from all the others. And they say he writes all his own songs and music—so clever of him! Quite a striking face he has, rather handsome, with that drooping moustache. Don't you think he's handsome, Thea? (Althea does not answer; Wildfire sings the last verse; as he concludes, the house is hushed for an instant, and then breaks into a thunder of applause.) It's quite beautiful that last verse; poor, poor fellow! it all seemed so real, somehow! Ah, he's not going to sing the last verse again. I'm rather glad, for I very nearly howled, and it would be too silly to cry at a music-hall. (Interval.) Here he is again; how different he looks. I suppose it's the sandwich-boards. (Wildfire goes through the second song with the small child; in the midst of the second stanza, he suddenly falters, and only recovers himself by a violent effort; Althea has bent forward out of the shadow of the curtain.) It's too frightfully pathetic; he's such a dear, isn't he? (The applause is more rapturous than ever; an encore is clamoured for; Wildfire reappears, looking ghastly pale, and makes a mute plea for indulgence; after he has finally retired, the clamour still continues, until the scene and the number are shifted.) He won't sing any more—how sad! Wasn't he charming with that child? (In an undertone.) Why, Althea, darling!

Alth. (in a shaken voice). D—don't speak to me just yet, Cissie. I know it's very foolish of me; but I can't bear it.

Capt. Alch. (to himself). Gad, I'd give somethin' to sing like that Johnny, and make her eyes shine like that!

Mrs. M. Frank, we may as well go now, there's nothing else worth staying for, and I'm sure this horrid tobacco is ruining my poor pearls; or would you rather stay a little longer, Thea?

Alth. Oh, no, no; I don't want to hear anybody else—after that. (To herself, as Capt. A. helps her on with her cloak.) And that is the man Mr. Curphew said nothing would induce him to go and see. And I actually persuaded myself that—— But I am wiser now. He can never be anything to me!

[She leaves the box with her party.

END OF SCENE XII.

OUR BOOKING-OFFICE.

Colonel Colvile chivalrously takes upon himself responsibility for the title of the volume in which his wife has recorded their joint experience of a trip round the coast of Africa. Round the Black Man's Garden is about as bad a title as a book could have. Happily, Mrs. Colvile's clever travel notes triumphantly carry the weight. The travellers commenced their journey at Suez, visiting places in the Red Sea which voyagers by the P. and O. steamers pass by on the other side. They made their way down the west coast by all the most uncomfortable means of conveyance attainable, culminating in the filanzana, in which instrument of torture they were carried across the hills and through the swamps of Madagascar. Colonel Colvile, just now enjoying himself amid the privations of the journey up country to Uganda, is well known as an indomitable traveller. In Mrs. Colvile he found a worthy companion. On a merry page of the narrative of life in Madagascar, it is incidentally mentioned that the travellers arrive at Malatsy with their luggage soaking after a dip in the river. They dine in a whitewashed hut, with an army of big cockroaches overrunning the walls. Resuming their journey next morning they "entered a dense cloud of singularly malignant little black flies." The half-naked porters were soon streaming with blood, and the passengers' faces were in a similar condition. "Luckily," writes Mrs. Colvile, in her cheery way, "we were soon clear of the infested belt, to move in the course of half-an-hour into a flight of locusts." Mrs. Colvile takes as the motto of her book the proverb, Qui suit son chemin arrive à la fin. My Baronite arrived at the end of Mrs. Colvile's fascinating narrative full of admiration for her courage and good temper. But as long as Piccadilly and Pall Mall are not "up," he will be content with them, and would rather not follow her road.

THE CABMAN'S GUIDE TO POLITENESS.—No. I.

(In short, easy Lessons, arranged after the fashion of the Child's Handbook to Useful Knowledge.)