view. The green hill crushed us with its towering height; the heavy, dark clouds lowering over our heads seemed like a leaden canopy confining us in this unknown spot; it really seemed as if the complete absence of perspective inclined one all the better to notice the details of this tiny corner, muddy and wet, of homely Japan, now lying before our eyes. The earth was very red. The grasses and wild flowers bordering the pathway were strange to me; nevertheless, the palings were covered with convolvuli like our own, and I recognized china asters, zinnias, and other familiar flowers in the gardens. The atmosphere seemed laden with a curiously complicated odor, something besides the perfume of the plants and soil, arising no doubt from the human dwelling-places—a mingled odor, I fancied, of dried fish and incense. Not a creature was to be seen; of the inhabitants, of their homes and life, there was not a vestige, and I might have imagined myself anywhere in the world.

My djin had fastened his little cart under a tree, and together we climbed the steep path on the slippery red soil.

"We are going to the Garden of Flowers, are we not?" I inquired, desirous to ascertain whether I had been understood.

"Yes, yes," replied the djin, "it is up there, and quite near."

The road turned, steep banks hemming it in and darkening it. On one side it skirted the mountain, all covered with a tangle of wet ferns; on the other appeared a large wooden house almost devoid of openings and of evil aspect; it was there that my djin halted.

What, was that sinister-looking house the Garden of Flowers? He assured me that it was, and seemed very sure of the fact. We knocked at a large door which opened immediately, slipping back in its groove. Then two funny little women appeared, oldish-looking, but with evident pretensions to youth: exact types of the figures painted on vases, with their tiny hands and feet.

On catching sight of me they threw themselves on all fours, their faces touching the floor. Good gracious! What can be the matter? I asked myself. Nothing at all, it was only the ceremonious salute, to which I am as yet unaccustomed. They arose, and proceeded to take off my boots (one never keeps on one's shoes in a Japanese house), wiping the bottoms of my trousers, and feeling my shoulders to see whether I am wet.

What always strikes one on first entering a Japanese dwelling is the extreme cleanliness, the white and chilling bareness of the rooms.

Over the most irreproachable mattings, without a crease, a line, or a stain, I was led upstairs to the first story and ushered into a large, empty room—absolutely empty! The paper walls were mounted on sliding panels, which, fitting into each other, can be made to disappear—and all one side of the apartment opened like a veranda, giving a view of the green country and the gray sky beyond. By way of a chair, they gave me a square cushion of black velvet; and behold me seated low, in the middle of this large, empty room, which by its very vastness is almost chilly. The two little women (who are the servants of the house and my very humble servants, too), awaited my orders, in attitudes expressive of the profoundest humility.

It seemed extraordinary that the quaint words, the curious phrases I had learned during our exile at the Pescadores Islands—by sheer dint of dictionary and grammar, without attaching the least sense to them—should mean anything. But so it seemed, however, for I was at once understood.

I wished in the first place to speak to one M. Kangourou, who is interpreter, laundryman, and matrimonial agent. Nothing could be easier: they knew him and were willing to go at once in search of him; and the elder of the waiting-maids made ready for the purpose her wooden clogs and her paper umbrella.

Next I demanded a well-served repast, composed of the greatest delicacies of Japan. Better and better! they rushed to the kitchen to order it.

Finally, I beg they will give tea and rice to my djin, who is waiting for me below; I wish,—in short, I wish many things, my dear little dolls, which I will mention by degrees and with due deliberation, when I shall have had time to assemble the necessary words. But the more I look at you the more uneasy I feel as to what my fiancee of to-morrow may be like. Almost pretty, I grant you, you are—in virtue of quaintness, delicate hands, miniature feet, but ugly, after all, and absurdly small. You look like little monkeys, like little china ornaments, like I don't know what. I begin to understand that I have arrived at this house at an ill-chosen moment. Something is going on which does not concern me, and I feel that I am in the way.

From the beginning I might have guessed as much, notwithstanding the excessive politeness of my welcome; for I remember now, that while they were taking off my boots downstairs, I heard a murmuring chatter overhead, then a noise of panels moved quickly along their grooves, evidently to hide from me something not intended for me to see; they were improvising for me the apartment in which I now am just as in menageries they make a separate compartment for some beasts when the public is admitted.

Now I am left alone while my orders are being executed, and I listen attentively, squatted like a Buddha on my black velvet cushion, in the midst of the whiteness of the walls and mats.

Behind the paper partitions, feeble voices, seemingly numerous, are talking in low tones. Then rises the sound of a guitar, and the song of a woman, plaintive and gentle in the echoing sonority of the bare house, in the melancholy of the rainy weather.

What one can see through the wide-open veranda is very pretty; I will admit that it resembles the landscape of a fairytale. There are admirably wooded mountains, climbing high into the dark and gloomy sky, and hiding in it the peaks of their summits, and, perched up among the clouds, is a temple. The atmosphere has that absolute transparency, that distance and clearness which follows a great fall of rain; but a thick pall, still heavy with moisture, remains suspended over all, and on the foliage of the hanging woods still float great flakes of gray fluff, which remain there, motionless. In the foreground, in front of and below this almost fantastic landscape, is a miniature garden where two beautiful white cats are taking the air, amusing themselves by pursuing each other through the paths of a Lilliputian labyrinth, shaking the wet sand from their paws. The garden is as conventional as possible: not a flower, but little rocks, little lakes, dwarf trees cut in grotesque fashion; all this is not natural, but it is most ingeniously arranged, so green, so full of fresh mosses!

In the rain-soaked country below me, to the very farthest end of the vast scene, reigns a great silence, an absolute calm. But the woman's voice, behind the paper wall, continues to sing in a key of gentle sadness, and the accompanying guitar has sombre and even gloomy notes.

Stay, though! Now the music is somewhat quicker—one might even suppose they were dancing!

So much the worse! I shall try to look between the fragile divisions, through a crack which has revealed itself to my notice.

What a singular spectacle it is; evidently the gilded youth of Nagasaki holding a great clandestine orgy! In an apartment as bare as my own, there are a dozen of them, seated in a circle on the ground, attired in long blue cotton dresses with pagoda sleeves, long, sleek, and greasy hair surmounted by European pot-hats; and beneath these, yellow, worn-out, bloodless, foolish faces. On the floor are a number of little spirit-lamps, little pipes, little lacquer trays, little teapots, little cups-all the accessories and all the remains of a Japanese feast, resembling nothing so much as a doll's tea-party. In the midst of this circle of dandies are three overdressed women, one might say three weird visions, robed in garments of pale and indefinable colors, embroidered with golden monsters; their great coiffures are arranged with