said my travelling companion, looking at me; 'did you know them?'

"'I saw them once.'

"He shook his head.

"'Yes, yes!' resumed he; 'for many years they lived there like wolves in their den; they merely knew how to till land, kill game, and drink. The father managed the house, but men living alone, without women to love them, without children to soften them, and without God to make them think of heaven, always turn into wild beasts, you see; so one morning the eldest son, who had been drinking too much brandy, would not harness the plow-horses; his father struck him with his whip, and the son, who was mad drunk, shot him dead with his gun.'"

16th, P.M.—I have been thinking of the story of the old cashier these two days; it came so opportunely upon the reflections my dream had suggested to me.

Have I not an important lesson to learn from all this?

If our sensations have an incontestable influence upon our judgments, how comes it that we are so little careful of those things which awaken or modify these sensations? The external world is always reflected in us as in a mirror, and fills our minds with pictures which, unconsciously to ourselves, become the germs of our opinions and of our rules of conduct. All the objects which surround us are then, in reality, so many talismans whence good and evil influences are emitted, and it is for us to choose them wisely, so as to create a healthy atmosphere for our minds.

Feeling convinced of this truth, I set about making a survey of my attic.

The first object on which my eyes rest is an old map of the history of the principal monastery in my native province. I had unrolled it with much satisfaction, and placed it on the most conspicuous part of the wall. Why had I given it this place? Ought this sheet of old worm-eaten parchment to be of so much value to me, who am neither an antiquary nor a scholar? Is not its real importance in my sight that one of the abbots who founded it bore my name, and that I shall, perchance, be able to make myself a genealogical tree of it for the edification of my visitors? While writing this, I feel my own blushes. Come, down with the map! let us banish it into my deepest drawer.

As I passed my glass, I perceived several visiting cards complacently displayed in the frame. By what chance is it that there are only names that make a show among them? Here is a Polish count—a retired colonel— the deputy of my department. Quick, quick, into the fire with these proofs of vanity! and let us put this card in the handwriting of our office-boy, this direction for cheap dinners, and the receipt of the broker where I bought my last armchair, in their place. These indications of my poverty will serve, as Montaigne says, 'mater ma superbe', and will always make me recollect the modesty in which the dignity of the lowly consists.

I have stopped before the prints hanging upon the wall. This large and smiling Pomona, seated on sheaves of corn, and whose basket is overflowing with fruit, only produces thoughts of joy and plenty; I was looking at her the other day, when I fell asleep denying such a thing as misery. Let us give her as companion this picture of Winter, in which everything tells of sorrow and suffering: one picture will modify the other.

And this Happy Family of Greuze's! What joy in the children's eyes! What sweet repose in the young woman's face! What religious feeling in the grandfather's countenance! May God preserve their happiness to them! but let us hang by its side the picture of this mother, who weeps over an empty cradle. Human life has two faces, both of which we must dare to contemplate in their turn.

Let me hide, too, these ridiculous monsters which ornament my chimneypiece. Plato has said that "the beautiful is nothing else than the visible form of the good." If it is so, the ugly should be the visible form of the evil, and, by constantly beholding it, the mind insensibly deteriorates.

But above all, in order to cherish the feelings of kindness and pity, let me hang at the foot of my bed this affecting picture of the Last Sleep! Never have I been able to look at it without feeling my heart touched.

An old woman, clothed in rags, is lying by a roadside; her stick is at her feet, and her head rests upon a stone; she has fallen asleep; her hands are clasped; murmuring a prayer of her childhood, she sleeps her last sleep, she dreams her last dream!

She sees herself, again a strong and happy child, keeping the sheep on the common, gathering the berries from the hedges, singing, curtsying to passers-by, and making the sign of the cross when the first star appears in the heavens! Happy time, filled with fragrance and sunshine! She wants nothing yet, for she is ignorant of what there is to wish for.

But see her grown up; the time is come for working bravely: she must cut the corn, thresh the wheat, carry the bundles of flowering clover or branches of withered leaves to the farm. If her toil is hard, hope shines like a sun over everything and it wipes the drops of sweat away. The growing girl already sees that life is a task, but she still sings as she fulfills it.

By-and-bye the burden becomes heavier; she is a wife, she is a mother! She must economize the bread of to-day, have her eye upon the morrow, take care of the sick, and sustain the feeble; she must act, in short, that part of an earthly Providence, so easy when God gives us his aid, so hard when he forsakes us. She is still strong, but she is anxious; she sings no longer!

Yet a few years, and all is overcast. The husband's health is broken; his wife sees him pine away by the now fireless hearth; cold and hunger finish what sickness had begun; he dies, and his widow sits on the ground by the coffin provided by the charity of others, pressing her two half- naked little ones in her arms. She dreads the future, she weeps, and she droops her head.