a dignitary of this Collegiate Church.

The next thing observable is the stained glass in the three windows at the east end, containing each two figures. In the left window, the first figure represents our Saviour; the second, the Virgin Mary; the third, Edward the Confessor; the fourth, Henry III.; the fifth, St. Augustine; the sixth, Melitus, the Bishop of London, in the right hand window.

The window of stained glass in Henry V.’s Chantry, was at Dean Ireland’s expense, by Willemont; the arms are those of Edward the Confessor, Henry III., Henry V., Dean Ireland’s, and the Abbacy of Westminster.

I.—Chapel of St. Benedict.

n the Chapel of St. Benedict is an ancient tomb of stone, having formerly a canopy of wood, on which lies the effigy of Archbishop Langham, who, as the Latin epitaph round his tomb sets forth, “was Monk, Prior, and Abbot of this Abbey; afterwards elected Bishop of London; but Ely being then also vacant, he made choice of that see; that he was Primate and Chancellor of England; Priest-Cardinal, afterwards Bishop-Cardinal, of Preneste, and Nuncio from the Pope; and that he died on the Feast of St. Mary Magdalen, in the year 1376, on whose soul God have mercy, and grant him the joys of heaven for the merits of Christ.”

On the east, where stood the altar of St. Benedict, is a fine monument to the memory of Lady Frances, Countess of Hertford. The Latin inscription sets forth, “that she was wife to the noble Earl of Hertford, son to the renowned Prince Edward, Duke of Somerset, Earl of Hertford, Viscount Beauchamp, and Baron Seymour; that she was daughter to the noble Lord William, Baron Howard of Effingham, Knight of the Garter, High Admiral to Queen Mary, and Lord Chamberlain and Privy Seal to Queen Elizabeth, &c.; that, for her many graces, both of mind and body, she was highly favoured by her gracious Sovereign, and dearly loved by her noble Lord, who, in testimony of his inviolate affection, consecrated to her memory this monument. She died in the forty-fourth year of her age, May 14, 1598.”

On the south side is a monument to the memory of Dr. Gabriel Goodman. The Latin inscription intimates, “that he was the fifth Dean of this Church, over which he presided for forty years with much applause; that he founded an hospital, and instituted a school at Ruthin, in Denbighshire, where he was born; that he was a man of regular and devout life, and that he died in 1601, aged seventy-three.”

On the same side is a monument to the memory of George Sprat, second son of Dr. Thomas Sprat, Bishop of Rochester, and Dean of Westminster, by his wife Helena, descended from the ancient and honourable family of the Wolseleys, in Staffordshire, who lies interred in the Chapel of St. Nicholas. He died an infant of a year old, in 1683.

In the centre is a monument erected in memory of Lionel Cranfield, Earl of Middlesex, by his relict, Lady Ann. The Latin inscription on this monument is to this effect;—“Sacred to the memory of Lionel Lord Cranfield, Earl of Middlesex, who by that discerning prince, King James I., being called to court, was for his excellent parts bountifully rewarded, both with honours and fortune; being made Master of the Requests, and of the Wardrobe, President of the Court of Wards, and Privy Councillor. The new and illustrious, as well as difficult province of Lord Treasurer of England, he filled, which services how indefatigably he underwent, his title of Knight, Baron Cranfield, and, lastly, Earl of Middlesex, with various other honours, abundantly testify. He died the 6th of August, 1645, aged about seventy. He was twice married. By his first wife he had three daughters; Elizabeth, Countess of Mulgrave; Martha, Countess of Monmouth; and Mary, who died unmarried. By the second, who survived him, he had three sons, and two daughters; James, heir to the honours of Earl of Middlesex, Lyonel, and Edward; Frances, Lady Buckhurst; and Susannah, who died an infant.”

Near Bishop Langham’s tomb, is a table monument, inlaid with a brass plate, designed for Dr. William Bill, Dean of Westminster, Master of Eton College, Head of Trinity in Cambridge, and Chief Almoner to Queen Elizabeth, as appears by his inscription. He died July 5, 1561. On a brass plate are some Latin verses, setting forth “that he was a good and learned man, and a friend to those that were so; that he was just and charitable; and that the poor, as well as the three Colleges over which he presided, sustained an irreparable loss by his death.”

Besides those above recited, there lie interred in this Chapel, Catherine, daughter of Dr. Dolben, Bishop of Rochester, Dean of Westminster, and afterwards Archbishop of York; a Countess of Kildare, in Ireland; and Dr. John Spotswood, Lord Archbishop of St. Andrew’s, Primate and Lord Chancellor of Scotland, who died in 1640.

On the left of the gate of entrance to the Chapels, is the ancient monument to Sebert, King of the East Saxons, who first built a church nearly on this site, and died July, 616; also of Athelgoda, his Queen, who died September 13, 615.

It may here be observed, and to some will no doubt be interesting, that as the date of King Sebert is the earliest known respecting the Abbey, George II. was also the last King buried in Westminster, including in all thirteen English Sovereigns whose remains repose within these venerable walls (and fourteen Queens, that is, once reigning sovereigns, or the consorts of kings) embracing a period of more than twelve hundred years. The Kings buried in the Abbey—Sebert, Edward the Confessor, Henry III., Edward I., Edward III., Richard II., Henry V., Edward V., Henry VII., Edward VI., James I., Charles II., William III., George II., all of which can of course be ascertained by a careful perusal of this guide book.

Over the tomb of Sebert, enclosed under glass, is an elaborate work (measuring about eleven feet in length, and three feet in height), which appears to have originally formed part of an altar decoration of the fourteenth century; the ground-work is oak; over the joinings, and on the surface of some mouldings, strips of parchment were glued. On this framework, covered with a gesso ground, various ornamental compartments and architectural enrichments are completed in relief. The work is divided into two similar portions; in the centre is a figure which appears to be intended for Christ, holding the globe, and in the act of blessing; an angel with a palm branch is on each side. The single figure on the left is St. Peter; the figure that should correspond on the right, and all the scripture subjects on that side, are gone. In the compartments to the left, portions of three