and it was accomplished once for all. The compilation of a new Table Talk, if it were possible, would be a mistake and an impertinence.

The present collection of hitherto unpublished aphorisms, reflections, confessions and soliloquies, which for want of a better name I have entitled Anima Poetæ, does not in any way challenge comparison with the Table Talk. It is, indeed, essentially different, not only in the sources from which it has been compiled but in constitution and in aim.

"Since I left you," writes Coleridge in a letter to Wordsworth of May 12, 1812, "my pocket-books have been my sole confidants." Doubtless, in earlier and happier days, he had been eager not merely to record but to communicate to the few who would listen or might understand the ceaseless and curious workings of his ever-shaping imagination, but from youth to age note-books and pocket-books were his silent confidants, his "never-failing friends" by night and day.

More than fifty of these remarkable documents are extant. The earliest of the series, which dates from 1795 and which is known as the "Gutch Memorandum Book," was purchased in 1868 by the trustees of the British Museum, and is now exhibited in the King's Library. It consists, for the most part, of fragments of prose and verse thrown off at the moment, and stored up for future use in poem or lecture or sermon. A few of these fragments were printed in the Literary Remains (4 vols. 1836-39), and others are to be found (pp. 103, 5, 6, 9 et passim) in Herr Brandl's Samuel Taylor Coleridge and the English Romantic School. The poetical fragments are printed in extenso in Coleridge's Poetical Works (Macmillan, 1893), pp. 453-58. A few specimens of the prose fragments have been included in the first chapter of this work. One of the latest note-books, an unfinished folio, contains the Autobiographic Note of 1832, portions of which were printed in Gillman's Life of Coleridge, pp. 9-33, and a mass of unpublished matter, consisting mainly of religious exercises and biblical criticism.

Of the intervening collection of pocket-books, note-books, copy-books, of all shapes, sizes and bindings, a detailed description would be tedious and out of place. Their contents may be roughly divided into diaries of tours in Germany, the Lake District, Scotland, Sicily and Italy; notes for projected and accomplished works, rough drafts of poems, schemes of metre and metrical experiments; notes for lectures on Shakspere and other dramatists; quotations from books of travel, from Greek, Latin, German and Italian classics, with and without critical comments; innumerable fragments of metaphysical and theological speculation; and commingled with this unassorted medley of facts and thoughts and fancies, an occasional and intermitted record of personal feeling, of love and friendship, of disappointment and regret, of penitence and resolve, of faith and hope in the Unseen.

Hitherto, but little use has been made of this life-long accumulation of literary material. A few specimens, "Curiosities of Literature" they might have been called, were contributed by Coleridge himself to Southey's Omniana of 1812, and a further selection of some fifty fragments, gleaned from note-books 21-1/2 and 22, and from a third unnumbered MS. book now in my possession, were printed by H. N. Coleridge in the first volume of the Literary Remains under the heading Omniana 1809-1816. The Omniana of 1812 were, in many instances, re-written by Coleridge before they were included in Southey's volumes, and in the later issue, here and there, the editor has given shape and articulation to an unfinished or half-formed sentence. The earlier and later Omniana, together with the fragments which were published by Allsop in his Letters, Conversations and