قراءة كتاب Anima Poetæ

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Anima Poetæ

Anima Poetæ

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دار النشر: Project Gutenberg
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Recollections of S. T. Coleridge, in 1836, were included by the late Thomas Ashe in his reprint of the Table Talk, Bell & Co., 1884.

Some fourteen or fifteen notes of singular interest and beauty, which belong to the years 1804, 1812, 1826, 1829, etc., were printed by James Gillman in his unfinished "Life of Coleridge," and it is evident that he contemplated a more extended use of the note-books in the construction of his second volume, or, possibly, the publication of a supplementary volume of notes or Omniana. Transcripts which were made for this purpose are extant, and have been placed at my disposal by the kindness of Mrs. Henry Watson, who inherited them from her grandmother, Mrs. Gillman.

I may add that a few quotations from diaries of tours in the Lake Country and on the Continent are to be found in the foot-notes appended to the two volumes of Letters of Samuel Taylor Coleridge which were issued in the spring of the present year.

To publish the note-books in extenso would be impracticable, if even after the lapse of sixty years since the death of the writer it were permissible. They are private memoranda-books, and rightly and properly have been regarded as a sacred trust by their several custodians. But it is none the less certain that in disburthening himself of the ideas and imaginations which pressed upon his consciousness, in committing them to writing and carefully preserving them through all his wanderings, Coleridge had no mind that they should perish utterly. The invisible pageantry of thought and passion which for ever floated into his spiritual ken, the perpetual hope, the half-belief that the veil of the senses would be rent in twain, and that he and not another would be the first to lay bare the mysteries of being, and to solve the problem of the ages—of these was the breath of his soul. It was his fate to wrestle from night to morn with the Angel of the Vision, and of that unequal combat he has left, by way of warning or encouragement, a broken but an inspired and inspiring record. "Hints and first thoughts" he bade us regard the contents of his memorandum-books—"cogitabilia rather than cogitata a me, not fixed opinions," and yet acts of obedience to the apostolic command of "Try all things: hold fast that which is good"—say, rather, acts of obedience to the compulsion of his own genius to "take a pen and write in a book all the words of the vision."

The aim of the present work, however imperfectly accomplished, has been to present in a compendious shape a collection of unpublished aphorisms and sentences, and at the same time to enable the reader to form some estimate of those strange self-communings to which Coleridge devoted so much of his intellectual energies, and by means of which he hoped to pass through the mists and shadows of words and thoughts to a steadier contemplation, to the apprehension if not the comprehension of the mysteries of Truth and Being.

The various excerpts which I have selected for publication are arranged, as far as possible, in chronological order. They begin with the beginning of Coleridge's literary career, and are carried down to the summer of 1828, when he accompanied Wordsworth and his daughter Dora on a six months' tour on the Continent. The series of note-books which belong to the remaining years of his life (1828-1834) were devoted for the most part to a commentary on the Old and New Testament, to theological controversy, and to metaphysical disquisition. Whatever interest they may have possessed, or still possess, appeals to the student, not to the general reader. With his inveterate love of humorous or facetious titles, Coleridge was pleased to designate these serious and abstruse dissertations as "The Flycatchers."

My especial thanks are due to Amy, Lady

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