قراءة كتاب Samplers and Tapestry Embroideries Second Edition
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Samplers and Tapestry Embroideries Second Edition
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Title: Samplers and Tapestry Embroideries
Second Edition
Author: Marcus Bourne Huish
Release Date: December 27, 2012 [eBook #41717]
Language: English
Character set encoding: UTF-8
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SAMPLERS AND
TAPESTRY EMBROIDERIES
| Tho our Countrie everywhere is fil’d With ladies and with gentlewomen skil’d In this rare art, yet here they may discerne Some things to teach them if they list to learne And as this booke some cunning workes doth teach Too high for meane capacities to reache So for weake learners other workes here be As plaine and easie as an A B C. —The Needle’s Excellency. |
Plate I.—Tapestry Embroidery. Henry VIII., Edward VI., Mary, and Elizabeth.
The Corporation of Maidstone.
(Frontispiece.)
The very unusual piece of Embroidery reproduced as our Frontispiece may date from the Accession of Queen Elizabeth, in which case it is the earliest specimen of an embroidery picture that we have seen. It would appear to be the creation of some exultant Protestant rejoicing at the restoration of his religion, which to him is “Good tidings of great joy”; for his Queen holds the Bible open at this verse, and is ready to defend it with her sword. Edward VI. also upholds the Bible in his upraised hand, whilst Henry VIII. has one foot on the downtrodden Pope, and the other on his crown, which he has kicked from his head. Popery is portrayed in Mary with her Rosary and Papal-crowned Dragon. The presence of the Thistle raises a doubt as to its being of the Elizabethan age, but although this flower consorts with the Rose it also does so with a pansy, which deprives it of its value as an emblem of Scotland. The piece belongs to the Corporation of Maidstone.
SAMPLERS & TAPESTRY
EMBROIDERIES
BY
MARCUS B. HUISH, LL.B.
Author of “Japan and its Art,” “Greek Terra Cotta Statuettes”
“The American Pilgrim’s Way,” &c.
SECOND EDITION
WITH 24 COLOURED PLATES AND
77 ILLUSTRATIONS IN THE TEXT
LONGMANS, GREEN, AND CO.
39 PATERNOSTER ROW, LONDON
NEW YORK, BOMBAY, AND CALCUTTA
1913
All rights reserved
Preface to the Second Edition
I have explained, in the chapter upon English Needlework with which this volume opens, the reasons which prompted me to take up the subject of Samplers and Tapestry Embroideries, and I have here only to thank the many who, since its first issue, have expressed their acknowledgment of the pleasure they have derived from it, and to record my gratification that it has induced some of them to start the study and collection of these interesting objects.
In the present edition several American Samplers of considerable interest, kindly furnished by correspondents in that country, are noted and illustrated.
I am indebted to the publishers for putting the present volume on the market at a more popular price than the expense of the first edition permitted.
Contents
| PAGES | ||
| ENGLISH NEEDLEWORK.— Its Practice in Past Times.—Its place amongst the Minor Arts.—Mr Ruskin’s Views as to Needlework in a Museum.—Lack of a History.—Exhibition of Samplers.—Range of this Volume | 1-5 | |
| PART I.— | SAMPLERS.—The Need of.—The Age of.—Inscriptions on.—Alphabets and Numerals on.—Signatures on.—Inscriptions on.—Design, Ornament, and Colouring of, including: The Human Figure; Animals; Flowers.—Further Inscriptions on.—Verses which Commemorate Religious Festivals; which take the form of Prayers and Dedications; which refer to Life and Death; which Inculcate Duties to Parents and Preceptors; which have reference to Virtue or Vice, Wealth or Poverty.—Quaint Inscriptions; Crowns; Coronets; Hearts; Borders.—Miscellanea respecting Samplers, namely:—the Age and Sex of the Workers; the Place of Origin of Samplers; Samplers as Records of National Events; Map Samplers; American Samplers; Foreign Samplers; Sampler Literature; the Last of the Samplers | 7-122 |
| PART II.— | EMBROIDERIES IN THE MANNER OF TAPESTRY PICTURES.—Large Numbers Exhibited at Fine Art Society’s.—Opportunity for their Examination, and for making Record of their History.—Difficulties Surrounding Investigation of Origin of Industry.—No Apparent Infancy.—No Specimens discoverable earlier than Elizabethan Era.—Theory as to fashion originating with introduction of Tapestry Manufacture to England.—Particulars of that Manufacture.—Three-fold Interest of Picture Embroideries: (1) Subjects Depicted thereon; (2) Historical Material as to Fashions; (3) As Specimens of Needlework.—Particulars respecting Subjects, Fashions of Dress, Horticulture, etc. | |