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قراءة كتاب The Honey-Pot

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‏اللغة: English
The Honey-Pot

The Honey-Pot

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دار النشر: Project Gutenberg
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shouted an answering voice.

Mrs. Bell lumbered up the stairs with the shoes in her hand—high-heeled ones of the sort that only last a fortnight before losing shape.

"I just stopped to give them an extry polish," she panted.

Maggy took them from her and hurriedly put them on. While she buttoned them her landlady went on her knees and gave them a final rub up with her apron. She meant well.

"You'll have luck to-day," she said, regaining her feet and surveying her lodger with approval. "I should look out for the butcher's black cat on my way, if I was you. Back to dinner, dear?"

"I'll have a cut off whatever you've got, if I am," Maggy answered.

"Mine's hot Canterbury lamb and onion sauce."

"All right."

Maggy ran downstairs, slammed the hall door behind her and walked down the street into the main thoroughfare, looking for the green motor-bus that would take her within a stone's throw of the Pall Mall Theater. In a quarter of an hour she had reached that imposing edifice. Going in at the stage door she descended a flight of stone steps, traversed a long passage, and found herself upon the stage.

Gray daylight filtered down from the skylight above the flies, just enough for the business of the moment, no more. Across the unlit footlights was a gloomy void, pierced by an occasional gleam from an open door at the back of the pit or dress-circle, and relieved by the lighter hue of serried rows of dust-sheets hanging over the seats and balcony edges.

Close to the footlights was a table occupied by the stage-manager and one of his satellites. In the corner to their left an upright piano was set askew with the conductor of the orchestra seated at it. At the back of the stage, standing about in groups, some thirty girls and a few men were waiting to have their voices tried.

They chattered noisily. Most of them seemed to know one another. One or two called out a greeting to Maggy. Some were volubly discussing their professional experiences, telling of late engagements and prospective ones; the run of this piece, the closing down of that; incidents on tour and in pantomime; suppers at restaurants and the demerits of landladies. These topics ran into one another and overlapped. Others, with giggles, imparted risky anecdotes in undertones. Most of them appeared to be taking the situation with the calmness of habit. Nervousness showed in a few faces; anxiety in one or two. One pale-faced girl was in a condition of approaching maternity. In other surroundings she would have attracted attention, perhaps called up pathetic surprise that in the circumstances she should be attempting to obtain employment. But here very few were affected by pathos at sight of her, nor was she an object of much surprise.

After Maggy had exchanged a word or two with those whom she knew she took very little notice of the people about her. She stood apart, humming a tune, and every now and again her feet broke into a subdued dance step. But this state of abstraction did not last long. That she was a creature of impulse showed in an abrupt change from it to close attention of what was going on around her. Her fine eyes went alertly over those present and came to rest on a girl of about her own age whose quiet manner and dress of severe black singled her out from the rest. She was tall and slight, very much in the style of the women in Shepperson's drawings. Her small features and graceful figure gave her a distinguished appearance. She looked what she was, a lady, and a stranger to her surroundings. She held a roll of music and glanced nervously about her until she became aware of Maggy's smiling regard. It seemed to encourage her. She returned the smile and advanced.

"At which end will they begin?" she asked nervously, making it clear that she was an amateur.

"Anywhere," replied Maggy with friendly cheerfulness. "You're not a pro.?"

"No."

"I thought not. I shouldn't let on if I were you. Managers fight shy of beginners. First thing they'll ask you at the table is what experience you've had. Haven't you been on the stage at all before?"

"No, I've never appeared in public. I'm new to it all."

"Been looking for a shop—an engagement—long?"

"For five weeks. Ever since I came to London."

The girl in black could not hide the note of disappointment that came into her voice. Maggy gave her an encouraging tap on the arm.

"Five weeks!" she scoffed. "That's nothing. Lots of us are out for months. You'll know that if you ever hit real bad luck."

"I can't wait months."

"Hard up?" Maggy asked with quick understanding.

"I shall be soon."

"Same here. Tell me, where are you living? You're different to the crowd. I like you."

The girl in black hesitated and got a little red.

"I'm not living anywhere at present," she confessed. "I was in a boarding-house until to-day. I had to leave. I shall have to find rooms before night. Perhaps you wouldn't mind telling me where to look?"

They had moved away from those nearest them. Each felt attracted to the other without knowing why.

"Did they keep your box?"

"No. Why should they?"

"I thought you meant you couldn't pay."

"No, it wasn't that. But I can't go back. A man came into my room last night—one of the men staying there. I rang the bell and called the landlady. I don't understand why, but she blamed me and was very offensive. I didn't go to bed again. I sat up, waiting for the morning."

"The beast!"

The cheery look left Maggy's face, giving place to one of deep resentment. "The man, I mean," she said, "though I've no doubt the woman was just as bad. There are houses like that. Fancy you not knowing it. I should have ... Here, they're going to begin. Keep by me. I'll see you through."

The stage-manager rapped on the table.

"Silence, please! We'll commence now."

An immediate hush followed. The groups broke up, spreading across the stage, facing the footlights. Such indifference to the occasion as many of them had hitherto evinced was gone now. They were there to be engaged. Even the most self-assured became serious, made so by the competitive equation. Only twelve girls and three men were wanted to complete the ranks of the chorus, and here were nearly forty applicants for the vacancies.

"Come on, come on. Who's first? You with the boa," proceeded the stage-manager. "What's your song?"

The girl indicated handed her music to the pianist. He rattled off the prelude without the waste of a moment. The girl sang a few bars, and was interrupted by: "That'll do. Next!"

Nothing more was said or asked. The girl took her sheet of music, and effaced herself. With equal celerity the next dozen were disposed of. Not more than one out of four was called to the table for her or his name to be recorded. All the while the singing was going on the stage-manager

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