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قراءة كتاب The Art of Illustration

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The Art of Illustration

The Art of Illustration

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دار النشر: Project Gutenberg
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that no one used more anecdotes than this splendid poet-preacher. His biographer truly says: "It would be hard to point out a branch of learning or of scientific pursuit to which he does not occasionally allude; or any author of eminence, either ancient or modern, with whom he does not evince himself acquainted. He more than once refers to obscure stories in ancient writers, as if they were of necessity as familiar to all his readers as to himself; as, for instance, he talks of 'poor Attillius Aviola,' and again of 'the Libyan lion that brake loose into his wilderness and killed two Roman boys.'" In all this he is eminently select and classical, and therefore I the more freely introduce him here; for there can be no reason why our anecdotes should all be rustic; we, too, may rifle the treasures of antiquity, and make the heathen contribute to the gospel, even as Hiram of Tyre served under Solomon's direction for the building of the temple of the Lord.

I am no admirer of Taylor's style in other respects, and his teaching seems to be at times semi-popish; but in this place I have only to deal with him upon one particular, and of that matter he is an admirable example. He lavishes classic stories even as an Asiatic queen bedecks herself with countless pearls. Out of a sermon I extract the following, which may suffice for our purpose:

Students Progressing Backward.—Menedemus was wont to say "that the young boys that went to Athens the first year were wise men, the second year philosophers, the third orators, and the fourth were but plebeians, and understood nothing but their own ignorance." And just so it happens to some in the progresses of religion. At first they are violent and active, and then they satiate all the appetites of religion; and that which is left is that they were soon weary and sat down in displeasure, and return to the world and dwell in the business of pride or money; and by this time they understand that their religion is declined, and passed from the heats and follies of youth to the coldness and infirmities of old age.

Diogenes and the Young Man.—Diogenes once spied a young man coming out of a tavern or place of entertainment, who, perceiving himself observed by the philosopher, with some confusion stepped back again, that he might, if possible, preserve his fame with that severe person. But Diogenes told him, "Quanto magis intraveris, tanto magis eris in caupona" ("The more you go back the longer you are in the place where you are ashamed to be seen"). He that conceals his sin still retains that which he counts his shame and burden.

No examples will have greater weight with you than those taken from among the Puritans, in whose steps it is our desire to walk, though, alas! we follow with feeble feet. Certain of them abounded in anecdotes and stories. Thomas Brooks is a signal instance of the wise and wealthy use of holy fancy. I put him first, because I reckon him to be the first in the special art which is now under consideration. He hath dust of gold; for even in the margins of his books there are sentences of exceeding preciousness, and hints at classic stories. His style is clear and full; he never so exceeds in illustration as to lose sight of his doctrine. His floods of metaphor never drown his meaning, but float it upon their surface. If you have never read his works I almost envy you the joy of entering for the first time upon his "Unsearchable Riches," trying his "Precious Remedies," tasting his "Apples of Gold," communing with his "Mute Christian," and enjoying his other masterly writings. Let me give you a taste of his quality in the way of anecdotes. Here are two brief ones; but he so abounds with them that you may readily cull scores of better ones for yourselves.

Mr. Welch Weeping.—A soul under special manifestations of love weeps that it can love Christ no more. Mr. Welch, a Suffolk minister, weeping at table, and being asked the reason of it, answered it was because he could love Christ no more. The true lovers of Christ can never rise high enough in their love to Christ. They count a little love to be no love, great love to be but little, strong love to be but weak, and the highest love to be infinitely below the worth of Christ, the beauty and glory of Christ, the fulness, sweetness, and goodness of Christ. The top of their misery in this life is that they love so little though they are so much beloved.

Submissive Silence.—Such was the silence of Philip the Second, King of Spain, that when his Invincible Armada, that had been three years a-fitting, was lost, he gave command that all over Spain they should give thanks to God and the saints that it was no more grievous.

Thomas Adams, the Conforming Puritan, whose sermons are full of rugged force and profound meaning, never hesitated to insert a story when he felt that it would enforce his teaching. His starting-point is ever some Biblical sentence, or scriptural history; and this he works out with much elaboration, bringing to it all the treasures of his mind. As Stowell says, "Fables, anecdotes, classical poetry, gems from the fathers and other old writers, are scattered over almost every page." His anecdotes are usually rough-and-ready ones, and might be compared to those of Latimer, only they are not so genial; their humor is generally grim and caustic. The following may serve as fair specimens:

The Husband and His Witty Wife.—The husband told his wife that he had one ill quality—he was given to be angry without cause. She wittily replied that she would keep him from that fault, for she would give him cause enough. It is the folly of some that they will be offended without cause, to whom the world promises that they shall have causes enough—"In the world ye shall have tribulation."

The Servant at the Sermon.—It is ordinary with many to commend the lecture to others' ears, but few commend it to their own hearts. It is morally true what the Christian Tell-Truth relates: A servant coming from church praiseth the sermon to his master. He asks him what was the text. "Nay," quoth the servant, "it was begun before I came in." "What, then, was his conclusion?" He answered, "I came out before it was done." "But what said he in the midst?" "Indeed I was asleep in the midst." Many crowd to get into the church, but make no room for the sermon to get into them.

William Gurnall, the author of "The Christian in Complete Armor," must surely have been a relater of pertinent stories in his sermons, since even in his set and solid writings they occur. Perhaps I need not have made the distinction between his writings and his preaching, for it appears from the preface that his "Christian in Complete Armor" was preached before it was printed. In vivid imagery every page of his famous book abounds, and whenever this is the case we are sure to light upon short narratives and striking incidents. He is as profuse in illustration as either Brooks, Watson, or Swinnock. Happy Lavenham, to have been served by such a pastor! By the way, this "Complete Armor" is beyond all others a preacher's book: I should think that more discourses have been suggested by it than by any other uninspired volume. I have often resorted to it when my own fire has been burning low, and I have seldom failed to find a glowing coal upon Gurnall's hearth. John Newton said that if he might read only one book beside the Bible, he would choose "The Christian in Complete Armor," and Cecil was of much the same opinion. J. C. Ryle has said of

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