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قراءة كتاب The Heritage of Dress Being Notes on the History and Evolution of Clothes

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‏اللغة: English
The Heritage of Dress
Being Notes on the History and Evolution of Clothes

The Heritage of Dress Being Notes on the History and Evolution of Clothes

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دار النشر: Project Gutenberg
الصفحة رقم: 6

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152. A fourteenth-century puppet-show (from the MS. of the “Roman d’Alexandre”) 259 153. Punch, from the Punch and Judy Show, showing the ruff and other details of Elizabethan costume 263 154. Judy, from the Punch and Judy Show, with ruff, mob cap, and apron 263 155. The Beadle, from the Punch and Judy Show 264 156. The Doctor, from the Punch and Judy Show, with wig and white tie 264 157. A clown, showing a survival of an Elizabethan costume 270 158. The dress of a modern harlequin 284 159. A pantaloon, showing an Elizabethan costume of which Venetian breeches form part 285 160. The bands that survive on a lady’s nightdress 289 161. A woman’s nightcap, still worn in Wiltshire 289 162. A man’s nightcap, from Oxfordshire 290 163. An English horse amulet in the form of a crescent. The flat places near the tips of the horns are evidence that the form is derived from two boars’ tusks 294 164. An English horse amulet showing both the heart and the sun 296 165. The cowry-shell ornaments on the head of an officer’s charger of the 10th Hussars. The pendant recalls that on mules in Palestine 298 166. Cowry shells on an Eastern mule, hanging like the pendant of the 10th Hussars 299 167. Cowry shells on the head-stall of a camel from Palestine 299 168. A Merveilleuse (after A. Robida) 345 169. A modern family, consisting of the average-sized mother, the taller daughter, and the puny boy (from a drawing by Miss Audrey Watson in “Physical Efficiency,” by Dr. Cantlie, by kind permission of Messrs. Putnam’s Sons) 357

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