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قراءة كتاب The Life of Ludwig van Beethoven, Volume II

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The Life of Ludwig van Beethoven, Volume II

The Life of Ludwig van Beethoven, Volume II

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THE LIFE OF LUDWIG VAN BEETHOVEN
VOLUME II

colophon

BEETHOVEN

After Mähler's Portrait of 1804
From the copy in possession of Mrs. Jabez Fox

The Life of
Ludwig van Beethoven

By Alexander Wheelock Thayer

Edited, revised and amended from the original English manuscript and the German editions of Hermann Deiters and Hugo Riemann, concluded, and all the documents newly translated

By
Henry Edward Krehbiel

Volume II

Published by
The Beethoven Association
New York

SECOND PRINTING

Copyright, 1921.
By Henry Edward Krehbiel

From the press of G. Schirmer, Inc., New York
Printed in the U. S. A.

Contents of Volume II

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Chapter I. The Year 1803—Cherubini’s Operas in Vienna and Rivalry between Schikaneder and the Imperial Theatres—Beethoven’s Engagement at the Theater-an-der-Wien—“Christus am Ölberg” again—Bridgetower and the “Kreutzer” Sonata—Career of the Violinist—Negotiations with Thomson for the Scottish Songs—New Friends—Willibrord Mähler’s Portrait of Beethoven—Compositions of the Year—A Pianoforte from Erard 1
Chapter II. The Year 1804—Schikaneder Sells His Theatre and is then Dismissed from the Management—Beethoven’s Contract Ended and Renewed by Baron Braun—The “Sinfonia Eroica”—Prince Louis Ferdinand of Prussia—Quarrel between Beethoven and von Breuning—The “Waldstein” Sonata—Sonnleithner, Treitschke and Gaveaux—Paër and His Opera “Leonora”—“Fidelio” Begun—Beethoven’s Growing Popularity—Publications of the Year 22
Chapter III. The Year 1805—Schuppanzigh’s First Quartet Concerts—First Public Performance of the “Eroica”—Pleyel—The Opera “Leonore,” or “Fidelio”; Jahn’s Study of the Sketchbook—The Singers and the Production—Vienna Abandoned by the Aristocracy as French Advance—Röckel’s Story of the Revision of the Opera—Compositions and Publications of the Year 41
Chapter IV. The Year 1806—Repetitions of “Fidelio”: A Revision of the Book by von Breuning—Changes in the Opera—The “Leonore” Overtures—A Second Failure—Beethoven Withdraws the Opera from the Theatre—Marriage of Karl Kaspar van Beethoven—A Journey to Silesia—Beethoven Leaves Prince Lichnowsky’s Country-seat in Anger—George Thomson and His Scottish Songs—Compositions and Publications of the Year—The “Appassionata” Sonata and Rasoumowsky Quartets—Reception of the Quartets in Russia and England—The Concerto for Violin 57
Chapter V. Beethoven’s Friends and Patrons in the First Lustrum of the Nineteenth Century—Archduke Rudolph, an Imperial Pupil—Count Andreas Rasoumowsky—Countess Erdödy—Baroness Ertmann—Marie Bigot—Therese Malfatti—Nanette Streicher—Doctor Zizius—Anecdotes 78
Chapter VI. Princes and Counts as Theatrical Directors: Beethoven Appeals for an Appointment—Vain Expectations—Subscription Concerts at Prince Lobkowitz’s—The Symphony in B-flat—Overture to “Coriolan”—Contract with Clementi—Errors in the Dates of Important Letters—The Mass in C—A Falling-out with Hummel—The “Leonore” Overtures again—Performances of Beethoven’s Works at the “Liebhaber” Concerts—The Year 1807 98
Chapter VII. The Year 1808—Johann van Beethoven Collects a Debt and Buys an Apothecary Shop in Linz—Wilhelm Rust—Plans for New Operas—Sketches for “Macbeth”—Imitative Music and the “Pastoral” Symphony—Count Oppersdorff and the Fourth Symphony—A Call to Cassel—Organization of Rasoumowsky’s Quartet—Appreciation of Beethoven in Vienna: Disagreement with Orchestral Musicians—Mishaps at the Performance of the Choral Fantasia 114
Chapter VIII. Jerome Bonaparte’s Invitation—A New Plan to Keep Beethoven in Vienna—The Annuity Contract—Ries’s Disappointment—Farewell to Archduke Rudolph in a Sonata—The Siege and Capitulation of Vienna—Seyfried’s “Studies”—Reissig’s Songs—An Abandoned Concert—Commission for Music to “Egmont”—Increased Cost of Living in Vienna—Dilatory Debtors—Products of 1809 135
Chapter IX. The Years 1807-09: a Retrospect—Beethoven’s Intellectual Development and Attainments: Growth after Emancipation from Domestic Cares—His Natural Disposition—Eager in Self-Instruction—Interest in Oriental Studies—His Religious Beliefs—Attitude towards the Church 163
Chapter X. The Year 1810—Disappointing Decrease in Productivity—The Music for “Egmont”—Money from Clementi, and a Marriage Project—A New Infatuation Prompts Attention to Dress—Therese Malfatti—Beethoven’s Relations with Bettina von Arnim—Her Correspondence with Goethe—A Question of Authenticity Discussed—Beethoven’s Letter to

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